Friday, March 25, 2011

CITIwakes

by Shaun Lawton





The meshPasser undergoes an a priori examination of its insular membrane and various obverse mechanisms, momentarily recharging in the twi-dulled murk of the Arcasm Ritual Building, sarcastically referred to as the A.R.B. by weary tenants. Heliocentric memory eraser plasma-pulse frequencies sporadically annihilate thirty percent of the sprawling community's immediate recollections. The rest soak in the ultraviolet neon sponsorship of causal determinism, relishing in the uplift throughout the megalopolis, introduced by the incessantly gnawing away thrash dancebeats subliminalized by endorphin-spiked electromagnetic rhythms incorporated into the Systemic Periodic Elemental Reactionist Multiplex sound system—injected citywide by the Corporate Inquisition Terminal Interface.

The Heberin Collective are wired for a night out on the town. Their Moderator has cc'd them clownWhite, a neopurgative pulse enhancer designed to work out the stress from the hardbeats of the daily grind. Heberin moves through the CITIscape with the ease of an octopus in stealth locomotion, under cover of the hyper-neon polylit continuum scarved about them in perpetuity. Embedded headphones, most designed after compound insect eyes, fit snug like iridescent bottlecaps over the eartunnels. The earlobe itself had long dropped away from an overripened humanity in its latter-era stages of evolution amidst the frequency lanes.

Aesthetic tribal bodily piercing gradually mutated to a far more utilitarian scope. Die hard implants sunken into key skullpoints have the firmly rooted tenacity of mountain climbing spikes left driven into cliff fissures. Whether for the commuter Ziplines, or for more extreme recreational sports, is left to the individual CITIzen to convey. Ever since the dawning of this new age of neoExpressionism, the will of the populace is no longer such a concern to government, as is the controlling of the overwhelming urge to self-express or otherwise create in a manner suitable for the background and influential exploits of the middle class—a middle class driven to a frenzy of consumption, perpetuated by a similar motivation from an industry that caters to personal excess.

Through various means of interface and a veritable wide-angled spectrum of choices by which to administer a myriad of perception-enhancing and/or -distorting drugs to an all-too compliant citizenship, the CITI itself has been quite successful in organizing a sort of nocturnal emission exorcism ritual, effectively banishing the shed demons every night in an orgy of nightclub catharsis, highlit by strobing lights synchronized to an unfathomably monstrous beat keeping the ongoing crowd moving and shaking out on the viewscreen dance floors.

Wired for more than just sound and purple-laced visions, the Heberin Collective voluntarily assign themselves the bearers of an ultimately unregistered, and therefore potentially dangerous, form of psyche-enhancement known as Lady Salvation, an often copied (yet never replicated) chemical Psionic Communion Wafer. One taste of its mnemonic circuitry triggers a placebo domino effect. Illegally peddled and inferior substitutes have been known to induce lurid visions of a Salivating Lady perpetually coming at the user with hooked fingers under a drooling rictus, as if caught in an infinite loop of nightmarish attack. Such slogans or half-believed stories as the "Lady in Waiting", which are passed among schoolchildren to this day, are generated by these replicating motifs as expressed through constant generations of aloof and disenfranchised collegiates in the throes of shedding their own personal angst. Visualized and embodied under the boosted effects of synthesized cultigens combined with MemErase (necessarily every Rager's beverage of choice), these cautionary myths eventually took root.

Under the auspices of a normal Heberin outing, there cannot be an individual's comprehension of one's own role in the undertaking, for the nature of the Collective is to forego individuality itself in favor of the enhancement of a groupsoma experience—something that only the groupMind can know and even begin to understand. Which is precisely the reason many CITIzens volunteer for such an enterprise in the first place. Human consciousness has explored the lonely peripheries of isolation to its ultimate limits, again and again and again. Such deadening of that nerve seemed bound for no good reason or destiny, and although it took humanity many failed generations of missing the mark of opportunity, eventually the time arrived when its constituents began ceasing to think so much of themselves, and turn to wondering, what's out there, so immense and hollow and sprawling and vibrant?

So has ritual continued to form the behaviors of young persons. Riticen, a bisexed Caucasian from a gender-specific, postSchool colony in the American Pacific Northwest, reflects on his most recent, nocturnal sojourn away from Dutyfree. Such a widespread feeling—that is, tingling from all the nerve centers clustered from head to toe—of exultant liberation shoots through Riticen, that he shakes his hair free rapidly of the steamshower droplets, and steps out of the hydroslot, to stand dripping before the two-way mirror. He reaches over and nudges the door open a few inches, letting the circulation from the rest of the apartment enter the washroom. Wiping the steamed looking glass clear with a towel, Riticen waits for his image to gain focus in the heated conditions before him. Gradually, his haggard features reveal themselves through the clearing mist. Reflected in the humid mirror Riticen sees the meshPasser mask, hanging limp from a peg behind him. He reaches back for it without turning his head, and grabs its familiar, comforting form in his right hand. For a moment, the neural connectivity breaches the impasse he'd left off with, sending dim sparks of reassurance up through the nerves of his arm.

Riticen slips the meshPasser mask on over his head, and grins as it reinforces his facial physique. Its perfectly balanced endorphin enhancers motivate Riticen with the exact amount of chemical inspiration needed to face the Collective's quest for the evening. Wide-eyed and staring at himself in the mirror, a complete stranger reflects back behind a flesh-toned, featureless mask with all the blank expression of a department store mannequin. Search as he might for any memory of Heberin's past nocturnal activities that may lie concealed behind the reflections of his darkened eyes, Riticen emerges empty-headed from the washroom, having entirely forgotten, or perhaps merely not ever having been in a position to know first-hand anyhow, the oblique details of completed excursions. Whatever cloaked activities the group of mysterious co-benefactors had committed itself to, it was impossible for each individual to consciously recall them. Riticen turns and slips out of his CITIcube, then just as quickly, out of the tenement complex and into the night.

The Merging is a process that takes anywhere from mere moments, to hours, or even, on rare occasions (such as attempted mergers with new or distant Collectives), days. Riticen cannot imagine waiting any longer than the few minutes it usually takes him to begin Merging. Most of the volunteers in his Collective, he imagines, must dwell somewhere within or near the sprawling perimeters of his own CITIcube. Otherwise, the etherConduits' electroconnectivity surpassed his capacity to imagine. Normally, after turning the second or third CITIblock, the merger begins to take effect.

As Riticen steps toward an intersection of busily bypassing electromagnet Cushion Cars, the prerecorded digital soundbytes of lions roaring fades away to be replaced by the insistent chirruping of tropical birds—an indication that intersection crosswalks are primed for safe pedestrian crossing. An electronic amalgamation of coyote yips morphing into wolf howls segue the moments before the crosswalks' pedestrian safety is heralded as coming to an imminent end. The lion roars are reserved for the actual passing of lethal traffic, itself synchronized so that no intersecting spokes of the roadways' oncoming traffic must wait their turn. Instead, mass multi-directional pedestrian crossings take turns consistently with multiple and simultaneous vehicular crossings—the various, advancing minicars themselves interpenetrating with exact timing and zero collisions—just one example of the many flowered patterns in the pulse and flow of CITIlife.

As Riticen steps back up to a CITIblock curb, his viewpoint of the funneling crowd forges against him and in a dizzying, panoramic moment, blends along with him into the slipstream, suddenly giving way to an unfamiliar pressure of heavy gloaming, as if the velvet underside of the city's streaming haze had become an oppressive inversion, and he staggers beneath its weight as if he'd donned a lead apron, and then a whistling overture of white noise reductionism formulated a wind snapping latticework, as of a tightly woven superfabric buffeted by an overpowering gale from behind. A blinding sensation of whiteout spread over the meshPasser's tinted lenses, dialed to protect the retina and subsequent ganglion cells which serve as an inlet to the superimpositioning of the holographic laser light injection.

Vague, distant impressions of slapped, woven metal cordons against outstretched palms rushed in on eddies of reviving consciousness, each subsequent wave of which poured down in a funneling stained glass tunnel over the mendicant's hoods...surfers of oblivion blinded by the white gales of blasted time...lapping distant waves of licked drops of laughter flung off the tips of tongues...dissolving in a hushed babelogue of interpenetrative chanting accorded from the arabesques of yesterday's desires, and dusted off the forgotten relics of all antecedent dreams.

Winnowing in winterlight, through minnowguts, translucent and underlined with waterproof mascara, blinking false displays of chameleonic spots for eyes, thorned with disarrays and first-night-out-ever thighs, slumped to glittering scales both wide-angled and magnified, the compound vision in mimicked reflection of tiny repeated forms stretched out to radialize a centrifugal stage upon which ardent hopes yet promised to materialize. A beckoning, much like a mating ritual dance, performed by plumed lizards or feathered raptors in a trance. An unvisualized soaring...the letting go of a ship from its sails... perfunctorily grinding to a halt against the backwashed turbulence of the roiling waves...temporarily cast off against a stomach churning impasse. As if to say, or at least suggest, that there is no way one could pass this test.


Images strip from the silver screen of his mind's eye in such quick succession, that only a blur of associations is left in Riticen's fading recollection. And these, in and of themselves, are each captured by surging wavecrests from out of the depths, snatched from quiescence by a vulgar demand they be eaten by the collective unconscious wallowing beneath like a great, undulating blister of foul, decompressed air just wafting upwards for its inevitable venting toward an unsuspecting yet all-too-deserving surface.

Riticen's eyes snap open in an underground oxygen bar. A patron dipped in synthetic, glow-in-the-dark latex brandishes a knowing look in his direction, before disappearing into the depths amid strobes of pulsing black light. Refreshed to a point distinguished by every pixel in his eyes, Riticen sips generously from his ninety-ounce staff drink, held firmly as a cane in his stable right hand. The drink holder rather resembles a faintly glowing, fungus-patched oaken branch, sanded down and varnished to a well-protected finish. From a sheared-off bole emerges a microcircuit drinking straw—or so the imagistic software suggests, through manipulated photoreceptors.

As the cool, lime-green and slightly radioactive flavor of the Benzylamine-laced drink passes through his taste buds and down his throat and into his stomach, Riticen slowly realizes the latest Collective mergerQuest has come to another, rather abrupt, end. Leaving him exactly where within the sprawling confines of the CITIplex, he can only guess. None of the establishment's artistry or neon sloganeering provokes any stirring of memory from him in the least. A hazy recollection of being in the A.R.B. surfaces momentarily. There is a sense of anesthetic cushioning to his memory; a gauzy sort of tunnel vision, limned with a dusty, brightening light, like that which precedes the onset of a migraine headache, when all attention is brought to a central spot of glaring incandescence which otherwise obscures what might be glimpsed directly ahead. When this ravaged hole of radiance begins to expand and eat up the entire range of Riticen's field of vision, that is when the blinding pain of a migraine splits through, and the world reels about spasmodically as his locomotive escape from the O2Club is engendered, and a section of the CITIcurb rises from the fog and acclimates itself resolutely against his fallen body.










RETURN THURSDAY, MARCH 31
FOR VINCENT DAEMON'S
LEVEL 5






ONLY ON THE FREEZINE
OF FANTASY AND
SCIENCE FICTION





No comments:

Post a Comment

Archive of Stories
and Authors

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee.


Keith Graham's
MIZUKI


Keith Graham's
EVERYTHING BUT
THE OINK



Keith Graham's
FAREWELL TOUR


Keith Graham is a computer programmer,
blues harp player, fellow beekeeper, and
speculative fiction writer. He currently
maintains 45 active websites. He has
published more than 50 stories over
the last six years in venues such as
others. Underground rock music
played an integral part in the early
days of cyberpunk, and The Freezine
of Fantasy and Science Fiction is
excited to have Keith onboard, and
grateful to showcase the premiere
of his passionate story of rock'n'roll
redemption.


John Claude Smith's
BLOOD ECHO SYMPHONIES


John Claude Smith's
NOT BREATHING



John Claude Smith writes weird fiction,
something between Horror and Magic
Realism, most of it psychologically driven.
He's had over 40 tales and over 1100 music
reviews, interviews, and profiles published.
He is currently shopping two novels and
a collection to agents and publishers, all
while starting the third novel. Gotta keep
on keepin' on! Looking forward to Rome
in the not too distant future, but for now,
just looking for the next short story to
be written.


David Agranoff's
A PLANET OF YOUR OWN


David Agranoff's
THE FALLEN GUARDIAN'S MANDATE


David Agranoff is the author of the
short story collection Screams From
A Dying World, just published by
Afterbirth Books. David is a hardcore
vegan and tireless environmentalist.
His contributions to the punk horror
scene and the planet in general have
already established him as a bright
new writer and activist to watch out
for. The Freezine of Fantasy and
Science Fiction welcomes him and
his defiant vision open-heartedly.

David is a busy man, usually at work
on several different novels or projects
at once. He is sure to leave his mark on
a world teetering over the edge of
ecological imbalance. David's latest
books include the Wuxia -Pan
(martial arts fantasy) horror
novel called Hunting The Moon Tribe,
already out from Afterbirth Books.;
The Vegan Revolution...with Zombies,
[Deadite Press, 2010]; and
[Deadite Press, 2014]

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.

When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found HERE.