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Sunday, September 18, 2011

THE DEVIL CAME TO BOSTON: VII

by Adam Bolivar



“So everyone keeps telling me.” I automatically touched my chest and felt the silver key hanging by a cord around my neck. Most of the time I forgot it was there, like a distant dream. I had first used the key to open a dream gate beneath Copp’s Hill and I couldn't help but wonder if there was a connection between that event and what was happening now. Had I allowed ghouls an opening to enter the waking world and prey upon the innocent denizens of Boston?

The Volkswagen bus pulled up alongside the venerable burying ground, and one-by-one, we emerged into the misty night. I felt like we were some kind of supernatural posse. In a way, I suppose that’s just what we were. The clock tower in Old North Church chimed twelve times, reinforcing the feeling that this was an Old West shootout. Only instead of a high noon on the frontier, it was darkest midnight in the one of the oldest cemeteries in America. Tombstone, Massachusetts.

It occurred to me that I should have called Detective Striker. But it was too late now, and I doubted there was anything he could have done to help. Bullets had no effect on ghouls. It would have just led to a lot of cops getting killed—or worse. We were the authorities here. We were the Thursbane, all of us together. The guardians of the waking world.

Gretchen and I scaled the wrought-iron fence easily. But it was evident that the Reverend was going to need some extra help. Harriet gave him a piggyback ride as she bounded over the fence as easily as stepping over a threshold.

“Show off,” I said.

“Hey, somebody’s got to demonstrate a little physical prowess in this flabby bunch.”

We walked towards the center of the cemetery, which was literally as quiet as the grave. The silence was so deep I could hear myself breathing. But the moon provided ample light, filling the ancient boneyard with an eerie silver glow.

“So where are the ghouls?” Gretchen asked. “Not that I’m eager to find any.”

“I don’t know,” I replied. “Something’s not right. Harriet, can you hear anything with those vampire ears of yours?” There was no reply. I wheeled around. “Harriet?” She had vanished. I turned back to Gretchen, but she was gone too.

“Gretchen? Reverend?”

Something very blunt and very hard struck the back of my head.

Then, darkness.





I awoke inside a dank, fetid-smelling prison cell the size of a closet. My head pounded in protest at the abuse that had been inflicted upon it. I rattled the cold iron bars of my cage to no avail.

“Harriet?” I cried. “Gretchen?”

“Your friends cannot hear you,” replied a voice as devoid of feeling as a machine. I forced my eyes to focus. Standing outside my cell was a slight tall man with thinning blond hair and owlish, wire-rimmed glasses. He was wearing an old-fashioned white lab coat with buttons along the side. His calculating pale blue eyes appraised me like a butcher inspecting a choice cut of meat.

“How... how did you...?” I asked haltingly. I could barely string a sentence together, my head hurt so much. I felt as if I might puke at any moment.

“How did I overcome the vampire?” the man completed for me. He had the quasi-English accent of a Boston Brahmin, dripping with condescension for those less cultured than he. “It was quite simple. The old legend about vampires shrinking from a cross is not entirely without merit. Of course it has nothing to do with the power of some impotent deity. Any sufficiently charged sigil will do.”

I was able to focus enough to get a layout at the chamber outside my cell. It was some kind of underground vault, no doubt somewhere in catacombs that lay beneath Copp’s Hill and perhaps much of the old part of Boston. It looked as if some sort of laboratory had been set up down here. The chamber was filled with a peculiar hodge-podge of the scientific and the occult. The scientific equipment looked as if it dated from the 1920s and 30s: bubbling beakers on Bunsen burners, crackling Tesla coils and a warbling oscilloscope. And interspersed amongst them was an assortment of occult paraphernalia: a chalice, a ceremonial dagger, black candles, a human skull and an ancient tome bound in a most peculiar leather.

“Allow me to introduce myself,” my captor said. “My name is Dr. Archimedes Cabot Choate.” With a name like that, the man was probably cousin to every family on Beacon Hill several times over. But why wasn’t he at a lobster social at the Mayflower Club? What was he doing here in this charnel house reeking of putrefaction?

As if in answer to my silent question, Dr. Choate pulled back a curtain to reveal an operating table. Gretchen was on top of it, unconscious, and bound by leather straps that must have dated to the Victorian era. An IV was inserted into her arm, and a sickly dark green liquid was oozing down a long transparent tube to trickle into her bloodstream. I wanted to call out to her, but I restrained myself. It would be pointless, and besides, I needed to keep my cool with this madman.

“I am on the brink of unlocking the mystery to eternal life, sought by alchemists since the time of Hermes Trismegistus. The key to immortality lies in death itself.”


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Archive of Stories and Authors (cont.)

John Claude Smith's
BLOOD ECHO SYMPHONIES


John Claude Smith's
NOT BREATHING



John Claude Smith writes weird fiction, something between Horror and Magic Realism, most of it psychologically driven. He's had over 40 tales and over 1100 music reviews, interviews, and profiles published. He is currently shopping two novels and a collection to agents and publishers, all while starting the third novel. Gotta keep on keepin' on! Looking forward to Rome in the not too distant future, but for now, just looking for the next short story to be written.

Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and daughter, cats, and tiny dog-like thing in their home in California where he occasionally experiments recreationally with lucidity. PLASTIC CHILDREN is his first publication.

J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughterhouse ('90-'97), runs Sutekh Productions (an industrial-ambient music label) and Slaughterhouse Records (metal record label), and was proprietor of The Abyss (a metal-gothic-industrial c.d. shop in SLC, now closed). He is the dark force behind Scapegoat (an ambient-tribal-noise-experimental unit). THE HOUSE IN THE PORT is his first publication.

K.B. Updike, Jr's
THE GOLDEN THIRD EYE


K.B. Updike, Jr. is a young virgin Virginia writer. KB's life work, published 100% for free: http://individuatechurch.50webs.com/

Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend. Singer, Songwriter, producer & founder of the notorious DWARVES. He has written two novels, ‘NINA’ and ‘ARMED to the TEETH with LIPSTICK’.

G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story in high school, and received a creative writing scholarship for the effort. Soon afterward he discovered that words were not enough, and left for art school. He was awarded the Emeritus Fellowship along with his BFA from Memphis College of Art in '94, and entered the videogame industry as a team leader and 3D artist. He has over 25 published games to his credit. Mr. Davis is a Burningman participant of 10 years, and he swings a mean sword in the SCA.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former resident of the Salt Pit, UT, currently living in Simi Valley, CA. His short stories are on Blogger and his poetry is hosted on Livejournal.


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous biographical blurbs written in the third person. His previously published fiction appears in The Vault of Punk Horror and Monstrous: 20 Tales of Giant Creature Terror. His non-fiction financial pieces can be found in a shiny, west-coast magazine that features pictures of expensive homes, as well as images of women in casual poses and their accessories. Consider writing him at paul@twilightlane.com, if you'd like some thing from his garage. In fall 2010, look for Grade 12 Trigonometry and Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning author of horror, science fiction and poetry. She is best known for the 2002 Bram Stoker Award winner for Best Poetry Collection, The Gossamer Eye (along with Mark McLaughlin and David Niall Wilson). Her most recent book, Barfodder: Poetry Written in Dark Bars and Questionable Cafes, has been hailed by Publisher's Weekly as "Bukowski meets Lovecraft..." in January of 2009. She lives and writes in San Francisco, performing spoken word at events around the country. 877-DRK-POEM - Listen. http://raingraves.com/


Icy Sedgwick's
THE PORCELAIN WOMAN


Icy Sedgwick is part writer and part trainee supervillain. She lives in the UK but dreams of the Old West. Her current works include a ghost story about a Cavalier and a Western tale of retribution. Find her ebooks, free weekly fiction and other shenanigans at Icy’s Blunt Pencil.