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Monday, February 28, 2022

☼ Lambent Tetrad Issue ☆





  Welcome to the thirty-second issue of the Freezine of Fantasy and Science Fiction, a lambent tetrad of tales. This world wide conglomerate began in the summer of 2009.  Back then we serialized exciting new science fiction novellas such as John Shirley's swashbuckling Sky Pirates, Blag Dahlia's street gritty armed to the teeth with LIPSTICK, David Agranoff's Wuxia prequel The Fallen Guardian's Mandate, and even serialized, for the first time anywhere, Richard Dadd's epic poem Elimination of a Picture and Its Subject--Called the Feller's Master Stroke, among many other stand alone short stories, poems, and more daily serializations, too many to keep track of really, which is why they're showcased in the form of this blog, a nifty means of keeping everything tidily preserved for posterity and archived in chronological order.  

   Fast-forward through the Blog Archive nearly thirteen years until you get to the year 2022, and here we are. As long-time readers of the webzine know, a portion of my neurons were taken over by a mysterious microfleet of nanobots sent back in time to the year 2009 from someplace in the future (now known to be from a Tesla podcraft in orbit about Ceres around the year 2045).  This has been revealed over the past decade in the form of many digital missives which have been typed up remotely with my own fingers by virtue of having my brain's Operating System hijacked by the bloodHost.  

   For this year we at the helm of the FREEZINE have been instructed by the nanoFleet (another moniker for our emissaries from the future) to put out an issue every month.  Last month we ran Philip K. Dick's 1953 story Second Variety in eight installments, along with two more short stories by our very own local contributors: Survivor Guilt by Vincent Daemon and Speed Demon by Shaun Lawton.  

   The February, 2022 issue of the Freezine ran four stories (images hyper-link to the stories):

The Push of a Finger, by Alfred Bester



Slither Eyes, by John Shirley


Divine Wind, by David Agranoff


White City, by Lewis Shiner





  I want to take this time to give a hearty shout-out of THANKS to Alfred Bester; first of all, for keeping me enthralled in high school reading every book and short story of his I could get my hands on.  Luckily for us his 1942 short story The Push of a Finger remains in the public domain. An additional thank you goes out to the team at Project Gutenberg who uploaded the text for creative commons distribution.   (On a side note, I consider myself the first reader in line for this particular story, as it turns out I don't recall ever having read it before. So I'm grateful to the Freezine for having dusted it off and ran it in this month's issue.) I loved every  minute of the story. Now I find myself having come full circle as both editor and reader, here. I'm eager to unearth more overlooked classics over the coming year, when the opportunity presents itself. 

   It is with much appreciation that I must thank John Shirley once again for continuing to participate in our growing venture into the science fictional and more fantastic realms of cyberspace right here on the world wide web. I think we can all agree that were Nikola Tesla alive today, he'd be outright tickled pink by this technological wonder of a communications tool we all have been virtually taking for granted since it's inception. For all we know, Tesla played a hand in inventing the internet. I really dig the focused and creepy vibe of Slither Eyes, with its feel of rapidly induced immediacy and its harrowing subject matter.  I think the artwork I generated for it (courtesy of the Wombo Dream app on my smartphone) ended up working perfectly to complement the visceral terror of the story. If the freezine can be anything like Creepshow, I'm happy. In this one, the creep runs deep. 

   A thousand-and-one Thanks go out to my cohort in cyberspace David Agranoff for submitting his science fiction tale Divine Wind to our digital endeavor.  Since I'm a father now, the story's theme and events hit me hard, providing the emotional basis to see the tale through to the end. The story has a certain resonance with current events.  I utilized a detail from one of my AI-generated artworks (that was slated to be an oracle card for a Kaiju Battle Deck) whose original title was "Wind Demons" and it struck me that it would serve David's story well.  I really dig the story and I'm very happy that David has returned to his old stomping grounds, here at our perennial zine.  

   Last but not least, a very sincere Thank You to Lewis Shiner, who I reached out to by this wonder of modern tech, and was not disappointed as he kindly allowed me to run any story I wanted from his website Fiction Liberation Front.   You all should check it out since there's a ton of his fiction archived there, free to peruse and share as you'd like.   The story White City sure comes across as a short, sharp shock of a tale.  I love how concise and elegantly written it is, vividly conjuring the scene at the Chicago's World Fair and Columbian Exposition of 1893. There's certainly a lot of telling detail compressed into this historical micro-fiction, and it all leads effortlessly to a mind-bending twist that I did not see coming, and which left me reeling with curiosity and a renewed sense of wonder. Really a fine way to end this edition of our periodical.  These four stories just kind of fell together as we marched through February.  I'm really looking forward to next month so we can build the next issue together. (Send queries through IM or to the email in italics listed below.) 


   So that's a wrap on yet another issue  (#32) of the Freezine of Fantasy and Science Fiction. Following after the footprints left in the dust behind us by Anthony Boucher (founder and editor of the Magazine of Fantasy and Science Fiction) the Freezine staff  (that includes you and anyone else who wishes to be included) remain devoted to collecting submissions and commonly distributed creative writings, either in the public domain or to be printed with permission of the copyright holder (whichever the case may be), and to continue putting out novellas and longer works serialized in installments or stand-alone short stories of a particular flavor, bordering on the razor's edge of death, concerning crypto-terrestrials, technological wonders so commonplace as to leave their users jaded, scientific curiosities no longer meaningful to the majority, riveting mysteries concerning strange events, scary tales to be read late at night with all the lights turned on brightly, or practically any fantastical examples of the written word that may be perused in a satisfying manner, to be accompanied here by fabulous illustrations rendered by the limitless imagination of willing contributors.  

   Consider the freezine to be a free form creative writing workshop or just
 Feel free to message me on FB or send me an email to:
freezinefantasysciencefiction@gmail.com 
and I'll respond in a timely manner.  The Freezine is really for people on social media, so if you're on social media, it'll work for you.  You can easily share all the individual posts' URLs on Twitter and FB, etc. Anyhow thanks for reading and following the freezine. We've all been somehow tricked into this existence. 

   

   







 




White City

 by Lewis Shiner


                                                                            digital art by Shaun Lawton 

 



   Tesla lifts the piece of sirloin to his lips. Its volume is approximately .25 cubic inches, or .02777 of the entire steak. As he chews, he notices a waterspot on the back of his fork. He takes a fresh napkin from the stack at his left elbow and scrubs the fork vigorously.

   He is sitting at a private table in the refreshment stand at the west end of the Court of Honor. He looks out onto the Chicago World's Fair and Columbian Exposition. It is October of 1893. The sun is long gone and the reflections of Tesla's electric lights sparkle on the surface of the Main Basin, turning the spray from the fountain into glittering jewels. At the far end of the Basin stands the olive-wreathed Statue of the Republic in flowing robes. On all sides the White City lies in pristine elegance, testimony to the glorious architecture of ancient Greece and Rome. Its chilly streets are populated by mustached men in topcoats and sturdy women in woolen shawls.

   The time is 9:45. At midnight Nikola Tesla will produce his greatest miracle. The number twelve seems auspicious. It is important to him, for reasons he cannot understand, that it is divisible by three.

   Anne Morgan, daughter of financier J. Pierpoint Morgan, stands at a little distance from his table. Though still finishing school she is tall, self-possessed, strikingly attractive. She is reluctant to disturb Tesla, knowing he prefers to dine alone. Still she is drawn to him irresistibly. He is rake thin and handsome as the devil himself, with steel gray eyes that pierce through to her soul.

   "Mr. Tesla," she says, "I pray I am not disturbing you."

   Tesla looks up, smiles gently. "Miss Morgan." He begins to rise.

   "Please, do not get up. I was merely afraid I would miss you. I had hoped we might walk together after you finished here."

   "I would be delighted."

   "I shall await you there, by the Basin."

   She withdraws. Trailing a gloved hand along the balustrade, she tries to avoid the drunken crowds which swarm the Exposition Grounds. Tomorrow the Fair will close and pass into history. Already there are arguments as to what is to become of these splendid buildings. There is neither money to maintain them nor desire to demolish them. Chicago's Mayor, Carter Harrison, worries that they will end up filthy and vandalized, providing shelter for the hundreds of poor who will no longer have jobs when the Fair ends.

   Her thoughts turn back to Tesla. She finds herself inordinately taken with him. At least part of the attraction is the mystery of his personal life. At age 37 he has never married nor been engaged. She has heard rumors that his tastes might be, to put it delicately, Greek in nature. There is no evidence to support this gossip and she does not credit it. Rather it seems likely that no one has yet been willing to indulge the inventor's many idiosyncrasies.

   She absently touches her bare left ear lobe. She no longer wears the pearl earrings that so offended him on their first meeting. She flushes at the memory, and at that point Tesla appears.

   "Shall we walk?" he asks.

   She nods and matches his stride, careful not to take his arm. Tesla is not comfortable with personal contact.

   To their left is the Hall of Agriculture. She has heard that its most popular attraction is an 11-ton cheese from Ontario. Like so many other visitors to the Fair, she has not actually visited any of the exhibits. They seem dull and pedestrian compared to the purity and classical lines of the buildings which house them. The fragrance of fresh roses drifts out through the open doors, and for a moment she is lost in a reverie of New York in the spring.

   As they pass the end of the hall they are in darkness for a few moments. Tesla seems to shudder. He has been silent and intent, as if compulsively counting his steps. It would not surprise her if this were actually the case.

   "Is anything wrong?" she asks.

   "No," Tesla says. "It's nothing."

   In fact the darkness is full of lurking nightmares for Tesla. Just now he was five years old again, watching his older brother Daniel fall to his death. Years of guilty self-examination have not made the scene clearer. They stood together at the top of the cellar stairs, and then Daniel fell into the darkness. Did he fall? Did Nikola, in a moment of childish rage, push him?

   All his life he has feared the dark. His father took his candles away, so little Nikola made his own. Now the full-grown Tesla has brought electric light to the White City, carried by safe, inexpensive alternating current. It is only the beginning.

   They round the East end of the Court of Honor. At the Music Hall, the Imperial Band of Austria plays melodies from Wagner. Anne Morgan shivers in the evening chill. "Look at the moon," she says. "Isn't it romantic?"

   Tesla's smile seems condescending. "I have never understood the romantic impulse. We humans are meat machines, and nothing more."

   "That is hardly a pleasant image."

   "I do not mean to be offensive, only accurate. That is the aim of science, after all."

   "Yes, of course," Anne Morgan says. "Science." There seems no way to reach him, no chink in his cool exterior. This is where the others gave up, she thinks. I will prove stronger than all of them. In her short, privileged existence, she has always obtained what she wants. "I wish I knew more about it."

   "Science is a pure, white light," Tesla says. "It shines evenly on all things, and reveals their particular truths. It banishes uncertainty, and opinion, and contradiction. Through it we master the world."

   They have circled back to the west, and to their right is the Liberal Arts Building. She has heard that it contains so much painting and sculpture that one can only wander helplessly among it. To attempt to seek out a single artist, or to look for the French Impressionists, of whom she has been hearing so much, would be sheer futility.

   Under Tesla's electric lights, the polished façade of the building sparkles. For a moment, looking down the impossibly long line of perfect Corinthian columns, she feels what Tesla feels: the triumph of man over nature, the will to conquer and shape and control. Then the night breeze brings her the scent of roses from across the Basin and the feeling passes.


   They enter the Electricity Building together and stand in the center, underneath the great dome. This is the site of the Westinghouse exhibit, a huge curtained archway resting upon a metal platform. Beyond the arch are two huge Tesla coils, the largest ever built. At the peak of the arch is a tablet inscribed with the words: WESTINGHOUSE ELECTRIC & MANUFACTURING CO./TESLA POLYPHASE SYSTEM.

   Tesla's mood is triumphant. Edison, his chief rival, has been proven wrong. Alternating current will be the choice of the future. The Westinghouse company has this week been awarded the contract to build the first two generators at Niagara Falls. Tesla cannot forgive Edison's hiring of Menlo Park street urchins to kidnap pets, which he then electrocuted with alternating current—"Westinghoused" them, as he called it. But Edison's petty, lunatic attempts to discredit the polyphase system have failed, and he stands revealed as an old, bitter, and unimaginative man.

   Edison has lost, and history will soon forget him.

   George Westinghouse himself, Tesla's patron, is here tonight. So are J.P. Morgan, Anne's father, and William K. Vanderbilt and Mayor Harrison. Here also are Tesla's friends Robert and Katharine Johnson, and Samuel Clemens, who insists everyone call him by his pen name.

   It is nearly midnight.

   Tesla steps lightly onto the platform. He snaps his fingers and gas-filled tubes burst into pure white light. Tesla has fashioned them to spell out the names of several of the celebrities present, as well as the names of his favorite Serbian poets. He holds up his hands to the awed and expectant crowd. "Gentlemen and Ladies. I have no wish to bore you with speeches. I have asked you here to witness a demonstration of the power of electricity."

   He continues to talk, his voice rising to a high pitch in his excitement. He produces several wireless lamps and places them around the stage. He points out that their illumination is undiminished, despite their distance from the broadcast power source. "Note how the gas at low pressure exhibits extremely high conductivity. This gas is little different from that in the upper reaches of our atmosphere."

   He concludes with a few fireballs and pinwheels of light. As the applause gradually subsides he holds up his hands once again. "These are little more than parlor tricks. Tonight I wish to say thank you, in a dramatic and visible way, to all of you who have supported me through your patronage, through your kindness, through your friendship. This is my gift to you, and to all of mankind."

   He opens a panel in the front of the arch. A massive knife switch is revealed. Tesla makes a short bow and then throws the switch.

   The air crackles with ozone. Electricity roars through Tesla's body. His hair stands on end and flames dance at the tips of his fingers. Electricity is his God, his best friend, his only lover. It is clean, pure, absolute. It arcs through him and invisibly into the sky. Tesla alone can see it. To him it is blinding white, the color he sees when inspiration, fear, or elation strikes him.

   The coils draw colossal amounts of power. All across the great hall, all over the White City, lights flicker and dim. Anne Morgan cries out in shock and fear.

   Through the vaulted windows overhead the sky itself begins to glow.

   Something sparks and hisses and the machine winds down. The air reeks of melted copper and glass and rubber. It makes no difference. The miracle is complete.

   Tesla steps down from the platform. His friends edge away from him, involuntarily. Tesla smiles like a wise father. "If you will follow me, I will show you what man has wrought."

   Already there are screams from outside. Tesla walks quickly to the doors and throws them open.

   Anne Morgan is one of the first to follow him out. She cannot help but fear him, despite her attraction, despite all her best intentions. All around her she sees fairgoers with their necks craned upward, or their eyes hidden in fear. She turns her own gaze to the heavens and lets out a short, startled cry.

   The sky is on fire. Or rather, it burns the way the filaments burn in one of Tesla's electric lamps. It has become a sheet of glowing white. After a few seconds the glare hurts her eyes and she must look away.

   It is midnight, and the Court of Honor is lit as if by the noonday sun. She is close enough to hear Tesla speak a single, whispered word: "Magnificent."

   Westinghouse comes forward nervously. "This is quite spectacular," he says, "but hadn't you best, er, turn it off?"

   Tesla shakes his head. Pride shines from his face. "You do not seem to understand. The atmosphere itself, some 35,000 feet up, has become an electrical conductor. I call it my 'terrestrial night light.' The charge is permanent. I have banished night from the world for all time."

   "For all time?" Westinghouse stammers.

   Anne Morgan slumps against a column, feels the cold marble against her back. Night, banished? The stars, gone forever? "You're mad," she says to Tesla. "What have you done?"

   Tesla turns away. The reaction is not what he expected. Where is their gratitude? He has turned their entire world into a White City, a city in which crime and fear and nightmares are no longer possible. Yet men point at him, shouting curses, and women weep openly.

   He pushes past them, toward the train station. Meat machines, he thinks. They are so used to their inefficient cycles of night and day. But they will learn.

   He boards a train for New York and secures a private compartment. As he drives on into the white night, his window remains brilliantly lighted.

   In the light there is truth. In the light there is peace. In the light he will be able, at last, to sleep.











Sunday, February 27, 2022

Divine Wind


                                               digital art by Shaun Lawton 



            No matter how many years pass you never forget the smell of your own child's burning flesh.  His environment of recycled air and water was perfectly controlled so that he could live.  So he could complete the mission. The smell was in his mind but that didn't make it easier.

            Year twenty-six, based on the standard Earth calendar was a few hours away. Edward Hartwick spent most of his hours in the control room. He stared out over the control stick, the tiny window into the unchanging void stared back at him. He often put his hand on the thick glass trying to feel the cold of the void. It reminded him that this was not a nightmare.

            He didn't have to pilot the ship, the On-board Artificial Intelligence did everything. He stared at the planets and stars. They didn't seem to move. Not unless you sat in the chair long enough. Tau Ceti grew larger, but like watching your own child grow he didn't notice the subtle changes. He was going faster and deeper into space than any human being, but it didn't feel like movement from the moment he had swung out of Jupiter's gravity. Strapped in the launch was enough to almost crush him. Then with nothing close by for reference it was easy to forget he was even in motion. How often he would think about the Earth's 460 meters per second when he was on Earth? He didn't, No one thinks about the Earth moving through space.  He forced himself to get up run the length of the ship to the storage bay a few times every 24 hour cycle. The gravity on the ship changed constantly, he could feel difference from his chair in the control room. He didn't need Oasis to tell him even if it was programmed to tell him every time gravity shifted.

            He could tell certain stars were getting closer each day, each month, each year. He knew time was bullshit, forget for a moment that he was traveling at a speed that bent time. Time was a construct built for life on Earth and the days, months and years were meaningless here. The only thing that kept time relevant was Hartwick himself.

             In a function of the ship's original design, he had access to the complete database of human culture. Language, art, science, and pure entertainment from the culturally relevant to the embarrassingly filthy. He went through phases of interest in the collection but none of it seemed to matter. Humanity had become an echo long faded.  It had been years since he talked to a living person, a vast sea of nothing separated him and the nearest human being, he was more alone than anyone had ever been and yet that smell never left him.

            Hartwick watched the clock often, counting down seconds and minutes till his twenty-sixth year on board the ship. The final year on his trip was just minutes away. He thought he would die here on the ship long before they reached Tau Ceti.

            “Captain Hartwick,” The computer had not spoken to him in almost three years. Not since he screamed at it to leave him alone. It had followed his order but he knew it was there the whole time. If he didn't eat food, it would appear. If he didn't take his meds it would appear. The door to the hall would open if he sat too long. No words spoken but he understood, get up off your ass and run the length of the ship. He supposed this was the AI version of a cold shoulder.

            “I know, Oasis.”

            “We are entering detection range in one hundred and twenty hours – mission protocol suggests we begin drills.”

            He reached up to the glass and touched his index finger to the bright spot of the star. Slowly he moved his finger across the glass to a smaller flickering light. The light disappeared behind his index finger. Tau Ceti E is the fourth planet in orbit of the star.

            “Here I come.”       

 

 

            “Eddie!” Col. Richards gave Hartwick the manliest of hugs almost slapping the air from him. The two men had last seen each other on Earth.  They didn't know each other well enough to warrant the hug but the colonial forward station was the loneliest outpost on the quickly overpopulating moon. Built a mere 10 kilometers from Armstrong's first footprint, the majority of its operations were done by AI monitoring construction projects around the solar system. From habitats on Mars and Titan to algae farms on Europa.

            “Welcome to Luna, buddy.”

            Hartwick dropped his bag and turned to look out the large display windows. Europe and Africa rose on a crescent Earth above the horizon. His third trip to the moon, and it still took his breath away. The two men stared at the sight.  It never got old. The cradle of humanity hung in the sky.

            “No matter what bullshit is going on down there, it is still beautiful from here, huh Eddie?”

            “Yes sir, still home.”

            Richards laughed a little.

            “Time to walk on our own.”

            Hartwick knew what he meant; they were thinking the same thing. It looked beautiful from here, but the water had grown scarce. What remained was poisoned, and taking the salt out was killing the oceans. The fish had long ago been eaten to extinction, leaving a dead zone filled with islands of floating plastic. Crucial parts of the ecosystem were dead enough that the whole system crashed. The rains clustered in some parts of the globe, and never came to others. The rivers and lakes were too poisoned to maintain life.  Mass exodus was the focus of the new century. Twenty-Two was about the journey. Mars, Titan, Io and Europa.  Maniacs lived in stationary orbit above Mercury's dark side, but their survival was no less precarious than the people stubbornly hanging on to the Earth.

            “That's why I am here, Colonel. My family and I are ready to be a part of the new worlds.”

            Richards walked him over to a hologram projected at his eye level. Three feet long, it was an image of a ship. One pod that looked like tin cans connected by strings. Hartwick stepped around it and saw three dozen engines.

            “Noah is a state of the art vessel being built in orbit above Mars. We will need to get it up to full speed before it loops around Jupiter.”

            “You want me to fly it?”

            Richards shook his head. “Trained the designer to fly it, you'll be a passenger in a sense, we all will.”

            He had read the theory about this mission. Taking our data to the stars, from DNA to every bit of data that is humanity brought down to the smallest scale.  A civilization to be rebuilt after a three decades voyage into the void.

            “You want my DNA, I'll be left on Earth.”

            “Mars, Titan or here on this tiny world, home will always be on the horizon. Your choice, and a part of you will build a new world.”

            “Why can't I fly it?”

            “It will be a long and painful journey, don't be jealous, only one person can pilot Noah. Doctor Garcia will lead the awakening. She must be there. Your family couldn't go with you if you did.”

            Hartwick leaned in to look closer at the hologram of the ship. “Why not fly it by AI?”

            “The O.A.I.S. will do almost everything, we just want you to teach doctor Garcia the basics.  She is one of the smartest people in all the worlds. We need someone who can think on their feet if the AI crashes.”

            He looked out at the dead Earth. He could always get work as a pilot but there really was no choice, he had to take the gig if he was going to get Emily and Jake off world.

            “You know the answer.” 

 


            It sounded like rain drops. The little pitter patter on the hull sometimes like a light rain, but mostly it sounded like a raging storm. The ship was designed to move through this dust, but he couldn't take the sound. Hartwick lived  most of his time with headphones on listening to music loud enough to drone out the sounds, but as he moved into the rendezvous with Tau Ceti E, he could no longer listen to music; he had to be ready – he had to listen.

            He listened one more time to  Bach's Prelude to C. The piano spoke to him.

            “Oasis...stop music play back.”

            The sound of dust hitting the ship was thankfully light at the moment. Hartwick had trouble thinking of the Tau Ceti system as the void. After years in deep space the galaxy could be described by no better word. This system, however, was filled with debris which was believed to be a coughed-up planet larger than anything our Sun had.

            “Oasis, how long until we clear the dust belt?”

            “One thousand two hundred and thirty kilometers.”

            Hartwick settled in his chair. The gravity was slightly lighter than Earth's today. He had to pull himself all the way into the chair. Decelerating was playing havoc with the life support. Even the oxygen moved through the ship in strange ways.  A glass of water and a plate with an algae patty waited for him in the control room. He wondered how many times he drank this same water, how many times he peed it back out. How many times it was recycled into the swamp O.A.I.S. maintained just to support his life.

            Tau Ceti E was getting brighter. In Earth terms it was a matter of months now. He had to open his ears.

            “Oasis – Scan for transmissions and any artificial pockets opening in space.”

            He no idea what was happening back home because receiving transmissions from the Sol system would be like painting a target on the ship. The AI was smart enough to sweep forward for signals, it could pick up on non-directional signals. The survival of the species was not a given. So few remained.

            “I am detecting several million signals both private and public.”

            “Can you translate?”

            “Not at this time.”

            “Play one of the public signals.”

            The signal crackled for a moment and then came through the speakers. The language was not like one he had heard before.

            Hartwick listened to it anyways. It was better than silence. Better than the sound of space dust hitting the hull.  In time, he began to recognize patterns, but without a visual it was hard to develop concepts. No one had laid eyes on a Ceti. Until the last days before he left, no one had even heard them before. They saw their ships and felt their wrath. But no one had a clue what they looked like. Only that they came from Tau Ceti.         

 


            Ed Hartwick rolled over in bed and saw his wife standing at the window. He was still naked under the covers. She was dressed for the day, looked ready to go to the office, her keys in her hand. Emily had her dreads pulled into pig tails. That is what she did with her hair when she worked the floor at the hospital. Her mocha skin was lighter than his, or their son's. She wore teal colored scrubs and matching shoes. It was her best color, but Ed thought she looked great in anything. Her smile and amazing bedside manner made her a beacon of hope, not just in the hospital but in this dying world.

            “What are you staring at?” He sat up in bed.

            She smiled. “Our son...he is playing pilot in the backyard. What are you staring at?”

            “The most beautiful thing I'll see today,” He patted her now empty spot on the bed. “You have a few minutes.”

            She shook her head. “I don't. I have...”

            Her words trailed off as she looked up into the sky.

            “Eddie, you better see this.”

            Hartwick searched the floor for his underwear.

            She nodded and waved him to the window. Hartwick stood up and slid on his underwear. He didn't look out the window, he cleared a spot on her neck and kissed her softly. Then heard the boom...sounding like far off thunder, then another...before long, they popped like popcorn. He looked up, hearing Emily's increased breath.

            “What is it, baby?”

             In the sky above, as far as they could see, massive holes had opened, and through them it looked like open space. As if something had poked holes through into deep space.

            “I'm not sure...”

            “Jake,” She whispered their son's name. Their miracle child. They weren't supposed to have children. No one on Earth was. Jake was an accident, and no matter the challenges that raising a child in this world gave them, they loved him with all their heart. It was worth it all.

            Jake stood in the dusty backyard and pointed at the sky.

            “Get him inside!”

            Emily ran out of the room, Ed dashed to the closet to grab shoes.  He slipped them on his feet and ran behind her. The sonic booms kept shaking the house, louder and closer each second. Emily jumped the last four steps and had her hand on the sliding door. The house shook apart as the booms got closer. Ed tripped on the bottom step.

            From the floor he looked out. Emily pulled the door open just as the rain began. It wasn't water. It was like jelly, but ignited faster than napalm, singed the air as it streaked to the ground.  Fire and death filled the sky.

            Emily ran to their boy. The ground was like hot coals and the Earth itself was in flames. Jake screamed a final time as his mother put her arms around him. Ed screamed, not sure what to do, his boy was on fire while Emily his love ran into the flames.

            His heart broke so completely that his legs gave out. He felt the hot Earth at his back and saw the Ceti ships crossing the sky like a storm front. It paralyzed him. He lay there waiting to die as his wife's screams faded and his boy's skin burned.           

           


            “Get him inside.” Those three words haunted him. She had shoes on, he wanted to grab shoes. Why he thought he needed shoes, he couldn't say. It made sense on that day.  His clock had counted twenty-six years since that day. So many light years behind him...  He sat at the helm of a ship big enough to carry a civilization to new worlds.

            From the window at the rear of the control pod he could look back at the ship. The engines that had long since gone dark used to create a horizon in the distance over the tail end of the ship. The back of the space craft was the size of a city. From a distance it resembled a baseball dragging home plate by a thread. The back was more than a wall of engines, it was designed by Doctor Ellen Garcia to store the DNA history of all plant, people and animals, a massive catalog of life stuff. Noah was meant to bring humanity to the stars. Beyond the Kuiper Belt to a new world, Garcia's progeny would be raised to respect life better than it had been on Earth.

            Except that mission never happened.

            Hartwick had just completed Garcia's training while she was at the forward station on Mars when the Ceti's attack began. She died instantly. From Titan to Mercury, the Cetis were meticulous, ninety-five percent of humanity was eradicated across the solar system in less time than it took to process. It was no surprise that most of Noah's team was gone.

            Every survivor dealt with the guilt of why they lived. Hartwick wondered how he would have dealt with it if he didn't have the mission. He could never erase the pain he felt when he thought of Jake and Emily. For years he would often stare, just looking at their picture. Then there would follow days when he cried himself to sickness.  He remembered that feeling of watching the Ceti ships turn around and head back into the wormholes. He watched the anomalies close, afraid to look at his dead family again. He never look at them again. He felt like a coward in that respect. That is why the smell tortured him endlessly. He was sure he smelled it every time a door opened. He would run the length of the ship, and the smell seemed to follow him like a shadow.  

            Now he had something new to focus on. The voices. They came from the people who had folded space to destroy his species and casually end the life of the two most beautiful human beings he had ever known.

            He could see their world now. He was coming closer each day. All these years of torture in solitude, and here it was. Tau Ceti E.

            Their language sounded almost European, romantic and sweeping. At first he wanted to hear it because it gave him satisfaction. They didn't know he was coming anymore than they had on that Thursday, twenty-six years ago. They didn't know he was riding on the biggest bomb a civilization could produce. A cocktail of chemicals meant to tear apart ecosystems. A world ender.

            “Here I come, you bastards.” But only the O.A.I.S. heard him.

            He started decelerating ten years ago – five years too late if he wanted to orbit their world. He had no plans to slow down enough though; he needed to hit that atmosphere running. At least that was the plan.

             He only needed to be there because the Ceti's wormholes created an electromagnetic pulse that would shut down the AI's OS. So they had three back-ups in a deeply shielded core. Hartwick's only job was to be ready to install back-ups, with a strict timeline of thirty minutes – the time that life support would cycle without power. Hold your breath and install the new AI. He did a drill for every month on Earth during the first decade.

            A terminally bored Hartwick scrolled through the public signals until he heard something different.

            “Oasis, increase volume to forty-five percent.”

            Sound filled the control room. Violin. That is what it sounded like. He would have bet anything in that moment that it was an Earth made violin  even if intellectually he understood it wasn't. He could almost picture the bow across the strings, played to beautiful effect. He could picture Emily perfectly in a flowing dress, next to him in a concert hall, her hand holding his tight. The violinist on stage alone, a man in a tuxedo sitting at the edge of his chair, playing. Hartwick closed his eyes and pictured it. The room filled with people closing their eyes along with with him, feeling the notes tickling their ear drums. A beautiful moment of shared experience.

            The song ended  he felt the urge to clap, as it was a beautiful song  then a voice destroyed the imagined scene. A Ceti voice articulated, in its language it intonated beautiful and tragic notes as the song continued. It was at that moment he realized he was listening to music composed on another world. A being born under a different star sung to him. He had no clue if the voice even came from lips, or that the strings were played with hands.

            The song was beautiful, but the species that produced it was the same that had come to Earth twenty-six years ago.

            “Oasis, how is the translation coming?”

            Hartwick waited, listening to the song, now more than ever wondering what he was hearing. What they were saying.

            “Oasis?”

            “Yes, sir.”

            “How is the translation coming?”

            He got the sense the AI didn't want to answer.

            Eighty-six percent of the language has English equivalents.

            “I want you to play the signals at twenty percent volume and the translation at forty.”

            “This would not be advised.”

            Hartwick grabbed an earpiece and put it on. “Tell you what, you play it for me, and I'll do twenty laps, the length of the ship.”

            Hartwick put the earpiece in and opened the control room door. The music flooded into his ears. Oasis's monotone voice was just audible over the singing.

            “Oh my child, through the night you carry out past the stars, may you come home to our unit whole and complete....”             

 


            It wasn't a special day. A Thursday. The first warnings were ignored. Lost signals from the colonies further away than the Sun. The Cetis appeared in orbit like sharks breaking the surface of the ocean. Space and time tore like paper, and their ships came through.

            Just as quickly as it began, it was over. It seemed all at once; with the delay in signal from the colonies, it was hard to tell. General Richards survived. When he discovered his promotion, he was recovering from a wicked combination of third degree burns and frostbite due to an exposure to the Martian atmosphere, after the attack. He was now the highest ranking member of the colonial military to live. Hartwick suspected that he survived by hiding, but he had also learned there was no logic or reason behind who lived and who died in the attack.

            Hartwick floated through the main chamber, and saw Richards alone at the window looking out at Noah. Untouched, in perfect condition, with only one problem: the Cetis had set flame most of the civilization it was designed to carry. The undertaking of recording and storing the data had just begun.

            “Sir.” 

            There would be no pats on the back. No yelling 'Eddie' or any pleasantries. The fun, jovial man was lost.

            “Sorry about your family, son.”

             Hartwick looked down and said what all survivors had learned to say. “I'm sorry for us all.”

            Richards shook his head. “I wont waste your time, I think you know why I asked you here.”

            Hartwick shook his head. “I'm sorry...I don't know.”

            “Do you know who they were?”

            Hartwick heard rumors like everyone else, but did anyone know? Richards read his mind. He knew that he didn't know.

            He moved his fingers together, tapping his control map, and an image of the the Milky Way galaxy floated before them in 3D.

            “That's us right there, by our sun he didn't move his finger far and that's them. Not far at all. Tau Ceti E, the fifth planet from their star. Only twelve light years away.”

            The general pointed up at Noah hanging in orbit just above the red surface of Mars. Far off in the distance, the Sun was poking over the horizon just enough to give them light.

            “Noah was designed for a three hundred and twenty-two year mission to Kepler 138b. If we swing it off Jupiter, we can get it going just under the speed of light, at least that is what I'm being told.”

            Hartwick flashed back to that last morning with Emily, the spot in the bed still warm from her body an hour after she got up. He felt like he was being stabbed.

            “Why did they do it?”

            Richards shook his head. “We had a probe fall back through a wormhole, and it just briefly sent a signal. It was pure luck. We know where they came from; as to who and why, well your guess is as good as mine.”

            “What do you need?”

            “I need a pilot. The only problem with that kind of speed.”

            “How to slow down?”

            Richard cringed a bit. “You wouldn't be slowing down, son. Not all the way.”

            Hartwick looked at the ship and grinned. He didn't care. He understood what was happening. Everyone struggled with why they survived. But now he understood. The universe worked in mysterious ways.

            “You ready to make those bastards pay?”

 

 

            Hartwick ran the length of the ship, his muscles getting tighter as he felt the gravity intensify. It was stronger than Earth gravity, this far from the control pod. The alien voices kept playing through his earpiece.

            “The strength of our world cannot be judged by our might in military matters, but in the advancement of our security...”

            He had found a public affairs channel. He listened to the family narrative of He'taroo, the leader of the Movement to the Stars. He knew enough now to understand the basics of their culture. Cetis was a human term, one that burned like a flame in his mind. The closest sound in any human language to the name for the their species was Hojon, although it sounded like who-john. Tau Ceti E was not the birthplace of their species. Their home world had been abandoned long ago, and they'd lived on their new world longer than humans had been writing, since before the Dinosaurs went extinct.

             “...Our species has a right to self defense, but the actions...”

            Defense from what? he thought, and the signal stopped.  Hartwick stopped running and looked around the corridor for an interface with the ship's AI. He tapped his earpiece, wiped sweat off his brow.

            “Oasis, what happened to my signal?”

             His voice echoed throughout the length of the corridor. The O.A.I.S. heard everything on the ship, so it had chosen not to answer. Hartwick started the long walk back to the control pod. As they'd reached the final days of the mission, he had been playing a game with the AI. He stopped listening to human music, movies, and the audio books that kept him company over the decades. He suspected the AI was avoiding granting him access to certain files.

            He listened to the Hojon signals almost every minute he was awake. For twenty-six years he had been speeding towards their world, his only purpose to end their lives. He just couldn't help himself. He wanted to know. He listened to their public affairs signals. Every move of the culture's bureaucracy was telecast, step by step. The people voted on everything short of military and the ruling family's actions. The ruling family had for a thousand years controlled their government. Something caused resentment in the lower classes.

            Hartwick learned their system quickly. He determined just as much by listening to their dramas. As a species, their fictions seemed to be idealized historical narratives. Each family had their own. The species apparently had three genders. One of which was the breeder gender, who had within the last thousand years of their planet's orbit about Tau Ceti developed a rights movement to gain independence.

            He became aware that the general public didn't care for the stars movement. There was no common desire to reach into space, until a ruling family member requested a vote for the throne. His campaign promise was Security and Safety, despite almost no one knowing there was a threat.   A species not that far away on a blue and vibrant planet was speedily reaching toward the stars. The attack fell just short of the sixty-seven percent threshold for military spending.  The great leader chose to proceed. Many Hojons knew what was happening, but just as many didn't. He could ignore that fact.

            Hartwick scrolled on his pad through more signals, all the ones O.A.I.S. had marked as public affairs spun past with a bad signal icon. Only music signals were coming in strong, despite how close he was getting. He put away his pad as he walked into the control room. Through the portal he could see the light of Tau Ceti now just weeks away.

             “Oasis, I know what you are doing.”

             He waited a long moment. He couldn't shame the AI into talking or doing anything. It wasn't supposed to have emotions, but the damn thing seemed worried. Worried about the mission.

             “You think I'm losing my stomach for this mission,” he said. 

             He sat in the control chair. He looked at over-rides and the control stick. Just the slightest shift could mean the difference between his mission success and failure. He couldn't abort, but he could throw them off course.

            “You think I can forget what they did.”

             Hartwick was lying. It was easy to think about revenge when he thought of them as just a mindless killing machine. Their families were different, they didn't look anything like the ones back home, but they mattered. Their art was not anything like humans, but close enough to make Hartwick feel something. He listened to the narratives and translations for so many hours that he started to understand the language himself. 

             The people of this world did not send visual signals, at least none that the O.A.I.S. made available, and Hartwick knew why he wasn't getting them all. He started to notice the AI was listing some things as untranslatable. There was a pattern developing to the messages skipped. He pieced the truth together. Oasis didn't want him to know or think of the Hojons as a people. Or that many had no idea what the military did in space, in their name.

             Hartwick leaned forward in his chair. With the signal now off for the first time in months, he let his interior space fall into silence again. He dropped his ear piece to the floor.

             “So that's it – I'm cut off?”

             The silence lingered and the void stared back at Hartwick, who sat there wishing he could erase the past twenty-six years, he should have died that morning. He should have ran out there barefoot and died with his son. He could have died that day, and it wouldn't be him in this chair, facing this dilemma. He'd fantasized about dying. The O.A.I.S. wouldn't let him. It was always watching. Not yet, Edward Hartwick. You have mission to complete. Riding the ultimate wave of death. Front row ticket to the greatest act of vengeance the human race had ever conjured.

            He held his hand in front of his face and smelled his fingers. There it was. The faintest smell of burning flesh. In the silence of space he could still hear Emily struggling through her final breaths as the trauma overloaded her heart.

             “I thought I was better, I did.”

             He got comfortable in the chair and folded his hands over his lap. The wait was almost over. He only hoped he would see his loves again soon.







 


 



Archive of Stories
and Authors

Callum Leckie's
THE DIGITAL DECADENT


J.R. Torina's
ANTHROPOPHAGUS


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.

Sean Padlo's
NINE TENTHS OF THE LAW

Sean Padlo's
GRANDPA'S LAST REQUEST

Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.


Konstantine Paradias & Edward
Morris's HOW THE GODS KILL


Konstantine Paradias's
SACRI-FEES

Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.

Edward Morris's
ONE NIGHT IN MANHATTAN


Edward Morris's
MERCY STREET

Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.


Tim Fezz's
BURNT WEENY SANDWICH

Tim Fezz's
MANY SILVERED MOONS AGO

Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.

Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD


Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.

Phoenix's
AGAIN AND AGAIN

Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.


Sanford Meschkow's
INEVITABLE

Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.


Owen R. Powell's
NOETIC VACATIONS

Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.

Gene Stewart
(writing as Art Wester)
GROUND PORK


Gene Stewart's
CRYPTID'S LAIR

Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -




Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.


Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.