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Thursday, September 7, 2023

The House at the Coast

 by Icy Sedgwick




             If you asked me why I did it, I won’t be able to tell you why I bought a house at the coast, sight unseen. 

Well, it was sight unseen to me. My mother had gone to the viewing, and practically frothed with excitement the moment she stepped through the door. She’d bombarded me with so many photos and videos that I felt I’d set foot inside the house myself. I paused once during the sale, wondering if a three-storey townhouse in the most expensive coastal village was the best thing I could spend my money on. But my mother swept my worries aside, convinced that the husband and family I hoped would eventually occupy the townhouse with me wasn’t too far in the future.

Once I actually arrived at the townhouse, I wished I’d listened to my Inner Fusspot. Something about the house felt ever so slightly off. It wasn’t enough for me to figure out exactly what bothered meit was like a single wrong note in the middle of a symphony. It wasn’t enough to ruin the whole experience, but it was enough to slightly sour it. The plaster moulding was original 19th-century work, the previous owner had left a fully-fitted kitchen like something you’d see on a TV cookery show, and the stained glass above the front door cast a mosaic of colours in the entrance hall just before dusk.

I wanted to love it. I really did. But sometimes, when I sat in the living room at night, I didn’t always feel like I was the only one in the room. The shadows in the kitchen didn’t always correspond to anything I could see in the kitchen. Once, I could have sworn a whispered conversation suddenly stopped when I walked into the dining room. I tried talking about it with my mother, who absolutely loves all those ghost hunting podcasts, but weirdly, she dismissed everything.      

“But Cassie, dearit’s a new house. Of course you’re going to take a while to settle there. But don’t let your imagination run away with you,” she’d said, before moving the conversation on to discuss the new florist and her preference for rosemary over lilies in funeral bouquets.

So I tried to put it out of my mind. But I couldn’t make up my mind about the village, either, and it just kept making me doubt the house. The streets furthest from the seafront were a grid of townhouses like the one I’d bought, with wrought-iron lamp posts and double yellow lines painted on the cobbles. A posh high school for boys stood between the grid of houses and the train station, and every afternoon, swarms of the boys would whoop and holler outside. Their calls echoed around the tall brick townhouses, turning the streets into howling chambers open to the stone grey sky above.

A main street full of bistros, expensive clothing shops and gastro pubs led to the seafront itself, which was dominated by the looming ruins of a priory. Even the obligatory fish and chip outlets charged £5 for a bag of chips, seasoned with the finest sea salt and organic apple cider vinegar. Unlike my previous home, in a university student-dominated suburb that burst at the seams with charity shops, discount supermarkets and branches of Subway, I had no idea who my neighbours were.

Truth be told, I wanted allies rather than neighbours. I longed to know if they ever experienced the sensation of being stared at on the upstairs landing at night. Did they hear the faint tinkle of servants’ bells whose wires had long since corroded? Had they heard a swish of footsteps in the attic?

So, one afternoon when I heard the signs of daily life in each house, I tried knocking on the doors of the houses on either side of the townhouse. I still hesitated to call it my townhouse. Not yet. No one answered though I got the distinct impression someone was watching me through the expensive video doorbells that flanked the doors. Whoever lived there weighed me, measured me, and found me wanting.

At least, that’s what I thought happened. I thought they were ignoring me, and I went home, feeling rejected and determined not to Google the signs and symptoms of a haunted house.

The day after my wasted effort to meet the neighbours, I stood in the kitchen making dinner. My last client call had run over, so dinner was more like supper. I waited by the stove, basking in the warm light of sunset. 

The sudden knock at the door made me jump. It was a short, sharp rap, that seemed to say, “Come along now, I haven’t got all day.” Convinced it was one of the neighbours wanting to finally say hello, I abandoned the kitchen and made my way through to the hall. Another rattle of three sharp raps resounded against the front door before I could get there.

“I’m coming!” I yelled, unsure if my voice would carry through the thick wood of the door.

I slipped the chain free and hauled open the door. The welcoming smile I’d plastered on my face faltered when I realised the top step was empty. No one stood on any of the four stone steps that led up to the front door. My neighbours didn’t seem the type to play knocky-nine-doors, so I looked up the street.

And the world fell out from beneath me.

It was my street outside, alright. Just not the street I recognised. A carriage rattled by, its massive wheels bumping on the cobbles, and the shoes of the two horses pulling it left sparks in their wake. I blinked hard and looked again, but yes, a horse-drawn carriage was definitely making its way down the street. A couple walked along the pavement on the other side of the road. He wore a top hat and a debonair black coat, while she wore a pale lavender dress and carried a parasol. A man in overalls hefted a sack of something large and unwieldy out of a cart and down the cellar steps of a house three doors down. He left puffs of black dust in his wake.

“What on earth am I looking at?” I asked.

I don’t know that I expected an answer, but I didn’t get one. No one even seemed to have noticed the dishevelled woman with a mane of loose hair and bare feet standing at her front door. I partially closed the door and heaved it open again, convinced the scene would have changed by the time I looked outside again. 

But another carriage rattled along the street, this time in the opposite direction to the first, and a pair of women in slightly shabby but otherwise smart dresses sashayed along the pavement. Both wore hats and gloves, and bustles that you could have hidden a small dog in.

I knew where I was. Just not when I was.

I stepped down into the street, the sudden scent of over-worked horses slapping me in the face. A woman in a wide-brimmed hat gave me a wide berth and tutted as she passed.

“Where am I?” I asked.

The woman simply tutted again and hurried away down the street a little faster. Rude.

A squeal behind me made me turn. My front door slowly swung closed behind me, and I ran up the stairs to try to stop it. It landed in the doorframe with an all-too-satisfying thud before I reached it and I howled. It was the kind of door you could only open from the outside with the keys, since the doorknob was purely decorative. While that helped with general security, it did mean I was now locked out since my keys were inside, hanging on the hook by the door.

I looked in the front window. The TV still showed whatever banal rubbish had been playing on BBC One. My mug still steamed on the coffee table beside my phone.

I don’t know what possessed me to bang on the door, given I’d been the only one home. But I raised my hand and gave a short, sharp rap on the door.

Somehow it dawned on me that I’d heard a knock like that before.

A muffled sound came from inside the house, and I found myself rapping on the door againthree short, sharp knocks. There was a scrape behind the door, and it suddenly opened, swinging inward. I half expected to see myself standing looking out into the street, but there was no one there. The TV burbled in the living room, and the smell of my supper drifted along the hallway. I lurched forward into the hallway before the door could close again and I slammed it shut behind me. 

What on earth was that? Was I hallucinating? No, hallucinations don’t open doors by themselves. I lifted the flap of the letter box and peeked out into the street. A sleek navy Tesla rolled by, its stereo pumping forth a tuneless noise that was more bass than actual song. I had never been so glad to hear bad music in my life. Someone walked past having an animated conversation on the phone.

There was a rap at the door. I yelped and scrabbled away from the door, taking refuge at the bottom of the stairs. There was no one there when I looked outhow could someone be knocking on the door?

“Who is it?” I called. 

Three short, sharp raps responded.

“You’ll have to answer it, you know.”

I squealed at the sound of the unfamiliar voice behind me. I leapt up and turned around to see a woman standing in the kitchen doorway. She wore her dark hair piled on top of her head, scraped back from her face in an unforgiving style. Her pale grey dress had long sleeves with elaborate puffs at the upper arm, and her skirt almost reached the floor. She looked like one of those people you see dressed up in a Victorian town, when they’re pretending to be a schoolmistress or piano teacher.

“Who the hell are you?” I asked.

There were three more raps at the door.

“Answer it.”

She folded her hands in front of her and gave me a long, cool gaze.

I edged across the hallway towards the door, trying to keep her in view. She continued to give me the same look and didn’t move an inch. I opened the door, but there was no one thereand the street beyond was exactly what I’d expect to see in 2023. I closed the door again and turned back to her.

“You created a loop.” The woman in grey turned and walked into the kitchen. I say walked, but it felt more like she glided.

“OK, so who are you, why are you in my house, and what are you talking about?” I asked. 

I followed her through the kitchen. She turned off the gas under my saucepan before sitting at the table. It was weird, she looked completely out of place and thoroughly at home at the same time.

“I am Isabella, and I am not in your house, rather you are in mine. Though now you have created a loop, I suppose we should call it our house. And before you ask me yet again what I mean, allow me to enlighten you. Sit.”

She gestured to the chair opposite. I sat down, pinching my leg to check if I was still awake. It hurt, so I assumed I was.

“This house is a somewhat unusual property and has been since its construction. It was intended as a home for the mother of the principal architect, and he followed the rather antiquated tradition of entombing a dog beneath the foundations to protect the building. Do not look so squeamish, practices such as these may sound barbaric to you and I, but they were once commonplace. Now, in doing so, the protective qualities went awry, and the house is somehow protected from the onslaught of time, as well as anything else,” said Isabella.

“So how did you end up here?” I asked.

“My husband bought the house from the architect’s mother. He at least had the good sense to die at the other end of the country, so he avoided being stuck in this infernal townhouse. I, sadly, died at home after a nasty fall down those stairs.”

“Ah. Yes, the crook on the top floor is a nightmare,” I said. 

I wasn’t sure what else to say. How do you give your condolences to someone who’s been dead for over a century? Thankfully, she gave a small smile.

“Quite. Anyway. I watched other people move in, and move out again, as people do. Only two other people died in the house, and I am sure you must have been aware of them. They are both incredibly sweet ladies, but they are also very shy, so I daresay you shan’t see much of them,” she said.

“So am I dead as well? Is that why I can see you?” I asked. 

“Not at all. You can see me because I choose for you to be able to see me. Once I realised another loop had been created, I felt it best to come and give you my advice, should you choose to heed it. I have seen this happen on two other occasions.”

“Were they able to sort it out those times?” I asked.

In my head, I cursed my mother for persuading me to buy the house. I could have had a nice new-build further inland, one with a view of the marsh and space to park my car. Not this weird time-travelling townhouse with its own resident ghosts.

“They were. The first time I believe was an accident, but the second time was because the gentleman took my advice.”

“Good! OK, great, so you know what’s going on and what I need to do,” I said.

A wave of relief washed away the curses at my mother. Isabella knew what to do, I could fix this, and then get on with life. And check the property listings again.

“The loop is not created when someone from the wrong time steps out into the time in which the house was born. No, the knocking creates the loop. You opened the door because you heard a knock at the door, but you stepped outside. Then because you knocked, the house skittered out of time and past-you heard the knock and opened the door. But when you stepped back inside, past-you stepped outside, and so it is doomed to continue.”

“OK so two questions. First, if this keeps happening, then why haven’t I been hearing more knocks since I came back in? And second, who did I hear that first time?”

“Excellent questions. To the first, the knocks have been continuing to happen, which is why I brought you into the kitchen. You have not heard them because the two occupants I told you about earlier have been pressed against the door to dampen the sound. To the second, it was a genuine knock. A cold-caller, I believe. The house attempted to protect itself, which is why you saw an earlier century in the street instead.”

I sat back in my chair. I knew cold-callers were irritating, but so irritating they’d prompt a sentient house to protect itself? Maybe my mum had been right, and I should have put up one of those ‘no cold-callers’ signs.

“And now for what you must do to end it. If you simply try to ignore the door and never answer the knocking, you will either be driven to the point of distracting by the knocking, because it won’t end, or you will end up opening the door anyway the next time that you go out. The only thing that seems to reset the loop is to go out of the back door, all the way around to the front, and then let yourself back in with your keys.”

“Why does that work?”

“I am unsure of the mechanics, but the keys seem to tell the house that the rightful owner is coming in, and it need not try to protect itself.”

“Why are you helping me?”

“Because I cannot stand that incessant knocking any more than you can.”

Isabella smiled at me. Perhaps it wouldn’t be so bad to have her around the house after all. I mean, I did need a companion to watch all those box sets with. 

I got up and went to the hallway. I unhooked my keys from beside the door, trying to ignore the bizarre triple thump. I supposed that was the result of my invisible roommates’ efforts to dampen the rapping.

I walked back through the house. Isabella stood in the kitchen.

“Two more questions before I pop out. First, why did you say it was now ‘our’ house? And second, will you be here when I get back?” I asked.

“One of the unfortunate side effects of creating a loop is that the house claims you. So, if you have the misfortune to die at home, you will join me, and our shy friends through there. Whether that is a punishment or not is entirely up to your own judgement. And yes, I will. If you wish me to be visible, then you need only say.”

I nodded and unlocked the back door. As I walked down the long, narrow yard, I wondered what might have happened if I’d left the back door open. When I went out that first time, would I have been able to walk in the back? Might that have stopped a loop? I’d never know now. I unlocked the gate and stepped into the alley that ran the length of the street. I followed it until I reached the side street that eventually connected with my street.

Everything looked and sounded completely normal. Teenagers whizzed by on electric scooters. A man walked a dog that was wearing a flashing collar. A couple of guys were on the green at the bottom of the street, messing about with a drone.

I reached my front door and skipped up the steps. The key slid into the lock with a satisfying ‘thunk’, and I swore I heard the house heave a sigh of relief when the lock clicked open. I pushed the door inwards and stepped over the threshold.

“Honey, I’m home!” I called. 

I hung my keys back on the hook. The scent of my supper lingered, and my stomach growled. I set off down the hallway towards the kitchen. I half expected to see Isabella still sitting at the table, but the room was empty. But someone had laid the table and served up my supper in a bowl. I sat down and practically inhaled the food. Even if I strained my ears, all I could hear was the ticking of the clock and the faint chatter of the television in the living room. 

I washed up my supper things and headed through to the living room. I got comfy on the sofa and started scrolling through Netflix for something to watch.

There was a rap at the door.


 


 Next up
  TWO TECHNO TALES
only on the Freezine of
Fantasy and Science
FICTION

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Archive of Stories
and Authors

Callum Leckie's
THE DIGITAL DECADENT


J.R. Torina's
ANTHROPOPHAGUS


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.

Sean Padlo's
NINE TENTHS OF THE LAW

Sean Padlo's
GRANDPA'S LAST REQUEST

Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.


Konstantine Paradias & Edward
Morris's HOW THE GODS KILL


Konstantine Paradias's
SACRI-FEES

Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.

Edward Morris's
ONE NIGHT IN MANHATTAN


Edward Morris's
MERCY STREET

Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.


Tim Fezz's
BURNT WEENY SANDWICH

Tim Fezz's
MANY SILVERED MOONS AGO

Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.

Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD


Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.

Phoenix's
AGAIN AND AGAIN

Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.


Sanford Meschkow's
INEVITABLE

Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.


Owen R. Powell's
NOETIC VACATIONS

Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.

Gene Stewart
(writing as Art Wester)
GROUND PORK


Gene Stewart's
CRYPTID'S LAIR

Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -




Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.


Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.