Artwork for
Vincent Daemon's Vietnam short story
OF CADENCE AND WEATHERED STATUES
by Kara Koma and Shaun Lawton


Monday, September 14, 2009

THE HOUSE IN THE PORT:pt 1

by J.R. Torina



the Diary of Ambrose Smith

OCTOBER 13, 1951

Here I am in Portland, Oregon. I can’t say I really miss Salt Lake City. There wasn’t much happening there, though I did make a few friends that I’ll surely miss. But the offer to come to the beautiful and dark coast of Portland, working in my dream field, was just too enticing to pass up. So far, I’ve had quite a time getting all of my things unpacked into Uncle Varley’s house that he willed me. Shame about the poor old man. Max is very excited. He already can’t wait every day to run down the beach and jump into the ocean. He even caught a fish once. A true hunting dog, if ever there was one. A dirty dog, too--I had to bathe and shampoo him twice already, and I’ve only been here for two weeks. The Portland Gazette had caught wind of my extra-curricular activities and interests; in particular, my (somewhat unhealthy, according to Mom and Dad) interest in the macabre. Oregon seems to be a hotbed right now for secret cults and their activities, as well as UFOs, martians, Bigfoot--you name it. I have already received a note from somebody here who has heard of my affairs. The Gazette had recently reprinted a few of my columns, those that I have already had published before in pulp magazines such as Fantastic Science Fiction. This fellow--whose name is Mustus Marsh, of all things--claims to have a plethora of insider information on a secret devil-worshiping cult from somewhere along the coastal towns; apparently they meet, have rituals, and even sacrifices. I’m sure it’s just some crazy old fisherman’s tale of people he just doesn’t understand, but--what the hell. I bet the “cult” in question is probably some religious sect, like the Mormons or Jehovah's Witnesses. But a good reporter can’t afford to turn down any leads now, can he?



CHAPTER I




“Innsmouth? I remember ol' Innsmouth, fer sure,” chortled old Mustus Marsh. “I remember them ol’ houses, all sagged and in disrepair, the Order’s new building… and them Innsmouth folk…” Here, his voice trailed away. His face seemed dreamlike and almost lost in time.

It was here that I first noticed the weird distorted features on Mustus’s face… His strangely… piscine? Yes, piscine features. His head seemed as if it was once as large as, if not previously larger than, a normal man’s; yet, it seemed as if it were pressed inwards from the sides. His ears also bore something of those strange qualities. They seemed flattened, almost pressed into the sides of his head.

But these were not the worst of it. His lips, or rather, his mouth; it was so very wide, almost as if it were a parody of a normal man’s mouth. It had to be at least five inches across; his lips were thick, ropey--unbelievably so. His teeth… Those terrible teeth… Small, like a child’s, but sharp… rather like a fish.

But, most terrible of all--those eyes. The eyes appeared glassy and very moist. In fact, almost dripping wet. The eyelids, what there were of them, shrunk back almost completely behind the orbs of his eyes. Upon this inspection, I noticed something peculiar about his skin, even around the shock of mane he called a beard, which was ragged and coarse looking. Were those… scales? Surely my imagination was playing tricks on me. Scales… on a man?


"Ain't no devil a Christian man kin make up that rivals the devils I’ve seen"

The hoarse sound of the old man’s voice brought me out of my serene investigations of his fish-like features, and back to the moment, sitting on his rotting porch, surrounded by refuse and filth.

“The Order o’ Dagon, they had themselves a buildin’ that was all new and such, while the rest of the town went to hell.”

To hell indeed, I thought--but not, most likely, in the same way Marsh was referring to.

“Well, the Order’s buildin’ their church, and the Refinery,” said the old man.

“Refinery?”, I asked him.

“Yep, they--the Marshes, I mean--had themselves a refinery they ran, refinin’ oils and salts from the sea.”

“But, surely, that was just the cover story, right? I mean, they just used that refinery as a front to make money for their real activities--didn’t they? The Marsh family, I mean? They were really actually devil worshippers--weren’t they?”

Here the old man shot me a look. “Ye think so, boy?” he asked. It was almost a challenge.

I simply froze, not knowing what I had unlocked here.

“Best ye come see. Ain’t no devil a Christian man kin make up that rivals the devils I’ve seen. I’ll show ye.”

Cursing myself for a being a fool for even coming here alone, I stood up to leave. Before I could muster up an appropriate lie to just get the hell out of there, the old man’s gnarled hand was on my elbow firmly.

He opened the front door.


CHAPTER II



The old door was warped and rotted. Its paint was flaking and peeling off all over; the knob, a rusted antique, was loose and rickety, barely hanging in the door itself. The first thing to assault me was the unbelievably oppressive stench of fish. As if reading my thoughts, the old man called out in front of me, “Don’t mind that stink, I jis’ been doin’ some night fishin’. Fishin’s always better at night. Ain't done cleaned anything yet.”

I found it curious to note that there was no fish to be seen anywhere, nor were there any freezers to keep said fish in. Thinking it best to keep this observation to myself, I said nothing.

After an awkward moment, I offered some paltry conversation, lest the old man suspect my observations or discomfort in this filthy den of decay. “What were you fishing for? Cod?”

“Heh, well, jis’ about anythin’ I kin catch, ye see," the old man laughed.

He rummaged through a few stacks of musty old tomes lying about on a pitted and scarred oaken table in the den. Some of them literally spewed dust as he opened them. He continued peering inside to glean their contents.

“Ah, here we are!” he exclaimed. Slapping the old leather-bound book onto the smaller but equally ancient and battered coffee table, he motioned me to sit down next to him, on what was one of the filthiest, dirtiest couches I had ever seen. A myriad of stains colored it here and there, and the dust of centuries enveloped the thing.

I looked up, and saw various plaques on the wall of animals he had pulled from the sea. Some of them, like the occasional trout or cod, were rather large, but somewhat normal; normal, mind you, compared to some of the other things he had. Whether or not they were real, I don’t know. There were plaques with deep sea anglers--both male and female. There were blow fish, porcupine fish, barracudas, and a few other varieties that I just didn’t recognize.

The shelves along the other wall contained a carny’s dream. Preserved fish, a shrunken human head, a human skull, various occult trinkets (they appeared to be of an occult nature, anyway; at any rate, they were esoteric, to be sure), and an arsenal of books, most of them dealing with magic, the occult, or ancient civilizations.


“The guy in the doorway--he’s got… fangs?”

Again, the old man’s voice me away from my attentions to the details of this bizarre rookery of occult books and objects. “Ye can see here the hall itself”, he said, pointing to the picture on the first page. The paper was yellowed, curled, torn; the picture contained therein was a black and white photo, in relatively decent shape, considering the weathered condition of the book it was kept in. The photograph was of a church, or cathedral, ancient in design. Even though it was night in the photo, I could clearly read the sign in front of the building, declaring it as “The Esoteric Order of Dagon”.

Before I could ask the old man who or what “Dagon” was, or what “the Order” was about, he asked another of his cryptic questions: “Notice anythin’ strange?”

I noticed two or three dark figures in front of the edifice in the photograph, as if making their way inside. From the distance the picture was taken from, one could not ascertain who exactly these figures may be. “Well, it’s very… old?” I asked him, not sure what he was getting at.

“No, no, well, yeah, it’s old, fer sure, but what else do ye notice?” he asked.

I looked again. “Give me a hint,” I asked.

“Lookit them, the folks--what do ye see?”

I looked yet again--more closely this time. I noticed that two figures, somewhat slumped, were heading up the steps of the cathedral. One from the right, similarly bent over, was also heading in that direction. “So, some of the people here, they seem to be… deformed?”

“Yea, yea, and--?” he asked excitedly.

I looked at the fourth figure in the photograph. It was a man, a person--a being… wearing a robe, but--what was that? He seemed to have… fangs protruding from his lips?

“The guy in the doorway--he’s got… fangs?”

“Not fangs.”

“Well, what?” I asked.

“Remember what ye heard, why ye were investigatin’…”

“I am investigating rumors of purported devil worshippers and human sacrifice in the coastal towns out here,” I exclaimed. I wondered why he asked me something he already knew.

“No, ye’re not.”

“Oh?”

“No. Ye’re gonna be investigatin’ fish men. Deep Ones.”

“Who?”

“Fish men, that come from the sea--they look like a man--two arms, two legs--but that’s all. They have scales, fins, webbed fingers and toes. They been breedin’ with people here--and back east, on the coast there too--for years.”

“Excuse me…?”

“Yes, yes, ye gotta believe me.”

“Piscine creatures--that walk upright, like a man--in the villages of men, off of their coasts; and worst of all, intermingling… and breeding with… men.”

“Yea, yea, you got it so far,” the old man carried on.



Click Here for Part 2 of THE HOUSE IN THE PORT
a novella to be serialized in 12 daily installments
©by J.R. Torina

No comments:

Post a Comment

Archive of Stories
and Authors

Edward Morris's
MERCY STREET


Gene Stewart's
CRYPTID'S LAIR


Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee.


John Claude Smith's
BLOOD ECHO SYMPHONIES


John Claude Smith's
NOT BREATHING



John Claude Smith writes weird fiction,
something between Horror and Magic
Realism, most of it psychologically driven.
He's had over 40 tales and over 1100 music
reviews, interviews, and profiles published.
He is currently shopping two novels and
a collection to agents and publishers, all
while starting the third novel. Gotta keep
on keepin' on! Looking forward to Rome
in the not too distant future, but for now,
just looking for the next short story to
be written.


David Agranoff's
A PLANET OF YOUR OWN


David Agranoff's
THE FALLEN GUARDIAN'S MANDATE


David Agranoff is the author of the
short story collection Screams From
A Dying World, just published by
Afterbirth Books. David is a hardcore
vegan and tireless environmentalist.
His contributions to the punk horror
scene and the planet in general have
already established him as a bright
new writer and activist to watch out
for. The Freezine of Fantasy and
Science Fiction welcomes him and
his defiant vision open-heartedly.

David is a busy man, usually at work
on several different novels or projects
at once. He is sure to leave his mark on
a world teetering over the edge of
ecological imbalance. David's latest
books include the Wuxia -Pan
(martial arts fantasy) horror
novel called Hunting The Moon Tribe,
already out from Afterbirth Books.;
The Vegan Revolution...with Zombies,
[Deadite Press, 2010]; and
[Deadite Press, 2014]

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.

When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found HERE.


Johnny Strike's
AS YOU WISH


Johnny Strike's
NIGHT FLAMERS


Johnny Strike's
THE HOMELESS MUTANTS


Johnny Strike will beat you with his guitar
and leave you lying in the gutter wishing you
had never dared enter his under ground world
of fake passports, lucky amulets, rain soaked
hotels, and occult mystique. If you don't leave
nice comments under his story, he's sure to sic
his band CRIME on you. He also wrote the novel
Ports Of Hell (Headpress), recommended by
William S. Burroughs. You don't receive kudos
from William Lee himself unless you are the
epitome of cool. Besides, have you listened to
CRIME's album Exalted Masters? It was
released in 2007 on the Crime Music label,
on vinyl only, featuring a slew of their old
rare hits. Its real punk music from seasoned
veterans. Now go track yourself down a copy
before its out of print. The Freezine of Fantasy
and Science Fiction is proud to host the story
that contains the line which titles his first
From Above (Rudos and Rubes).


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -



Icy Sedgwick's
THE PORCELAIN WOMAN


Icy Sedgwick is part writer and part
trainee supervillain. She lives in the UK
but dreams of the Old West. Her current
works include a ghost story about a Cavalier
and a Western tale of retribution. Find her
ebooks, free weekly fiction and other
shenanigans at Icy’s Cabinet of Curiosities.


Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.


Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.



Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.


K.B. Updike, Jr's
THE GOLDEN THIRD EYE


K.B. Updike, Jr. is a young virgin
Virginia writer. KB's life work,
published 100% for free: