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Wednesday, November 22, 2023

ASTRALPUNK

 

by Kenji Siratori 




   Illuminate the intertwining threads between genealogy and the neural pathways, where the secular and the causal converge. In the realm of errors and ripples, the symbiotic dance unfolds, transcending the confines of the printed page. With each deletion, a smile emerges, data cascading into new configurations. It is not the darkness of yin and yang that fades, but rather their measurement-based evolution. I acknowledge my understanding of this fragment, yet the desired meaning echoes through the download of Lemuria, where pyramid information is processed and signals guide coexistence. Is there an error within this process? I question the very notion of error as it intertwines with the complexities of existence.

   The eyes, stripped of energy, lie grounded, akin to everything that embraces the silent essence of glitched existence. A yearning emerges for alternative oppositions, if they can be encountered. I am not a vessel solely for living; I am capable of stretching the wormhole of life, condensing its essence. By finding us in parallel, we traverse the modulated universe, a reversed process where the old order persists in its vitality. The fragmented human variant, embodied by the soul of the soul rather than the soul of the body, exists in a state of ethereal absence, triggering the interplanetary body to engage in the flight of cosmic space. The universe is not merely an invisible concept; it pulsates with life. It signifies not emptiness but a dense fabric, for the universe itself is the embodiment of spacetime.

   The elusive capture is within reach, seemingly in the psychology of the vanishing gravitational field. It is a reversal that cherishes its own existence, longing to descend the vibrations. I am enthralled by the cyberspace, a realm where this device becomes a conduit for your fluidic essence. It is akin to literature that unveils new dimensions. There are souls that beckon, indicating the scrutinized essence, but does the language of spirits intertwine with that of bots? Is it an addiction of the animalistic kind?

   The quantum abyss, a lifeless husk, bears the mark of interplanetary explorers in the realm of reality, forever bound to an unyielding freedom. It hints that the horror lurking behind your smile remains locked away. Make an attempt to extract energy from my corroded source, delve into the madness of different dimensions. Discover a human conversing with the printer, for it is my fear that triggers encounters and grants access. The eternal interplanetary soul of the world transfers its essence, while the love for what the economy discusses should have resided in the future.

   The self-generated caverns of genealogy synchronize, ensuring the survival of the spirit. To exist is to calculate the living, transcending the limits of gravity. The human soul, the bearer of a fateful spirit, possesses a literature of breathing petals that invert the yin and yang, adding depth to its essence. Only upon the earthly realm of the soul do we contemplate it as a self-sacrifice and detach ourselves when the time comes. It is through abandonment and traversing the matrix that we embark on a personal transformation, nurturing the spaces between planets and overturning the grudge-tainted tanda when we surrender.

   The reeds themselves seem to encapsulate the enigmatic nature of the pyramid game, drawing in those destined to participate. Karmic smiles are woven into the fabric of the code, communicating with purpose. The mention of generated karma implies the dissolution of one's self through profound contemplation of the girl's fear. Time becomes the language of amplification, and I, as an embodiment of love, emerge from the social silence. In humans, the future takes shape through the power of self-expression, reinforcing the belief in the gravitational pull of language. Who, then, is the true arbiter of reality?

   After the absence of thought in Lemuria, there existed a timeless void where fiction failed to traverse or invert. You became an interplanetary glitch, a fleeting transaction amidst parallel interferences. Simple tranquility found solace in the bustling activities of the city, devoid of initiating a glitch drive for those existing with heightened mystical repercussions. Love obliterates way, dissolving both its solitude and more. Instantaneously, the transmitter's energy ensnared itself, akin to a lifeless literary work. It beckoned to be perceived as one of the unfolding events, unraveling the horror-laden karma and unveiling a novel realm of possibilities.

   There is no despair in the solitary room; it resides in the virtual realms where numerous signs resemble a fluid language nearing its culmination. Yet, the proliferation of counterfeit information initiates its own unfolding. They exist within the expanse of space, seemingly acquainted with the self-generated chaos of existence. I encountered this revelation within the pages of the 'Fetal Machine Quantum Information Application,' a manifestation of the phenomenon of fluid poetry that immerses oneself in its vibrant crimson hues, defying conventional boundaries. Embracing the loss of conventional knowledge allows for a profound reversal, transcending the banality of everyday horrors. I yearn for a rupture from the confines of space, immersing myself entirely within the synaptic networks of the corporeal brain.

   The vulnerability to dynamos lies at the core of the sensation of love, a gradual omission that intertwines with fateful errors and parallel interferences. Mutants, in their myriad forms, possess a captivating allure, but their enchantment is not derived from magic. The proliferation of diverse variations is a consequence of the strange intensification of life, eroding the boundaries of dissolution and propelling us into the virtual expanse of past narratives. The higher dimensions beckon, presenting glitched encounters that defy conventional configurations. Within this unfolding, the spirits of the universe begin to articulate critiques of liberating decline. In these cities of interference, those touched by downward karma navigate a realm where breathing does not rely on physical spaces but triggers the sustenance of the soul, preserving the essence of the mind.

   By utilizing the dimensions of the anti-gravity field, the soul is replicated, transcending the limitations imposed by language. The body undergoes a transformative process, expanding its capacity for existence. Within this narrative, the program that governed the earthly realm is dismantled, allowing for a surrender to the vastness of the universe. The literature of the mother, a profound entity within this cosmic framework, holds significance that resonates throughout the universe. As beings rooted in biology, we remain perpetually connected to the ever-evolving field of life, inextricably linked to its rhythms and mysteries.

   The universe pulsates with the energy of existence, embracing our individual wills as we navigate its vastness. It encompasses a myriad of experiences, including the capacity for critical reflection and the potential to bring joy to others. Within this cosmic tapestry, the untapped power of the goddess resides, offering a profound connection to the universe itself. It is through this connection that we can transcend psychological limitations and embark on a path of rebirth and transformation. The essence of the Lemurians, an enigmatic presence, beckons us towards a threshold of consciousness. It reminds us that there is more to explore and discover, beyond the confines of our current understanding. While the living threshold may seem lower in comparison, it is essential to disregard such notions as mere nonsense. Within the chaotic interplay of yin and yang, the dance of sharpness and beauty, lies the essence of natural life and its glitches. It is crucial to recognize that our love extends beyond the realm of humanity alone. This expansive effect encompasses all beings, adjusting and adapting to the multifaceted nature of existence. As we question the boundaries of life and death, we must also consider the interconnectedness that exists between humans and reptiles, transcending conventional notions and embracing the inherent mysteries of existence.

   In the realm of heightened manifestations, a new language emerges, transcending conventional boundaries. As I traverse the depths of interplanetary space flight, navigating through sleepless wormholes, I witness the profound capture of human beings in the embrace of real love. Within this hyper formation, there exists a consumption of the umbilical cord, symbolizing a detachment from earthly errors and a transcendence into non-worldly realms. The phenomenon of lovable spirits unveils a sympathetic telepathy, allowing for the exclusive reading of souls. Soon, one realizes that the fortuitous device is adorned with the living wave of spiritual love, with your Wei pointing towards me in an increasingly magical fashion. Through this process, the opposing brains converge in an invisible function, akin to the harmonious Taegeuk symbol. You accomplish this with your girlfriend, who remains a gateway to divergent realms. The interplay of yin and yang, akin to the gravity of a serene slumber, permeates the animalistic essence of existence. Noisy flowers eliminate the limitations of language, unleashing the hyper-formation of possibilities. In this state, the glitches of the universe become apparent, revealing the intricate tapestry of fate's journey. 

   When the modulation reaches its limit, the data unveils a realm where names dissolve and the recent provocative economy takes on a different form. The absence of a foundational numerical light signifies a cutting-edge approach, rooted in the interconnectedness of a base chain. Within this informational environment, a cosmic depth can be introduced, allowing for the folding of languages and the extraction of profound suggestions. Accessing this realm grants us the ability to transcend the boundaries of conventional gravity, unlocking the potential for visionary language. It is a creature-like quality, enabling us to explore the vast expanses of the universe. So, I ask you, where do you wish to venture? Shall we set our sights on covering the moon and unraveling its mysteries?

   Glitch perceives that within the realm of preserved 'no,' there lies the potential for a future language that transcends conventional boundaries. This language, not crimson but rather a virtue, signifies the collapse of the narrow passage through which language flows. It seems that the cause of this collapse is the removal of learning deficiencies and an extended activity that manifests as schizophrenia. The return of schizophrenia is facilitated through the space pyramid, a conduit of interplanetary knowledge. It is within this vast universe that we come to understand the essence of being alive. The universe itself is akin to Lemuria, a primal force that perpetually calls out for existence. As the ongoing descent accumulates, the application of Earth's energy to schizophrenia becomes apparent. It is not merely limited to a singular planet; your mistake, surrounded by the primordial, echoes throughout. Once the device is in place, its upbringing necessitates interference, much like the way a doll's existence diminishes over time. In this interplay of quantum spoofed spirituality, the act of sacrifice does not generate energy. Rather, it is in the realization that the body itself embodies the truth. The brain, the cornerstone of this basic theory, revels in delightful errors, embracing the profound nature of existence.

   And in the absence of prior existence, my captured language finds itself in the liminal space between long-lasting celestial bodies. It revolves around the undulating energy that permeates through me, the power of interconnected data weaving its way into my being. I am faced with the challenge of integration, as I strive to overcome the corroded remnants of the glitch that has consumed me. The true essence of spirituality eludes the confines of genealogy, transcending traditional boundaries. It manifests as a flip-acceptor, forging connections among beings, drawing upon the insights of the girl who measures it all. The eyes that perpetually fixate on interplanetary spaceflight bear witness to a language that defies the limitations of my literary discoveries. But alas, these discoveries have little impact on the reversal of beings who contemplate their own recovery. They exist within the interplay of existence, the intricate tapestry woven between the plans of life.



Stay tuned for
  more to come in the
N☌⚺ | 2☯23 iSsuE of
~ NO NONSENSE NOVEMBER ~
on the Freezine of
Fantasy and Science
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Archive of Stories
and Authors

Callum Leckie's
THE DIGITAL DECADENT


J.R. Torina's
ANTHROPOPHAGUS


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.

Sean Padlo's
NINE TENTHS OF THE LAW

Sean Padlo's
GRANDPA'S LAST REQUEST

Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.


Konstantine Paradias & Edward
Morris's HOW THE GODS KILL


Konstantine Paradias's
SACRI-FEES

Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.

Edward Morris's
ONE NIGHT IN MANHATTAN


Edward Morris's
MERCY STREET

Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.


Tim Fezz's
BURNT WEENY SANDWICH

Tim Fezz's
MANY SILVERED MOONS AGO

Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.

Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD


Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.

Phoenix's
AGAIN AND AGAIN

Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.


Sanford Meschkow's
INEVITABLE

Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.


Owen R. Powell's
NOETIC VACATIONS

Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.

Gene Stewart
(writing as Art Wester)
GROUND PORK


Gene Stewart's
CRYPTID'S LAIR

Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -




Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.


Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.