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Tuesday, April 3, 2012

ELDER CRUISER:III

© 2012 by John Shirley



Jensen Genetics was a sprawling ten story building in Century City, made mostly of translucent panels that showed only human silhouettes inside, up to the ninth floor. The tenth floor, though glassy, was entirely opaque. Shadows of people moved about the first nine floors. Len watched from across the street as Zach and Anne joined the shadows, vanishing into their translucent box, quickly indistinguishable from the other shades. The obese were few now—everyone was about the same shape, except for height and voluptuousness. Anne didn’t bother with breast enhancement. Her sensuality was somehow always exactly modulated, at one with her intelligence. He saw her, in his mind’s eye, a young woman...

I’m living in the past. That was so long ago. He was getting all mixed up about then and now. Not a good sign.

And Len was tired. He’d have to risk another energizer, if he was going to continue with this. He took the little prescription vial out of a medical panel on the side of the cruiser, lifted his visor, drank the citrusy fluid down. He felt lighter, more optimistic, almost immediately. But then came a heaviness in his chest, an attenuated streak of pain in his left arm. Just a warning—his heart was laboring to keep up with the designer stimulants.

What of it? Suppose he did die, bopping around in his cruiser? Wasn’t that better than gasping goodbye to some stranger in the cotton-lined box of a hospice room?

No turning back, Len. He directed the elder cruiser up to the front door. It opened for him and he rolled inside.

The lobby had been some architect’s experiment with unsymmetrical angles; it reminded him of “the crazy-walls room” of a funhouse he’d been in as a boy. Which he hadn’t thought about in years. Another descent into the past...

To his surprise, a living person was sitting at the reception desk. A stocky black man in a security guard’s uniform, a pleasant expression. “Help you, sir?”

“A real person, at the Jensen front desk,” Len said, rolling nearer. “Classy.”

“I’m as real as they come, sir.”

“As real as they come. We won’t digress into the ambiguity of that. I’d like to see Anne Feldman...”

“You have an appointment, sir?”

“Not exactly.”

The security guard grunted doubtfully. “I can call up, but she’s in Research and when they’re in Research they pretty much don’t see anybody outside the department. Your name, sir?”

Len opened his mouth to tell him—then closed it again. He’d been clandestine till now. If she was with Zach, she’d mention it to him. This is weird, my ex is downstairs, I haven’t seen him for years. And Zack would have a chance to smokescreen whatever he was up to.

More senescent paranoia. Dramatizing. He should go back to the hospice and get some rest. Len said, “I’ll just call her. See you later, ‘real deal’.”

The guard smirked—just a flicker of that, Poor confused old character look. “Yes, sir. Later on.”

Len wheeled around, glanced at the directory on the wall. RESEARCH was on the tenth floor. Naturally that was the opaque one.

He trundled out the door, down the street, still feeling energized, renewed, more alive than he had in years. Tempted to get out of the elder cruiser and walk around. He wasn’t supposed to walk more than a few feet except with the physical therapists. Too dangerous, they said. And he was slow and stiff and brittle. Maybe fall over and break something. He’d had his bones re-knit a few years ago but he’d probably lost calcium since then...Old age is absurd, he thought. Why did nature bother with it? Why the slow fade? Why didn’t the rose simply drop its petals all in one instant?

He looked up at a soft droning sound from overhead—and saw a group of Asian tourists flying over in a convertible Casimir Car. The car drove itself, whipping by, the tourists waving, probably on their way to look at the sunken city of Santa Monica...




More than an hour getting the private Casimir tour car, setting up his elder cruiser in the back of the vehicle. Zach might’ve left Jensen by now. The tourist grid guided the sleek, glossy white, wheelless car about two hundred feet over Santa Monica Boulevard, heading west at a moderate speed. The convertible was open; the wind fluttered Len’s thin gray hair. It was chilly up here—he enjoyed that. They were protected from temperature variations in the hospice.

He was distantly aware of the car’s telenet chattering. “The Army Corps of Engineers denies that the dike around Manhattan is likely to break in the coming New York monsoons...” The city unreeled slowly beneath him and he thought: Going to need another energizer soon. It might kill you. Yeah, what’s your point? Got to die somewhere. Might be a good thing to check out floating above the city, the car carrying his dead body slowly over Los Angeles. Finally running low on power, settling in some random place on the tourist grid. Perhaps on Hollywood Boulevard, where his dad had a star on the sidewalk...

“On your left,” said the car, “is Jensen Genetics...ahead on the right—”

“Slow down!” he told the car. “Independent course...” He was restricted on how far he could take the vehicle off the pre-set tourist grid—the manual said it would divert only two hundred yards. “Uh....north, due north...now a few degrees east...slow down...very slow...”

The car turned, edged over to the roof of the Jensen building. He saw no surveillance cameras on the roof, but they could be there; hard to tell with all the solar panels, the glare off the spray-metal roofing, and some sort of air conditioning unit bulking in the center of the roof. “Due south, two miles per hour,” he told the car. It obediently drifted slowly south, bobbing a little on its cushion of Casimir force as it sensed the resistance of the roof about eight feet below. “Good. Right here—set down on the roof.”

“I’m sorry, that is against the rules of the rental,” the car told him, its voice human and friendly and reasonable.

Hell. You couldn’t argue with them. “Can we get lower?”

“That is against the...”

“Okay, okay—we’ll just pass slowly over the roof...keep going.” The door of the car wouldn’t open high above the street—but it might mistake a roof for the ground.

Len clicked off the restraint holding his cruiser in place, and looked over the side. The car was passing over the external air conditioning unit. His heart was thudding painfully. His hands felt numb. You senile old dope. Don’t do it. You’ll be a laughing stock, if you live...or if you don’t. He hesitated, licking his peeling lips...

On the dashboard telenet, a small 3D figure gestured from a podium. “Mark Bloomberg, the new, fresh-faced mayor of New York City, a young man who is closely related to the Michael Bloomberg who was mayor at the start of the 21st Century...

No more stalling. Do it or get out of here.

He thumbed the elder cruiser onto manual, opened the car door, and pressed forward. The cruiser whirred, as if anxious, but obediently rolled out of the car—falling for a split second, clanging onto the top of the big boxy air conditioning unit—a bone-rattling thump. His jaws clacked painfully together, his back whiplashed in the cruiser. But it stayed upright on the air conditioner box.

The car drifted on, murmuring about unauthorized exits, seeking a parking space. His elder cruiser wobbled in place. The air conditioner had a slanting duct on one side, angling like a ramp down into the building. But damned steep... and he was rolling very slowly toward it. He thought of telling the cruiser to stop. But then what? Stay up here till someone found him?

The edge came closer and he saw way down was steeper than he’d thought. This wasn’t going to work. This—The cruiser tipped over forward, the metal-sheathed roof rushed up at him.




Couldn’t have been unconscious more than a few moments, really. Could he? Painfully lifting his head, Len made out that he was still in the cruiser, lying face down on the roof—but tilted, the back of the cruiser still partly on the air conditioner.

His nose was bleeding. He could taste the blood.

The cruiser could straighten up from horizontal—but not angled this way, with its wheels higher than his head. Too much weight pushing downward. He was going to have to get out. He looked for the flying car—couldn’t see it. The car would report “misuse” and they’d be out looking for him. Laughingstock.

“Cruiser, open up.” No response. Then he remembered it was on manual. He felt along the chassis, found the tab, clicked it over to responsive. “Cruiser, open up!” Something clicked, and loosened around his middle. He reached out, grabbed a bit of vertical vent piping, and pulled himself forward. “Shit!” The movement hurt like a son of a bitch. He hoped he hadn’t smashed a disk. He was pretty sure his insurance wouldn’t cover this.

He laughed, and winced at the pain of laughing, and kept inching forward. Pulling up onto his elbows, doing a feeble push-up, dragging his legs out of the cruiser, getting to his knees, pausing to rest.

The pain throbbed, reverberating in his joints. But no bones were broken or he’d never have gotten this far.

Feeling dizzy, Len took a deep breath, and the dizziness cleared. He crept around on his hands and knees to the cruiser, and got a grip on it, used it to lever himself up, just managing to stand. Only one groan escaped him as he stood there, trembling on his wobbly legs. He’d really let himself go. Eighty-seven was supposed to be the new sixty or something, wasn’t it? But with the toxic load of his generation, lots of elderly people were barely maintaining...

He found himself swung about in another wave of dizziness. He steadied himself against the whirlpool tug of vertigo. The pain was mostly in his neck. Odd how the twinge almost seemed to support him—as if it were keeping him awake.

“Okay, cruiser. Let’s see if you’re broken,” he told it. “Restore to vertical.”

“Everyone nearby stand clear,” it said.

A panel opened in its front section; its wheels shifted and locked. It extruded a strut, did its own pushup, then jerked upright. The panel closed; the front section hummed invitingly open. He eased himself into it, and reached for the medicine...

Thinking: Suppose there’s no door into the building from up here?

But there was.




The cruiser could go down stairs, the articulated wheels doing a lock-and-walk. But at the bottom of the stairs, it stopped, flummoxed by the small space. The door handle was to his left, not easily in reach. The cruiser couldn’t turn in this cramped space—nor could this model turn a doorknob.

Len nearly pulled his left arm from its socket, straining out to twist the handle, but at last got the door open, and the cruiser drove into the warm, carpeted hallway of the tenth floor. He felt light-headed from the painkillers, and it was a good thing he wasn’t having to drive the cruiser himself. It smelled of raw chemicals in here, and something else; something mysteriously organic. This would be the top floor—and that’s where Research was. A door on the left was marked only 1023. He heard faint voices from the other side—couldn’t make out what they said.

He stopped at the door, pushed at it. Locked. There was no knob on the door—there was a badge scanner, and a combination pad. He had neither badge nor combination...

“I don’t know, just some kind of alert from the roof,” someone said, down the blank white hall.

“Crap,” Len muttered, under his breath. He drove the cruiser to another door across from the lab, this one with a knob. It opened—it was a large, long utility closet. He rolled in, closed the door behind him, was suddenly in deep darkness. In a closet...

If Mahela could see me now, he thought, he’d put me in advanced dementia watch.

Footsteps were barely audible on the carpet outside the door. He sat there, breathing hard, suddenly very much aware that his vertigo was back, and the aches were still there, just muted. The darkness seemed to thicken and whirl around him. His stomach twitched.

“Door to the roof’s open...” came a voice from the hall.

“So we’ll check up there.”

He waited a full minute, then said, “Night lights.” The lights on his elder cruiser came on, near the floor. The long rectangular closet was empty—no, there was something in the shadows off to his right. After a moment his adjusting eyes delineated a janitor bot. It was outdated, bulky, shaped like a saltshaker, with a cluster of clumsy jointed metal arms—prompting another memory from his childhood—some wicked television robot. Not exactly but...almost.

He could just make out the brand name on the bottom. Grist Industries. Outdated tech—someone was cutting corners at Jansen. Basically the same bot they’d had doing basic maintenance at Vertical when he’d retired.

The same? He muttered to the cruiser, rolled over to the bot. He said, “Janitor: activate, maintenance.”

No response. He reached around the janitor’s back. There it was—he flicked the switch, and a diode winked on like a green star on the front of the bot. A fuzzy, plainly artificial voice—very out-of-date indeed—said, “Un-scheduled wo-ork?”

“Yes,” he said. “Room ten-twenty-three needs maintenance.”

“There is an ob-struct-ion.”

“That would be me. You’re not the only one who thinks so. Cruiser—back up, wait till I open the door, then into the hall.”

The cruiser backed up to the door, he opened it and rolled through, looking for the security guards. No one there. The janitor followed, then rolled briskly past him to Room 1023, and made a humming sound within itself. The door clicked, and swung open.

Len just managed to follow the janitor into Research 1023 before the door shut.

As he entered the lab, looking around at the arcane equipment, he felt dreamlike, surveying the murmuring consoles, the colorful DNA-decodes unfurling in holotanks, brushed steel panels holding up what seemed milkily-transparent, high-tech sarcophagi—deliberately styled to be reminiscent of Egyptian sculpture.

There was an adjoining lab room, the door standing open; someone, just out of sight, was humming a vague tune in there. Didn’t he know that tune? Wasn’t it Trust me, Always Trust Me, by “The Whispers”? Anne had loved that band.

Len put his cruiser on manual, and rolled it slowly, very slowly, toward that open door.

He got close enough to see Anne, in a long white lab coat, her back to him, standing about four yards away, close beside another semi-transparent sarcophagus, fingers fluttering over a small workstation; alternating between a keyboard and flicking her hands in the air over its sensors to move blocks of data.

He could see through the slightly glazed, transparent material of the sarcophagus-like container. A man lay naked in it, stretched out on his back, apparently unconscious. The man was his grand-nephew. Or the person who claimed to be his grand-nephew. The man calling himself Zachary Winniver.

The family resemblance was stronger than ever. It made him shiver. Too much like seeing himself in a coffin.

Cloning, maybe? And was “Zach” his clone?



Monday, April 2, 2012

ELDER CRUISER: II

© 2012 by John Shirley



“Mr. Winniver? Where exactly do you imagine you’re going?”

It was the Nursing Caretaker himself, Mahela—in person, a hulking physical presence right there in the hallway, blocking the Elder Cruiser. Mahela was a wide-bodied, dark skinned man, a slight South Asian accent. He wore the traditional white uniform but he had melanin-fades of family scenes printed on his neck and forearms, silhouette images woven into a lacework of faces and gestures. Moving tattoos and melanin fades were among the things Len had finally gotten used to—like flying police cars and The Execution Channel. Getting old was increasingly like moving to another country entirely, one that made up new customs every couple of years.

“Going for a spin in my elder cruiser,” Len said. “Cruise the young women. The usual salacious old man thing. I’ll behave. ‘Look, don’t touch.’”

Mahela shook his head emphatically. “You haven’t got the strength to be driving around in that thing for any reason. Certainly not that reason! Your heart is giving out, Mr.Winniver. We want you to be comfortable when...if anything...” Mahela pursed his lips, looking for a delicate way to phrase it.

Len snorted. “You should have all your euphemisms down by now, Mahela. But then you’ve only been at this job a few weeks—so maybe you don’t know which patient’s got a legal right to leave whenever they want. That’d be me. I’ve taken my meds...” The ones that didn’t make him feel tired. He’d skipped the others. “And some energizers, and I’m feeling pretty good...”

“You’re not supposed to take energizers at all! And if the doctor says you can’t go on this little jaunt, you’re not going!”

“Yeah. Try seeing the doctor in person to ask. Good luck with that.” He had to get out of here fast or he was going to lose Zach. “’scuse me. Cruiser, proceed around obstacle. Rapidly. Next elevator down.” The cruiser was voice activated, or manual—his insurance company wouldn’t pay for cerebral control.

The elder cruiser whipped around Mahela, making him gasp with indignation. It went with pert responsiveness to the elevators.

Mahela called after the cruiser, yelled at it to stop—but it was Len’s, bought when his circulation problems got bad, and it obeyed only him. The elder cruiser drove into the elevator, turned neatly around, a moment before the doors pinched off Mahela’s outraged expression.

Escape! Amused at his own childish gleefulness, Len watched the indicators till the elevator reached the bottom floor. “Straight ahead, when the doors open, medium fast...”

The doors opened, and Len rolled across the big, airy, glass-walled lobby, looking for Zach, aware of his heart pounding laboriously and hoping he didn’t black out. People hummed past him on self guided scritters or tramped by on foot, talking to no one visible, some of them using sensors to help them walk without crashing into things as they chatted on socials. A couple of black guys talking earnestly to one another stuck out in the crowd because they were talking face to face.



The cruiser took him out through the front doors, into the reflective sunshine of a faux-marble courtyard. The sunlight was always young.

There was Zach, at the corner, paused to talk to someone who wasn’t visibly there; frowning, maybe arguing.

Len muttered, “Hold on, cruiser.” And the cruiser stopped. Zach turned—and for a moment Len was afraid the young man would look through the mind’s eye projection and see him. But Zach was focused on the seemingly empty air in front of him. Parked to one side were a number of small motorbikes, including an old-style Vespa. The engine was electric, but the retro body was the same. On one of its numerous mirrors someone had hung an electric-blue helmet.

“Ease over slow to the right,” he told the elder cruiser. It edged up to the scooter, and he scooped up the helmet. He instantly put it on his head, lowered the visor. The helmet would look funny with an elder cruiser but so what, people’d think he was an over-cautious old geezer.

He grinned to himself, thinking, Good Lord, I stole something, right out in public! He couldn’t remember ever stealing anything before. “Follow the person directly ahead,” he told the cruiser. Zach glanced disinterestedly at him as the light changed and started across the street. The helmet worked as camouflage.

Sneaking out of hospice, using energizers, stealing things—was this some childish manifestation of advancing senility? Not enough blood to the brain?

Better than being indoors; better than dying in a hospice. It was May, and not too hot. Through the visor, the sky seemed candy blue. In the distance, between buildings, he glimpsed the ocean that had swallowed up Santa Monica, in the aftermath of climate change.

Zach was striding on, and the elder cruiser droned audibly as it strove to keep up. Then Zach turned left, and Len followed into a pedestrians-only side street lined with delicate looking little trees. Small open-air cafés were crowded with bright faced young late-lunchers. An elderly woman with a young woman’s face breezed past Len in her own cruiser, staring curiously at his helmet. He knew she was elderly from signs in her hands; her eyes.

Zach walked through the gate of a sidewalk café, and up to a table, waving at a woman who was clearly waiting for him—a kind of light switched on in her face when she saw Zach. She was older than Zach, at least twice as old. Maybe more. And she was...Len felt a visceral shock, seeing her. But it couldn’t really be her.

Still, it was amazing how much she looked like his Anne...

He rolled past the café, watching her stand up to be kissed on the cheek. Zach sat down across from her. It wasn’t until Len was passing them by, that he was sure. It was Anne. Anne was as old as he was. This woman looked thirty or forty years younger than that. Late forties, early fifties. Was she some daughter of Anne’s he didn’t know about? No. He’d lived with Anne Feldman for two years. They’d almost gotten married. There could be no mistake...

It was Anne. And she was holding Zach’s hand.




How many decades ago? Four and a half? When—2014? The early days of vertical farming. It came back with aching clarity...

She’s holding Len’s hand as they walk up a ramp, in the vertical farm, wearing their light green inspector’s coats. It is the third farm he and Anne have inspected this week. This is VF #11, part of a new complex along the coastline in San Diego. Pipes of white bioplas run from the sea, which glints like polished steel beyond the glass walls, drawing briny water to be desalinated for the packed-in crops—tier on tier of corn and rice and high-yield grains, terracing up in stairway spirals. No pesticides needed, in this precisely insulated environment. Another ten such buildings line up over the waterline nearby. New ones are being completed offshore, west of Catalina, their next stop.

They feel a special connection to every vertical farm they inspect. The smell of greenery, earth, blossoms; the exactly-modulated warmth of the reflected sun through mirroring skylights; the musing hum of the bees, the soft swishing of the artificial creeks, the splash of fish ladders winding through the crops, the feel of mist carrying the yeasty perfumes of life...it is all quite personal to them. Anne doesn’t have to be here—she’s an important researcher, increasing fish and plant yields, a gift for doing it without genetic-engineering risks. But she likes doing the inspections with him, when she can. They’re both in early middle age. Been together for years. They’re both aware they have to deepen their bond or lose one another. And lately...He glances at her, somehow enjoying the fact that she’s almost a head taller than he is. Wondering why that is. He’d always liked a tall, willowy woman.

He stops to look at the artificial creek, the specially engineered fish swimming, jumping, imagining themselves to be emigrating long distances, but going round and round in the building till they spawn or are harvested. The fish had been his idea—well, partly his idea. Taking their nutrition from the plants, and earthworms, their waste becoming fertilizer; putting out CO2 for the plants, eventually becoming meat. Such a great idea—and it hadn’t paid him personally. Maybe now was the time to talk to Anne about it. He’d been waiting his moment. “You know, Anne—I should have taken profit participation, instead of the higher salary,” Len admits. He feels a nagging torment, at times, thinking of the fortune his father had thrown away—so now deferring money comes hard to him. He likes to see it appear in his account every two weeks. “But—they could make me a partner...the fish fertility exchange, the specialized bees—my ideas. Initially, anyhow. You know they’re gonna make billions from the fish, when they get more of these places up.” He looks at her sidelong. It was his oblique way of asking...

She sighs and he knows the news isn’t good. “I did ask about it. Gary just flat said no. He said he’d have to give a partnership to all kinds of people who contributed if he gave one to you. He said you have good benefits, good retirement, you got a bonus.” She shrugs. “I don’t think they’re going for it, Leonard. Not their fault you spent the bonus...”

He feels his face flush. “You could stand up for me, Anne. I mean—we’re engaged, for Chrissakes. You don’t have to just blow the whole thing off.”

She looks at him, hurt. He can feel the tension in her hand. “We’ve been engaged for so long—but somehow we never go the next step. Is this what it’s about—competition? What differences does it make who has the partnership? I can take care of us, Len. I’ll have extra money. So we’ll both have it.” She shakes her head. “Males are so primeval.”

Len tugs at her hand. “It’s just that—we should be partners in everything. If they’re not standing by me you shouldn’t stand by them. You could tell them, ‘Make him a partner or I quit.’” Len hesitates—then says something he regrets ever afterwards. “You don’t stand by me now—why should I stand by you, Anne? It’s like you’re not committed...”

Anne looks at him in shock. “So if I don’t threaten them—you’ll leave me?”

He should say, No, I’d never do that.

But he fails to say it. He simply scowls, and looks away.

They stayed together for awhile. But Anne seemed to drift away from him after that. Till at last they broke up entirely...

Len shook his head, now, as he directed the elder cruiser to the Social Access shop across from the café. The vividness of the memory seemed to underscore his failure to do the right thing, that day in the high rise. The day he’d lost her. He could scarcely remember last week but this memory from decades ago was as intense as an icy wind.

Running through it yet again, he winced at his own remembered childishness. A grown man—and still an adolescent at the core, in those days. What had he expected of her? She was a real scientist, not an engineer; she was a gifted researcher, far more valuable than he was. And she was in love with her work. Of course she was a partner in Vertical. She was enormously important to them. He’d had some ideas but he’d signed them away for the cash flow...Len parked himself in the small Social Access shop, at a social-connect table facing the window, where he could use the wall charger. He could see Anne and Zach, talking earnestly in the café, across the pedestrian mall. He seemed insistent about something. She was a bit taller than Zach, too, he noticed.

He took off the helmet, deciding Zach wasn’t going to look in here, put on the rather old-fashioned headset. He was lucky it still worked—most people used either implants or nano-impregnated contact lenses.

The small headset lenses swung to fit snug over his eyes; the table activated the air above it. A Deep Digital logo appeared in the air, in throbbing three-dimensional gold: Glowing Ds gracefully switching places with one another every two seconds. He gave his billing code and then said, “Mori Redonza, search FullBody Active.” Formerly Mori Feldman, Anne’s daughter.

A holographic flickering through FBA, and then a group of people appeared over the table, miniature people moving casually about a vaguely pleasant virtual space that seemed to go on forever in some misty cyber continuum. They strolled about, waving to one another, sometimes congregating in clots. He adjusted his lenses for immersion, and the people became life sized, fully dimensioned. One of them, about to saunter past, was Anne’s daughter from her first marriage, Mori—or a somewhat idealized avatar of her, as if she were still in her thirties; she had a bob of shiny black hair, large dark eyes, pensive mouth. Her colorshift pants suit cycled through shades of beige, tawny yellow and bronze. He said, “Put up a semblance for me.”

The table checked his billing code, and he appeared in the Social. People glanced his way curiously, but no one recognized him; this was a group of Mori’s “friends”, and he hadn’t checked in with her in years. It appeared he was still “friended” though.

He waved at Mori—she frowned and walked over to him. “Len Winniver? Really?”

“Yeah. You’re seeing a semblance at least fifteen years out of date. Looks better than me in an elder cruiser. How you doing? You look good.”

“This image is just as outdated.” Her frown got deeper as she looked at him. She was Anne’s daughter and so unlike her. More like her angry, intense Latino father. “You’re wondering about Mom?”

“I am, yeah. I just saw someone who…well, it was her. That little scar on her chin I talked her out of fixing…. It’s just…She looked way too young.”

“You won’t allow her some avatar vanity?”

“It was her, in person, Mori. In a physical café. Talking to a guy who claims he’s my grand nephew. Only I don’t think he is.”

Her face became studiedly blank. Guarded. “If it was her—she might’ve had some work done.”

“It wasn’t plastic surgery, Mori. My dad was a goddamn movie star and I was around plastic surgery all my boyhood. My mother was in and out of there like Michael Jackson on a turntable.”

She blinked. “Who’s Michael Jackson?...And what’s a turntable?”

Oh come on, he thought. You’re not that much younger. “It wasn’t surgery, Mori. But even if it was—Why was she—” He broke off, seeing her face harden—realizing he was sounding belligerent, maybe paranoid. She’d be accusing him of abusing cognitive enhancers, next. “Just—could you catch me up on her? Do you know anything about this guy she’s seeing? A young guy, looks kind of like me? I’m just curious, is all.”

“No. I told you. Haven’t seen her in a while.” She looked off into the digital distance. “She came out of retirement. She works for Jensen Genetics. I don’t pretend to understand it—why this sudden interest, Len? You used her to advance your career then you dumped her…”

He shook his head. “I don’t believe she said any such thing about me.”

“I have a theory for you, Len,” Mori said suddenly. Her dark eyes glinted with anger. She made a gesture that created a bubble of privacy around their conversation—a bad sign. “She was more successful than you! So she can get more organ replacement. Which improves her health. Keeps her circulation up—all that. So she looks younger! And that bothers you. Listen—I haven’t seen her in a year myself but if she’s that much improved, she deserves it! She worked for it!”

“You haven’t seen your own mother in a year? Why?”

“I…” That guarded look again. “She’s been on a kind of...working retreat. Special projects for Jensen...”

“Well she’s sitting in an open air café in the town you’re living in, so she must be avoiding you. There’s something strange about all this. Okay. Have a good life, Mori...Billing: I’m out.”

Mori opened her mouth to get the last word—and then dissolved.

Len was sitting at the table, alone. But then he’d been there alone, in a way, the whole time. Like the woman sitting to his left, at the table across the room, smilingly talking to the air—to people no one but her could hear or see.

He took off his headset, looked out the window, and saw Zach walking out of the café, with Anne at his side, both of them conversing with the air, to someone only they could see, as they hurried off down the pedestrian mall.

Len waited a thirty count—and then he followed.


Sunday, April 1, 2012

ELDER CRUISER: I

© 2012 by John Shirley


art by Shasta Lawton










Leonard Winniver was dying, mostly of old age; Zachary Winniver sat at his hospice bedside.

“We come and we go,” said Len, “and that’s how it is.”

“Sooner or later,” Zach agreed—and then he winced.

Len Winniver gave his grand-nephew a sympathetic smile. He knew it was hard to be a young man sitting patiently with a dying old man, trying to say just the right thing—trying not to be insensitive. Len remembered feeling the same way when he’d visited his dying father, long years ago.

Zach had come out of nowhere. Just walked in, smiling, saying he was Len’s grand-nephew. Hi, I’m Zach. Your Grand nephew? Zach Winniver. This was his second visit—they’d only met the week before. Certainly looked like a close relative. Best to assume that this really was his grand-nephew; that he really was here for the right reasons...Len stretched out a bit more on the smart bed; felt it minutely adjust to support him better. He glanced out the window of the high rise hospice. The Los Angeles monsoons had finally ended, and the sky seemed bright blue, fresh scrubbed.

Across the way was another high rise, for farming—“Vertical Farming.” He’d purposefully arranged to have a hospice room with a view on the spiraling green lushness of the vertical farm, amidst all the other high rises of Westwood. He’d worked in vertical farming for decades, helped to develop it—a lifesaver in the age of climate-change. He’d been an engineer, not a board member; no stock options, no getting wealthy as the business grew. Just a decent salary and retirement, benefits that put him right where he was now. Len’s dad, a moderately successful Hollywood actor, had squandered all the B-list movie-star money, leaving Len nothing much to invest. And here was Len Winniver dying, in his turn.

“This audition has got me nervous,” Zach was saying. “I don’t know why. It’s not like I haven’t had auditions...”

Len caught a movement outside, glimpsed something metallic flashing by, flying between the buildings; controlled by remote guidance, the vehicle’s movement was remarkably precise, completely without wasted motion. “See that?” Len raised a shaking hand, to point out the window. “A flying car. When I was just middle-aged, like thirty-five years ago, we used to kid around, ‘Where’s my flying car, dammit?’ Because when we were kids all the futuristic guys promised us flying cars. And there it finally is, forty or so years behind schedule.”

“Only the super rich and the cops have ‘em,” Zach murmured, glancing out the window. “And a few of those upscale tourist outfits.”

Len took in the young man’s splendid profile, so like Len’s father: The Actor, Barry Winniver. Len’s father, Zach claimed, was one of his heroes—Zach being an aspiring actor.

Does Zach here think I have showbiz connections that’ll help him, because of Dad? Bad call, kid.

“Only the really rich,” Zach repeated, softly.

Maybe he was hinting of an inheritance, with this talk of money—knowing Len had no children of his own. Is that why Zach was here? He could have gotten in touch years ago, and hadn’t.

“More important things—same situation,” Zach sighed. “Only the wealthy. Or you’d have gotten a new heart, new lungs, Uncle Len...”

Len chuckled, though he didn’t really think it was funny. “Big process to grow a heart in a vat, Zach—expensive. If they do it for everyone, the world’ll have triple the nine billion people we’ve got now, in a generation or so. Anyway it’s the brain that matters. Can’t regrow your self-hood, Zach. Can’t regrow all those brain cells. Real youth...real rejuvenation...it’s not happening.” He gestured around the little hospice room, with its beeping monitors—and the auto-nurse, humming softly, waiting in the corner. “My insurance, my retirement—got me this far. But it’s just another comfortable waiting room for...”

He shrugged. Deciding not to say, For death. Realizing he was slipping into obvious self-pity—which quite naturally made young eyes glaze over.

“Anyhow...” Zach turned a focused gaze into the middle distance—meaning he was looking at the treated-air projection that only he could see, where messages, reminders and digital faces reeled by. How could they concentrate on anything? He’d never wanted one of those implants.

“You’d better get to that audition, boy.”

Zach nodded apologetically, and stood up, adjusting his designer shoulder grip—the sleek little carrybag gripped his ribcage like a marsupial. He was a tall straight-backed, vigorous young man in a clingsuit, the fabric showing off his muscles. The dove-gray material showed subtly iridescent highlights when Zach moved. A young man’s garment. Len had managed to have his eyes replaced—the only real organ replacement his insurance covered, except for hip joints—and his eyesight was sharp. Looking at Zach he wondered again, How’d I miss knowing about this kid?

A grand nephew, grandson of his late brother Andy. Yeah there’d been a grandkid—but hadn’t he been seriously ill or something, lost long ago? He wasn’t sure. Len’s brother Andy and his wife Beth had lived in Australia, though—and Andy had held grudges. Like over dad’s money, and Len’s refusing to join the lawsuit—good old Andy had loved lawsuits. So they’d been a long time out of touch.

“Break a leg on that audition, Zach,” Len said, ready for the young man to leave. Len was tired already, and it was not even noon. Zach started for the door—then turned back, his expression oddly serious. “You—weren’t interested in acting, Uncle Len? Not following in your dad’s footsteps?”

Len shook his head. “Not really. My dad was a kind of minor movie star, but...” He shrugged. The motion hurt. No point in getting more joints replaced now, even if he could afford it. “I just didn’t like what it did to him. He had talent—but he was too self involved to really get in touch with it. But you—you’ve got character! Probably you’ll do great. Don’t let the whole thing....well...” Len didn’t want to slag his father, in front of Zach—dad had been Zach’s great grand-uncle, after all.

“Anyway...nap time for the ol’ geezer now. Off with you.”

Zach smiled. That familiar Winniver smile, like starlight through a break in the clouds. “Okay. I’ll be back...let you know how the audition went.”

Zach breezed out, and Len said, “Lay back, bed.”

It sighed, as if weary itself, and reclined, keeping his head up a little just the way he liked. He switched on telenet, the depth-image appearing on the wall across from his bed. It was a music video channel. Michael Costin, Jr, in skintight silver lame, was singing about a mirror in his heart. “MC Junior”—the reclusive child of the famous singer, the late Michael Costin—popping out of obscurity for his debut performance. Pretty girls in edgy costumes capered rhythmically behind him on stage; a song composed by some pop-program called out poignantly to Len’s nervous system. Then the bedside interface panel chimed, and he switched off the telenet sound. “Go ahead, phone,” he said, yawning.

His sister-in-law Beth appeared on the panel—just a photo. A flat image of her, a little younger than now, accompanied her voicemail as she said, “Hi Len, hope you’re feeling better. It’s funny to hear you ask about Zach. You’re talking about my grandson Zach right? Only one I know! My grandson—your grand nephew—died when he was thirteen. Lymphatic cancer. He was misdiagnosed, or they’d have caught it in time, and there was the lawsuit against the doctor and all that misery. Maybe the only reasonable lawsuit Andy ever invested in. I guess Andy wasn’t talking to you then, but I thought he’d sent out a notice to everyone...So this Zach who’s coming to see you—has to be some other Zach. He’s not Andy’s kid—I don’t know who he is. Feel better! ‘Bye!” Her image vanished. I don’t know who he is.

“I don’t either,” Len muttered, closing his eyes. But he couldn’t sleep. Not yet. He touched a tab on his bedside, looked up the original message he’d gotten from Zach, and copied the smiling picture of the young man from it...

Len awoke from a murky dream of his father and his brother, the two of them shouting at him at once, so he couldn’t hear what either was saying. It took him a moment to realize he’d been awakened by a chime from the interface. “Answer,” he said, his voice gravelly, and it projected a live holographic image of Belinda Streeson, from the shoulders up, into the activated air over his bed. She was Chief of CyberSecurity for Vertical Farming Ltd, a middle aged woman with a little cap of silver-black streaked hair, a snub nose and Eurasian eyes. She was married to Elaine Streeson, the company’s CFO. A mobile tattoo shifted through several Japanese-style pastoral scenes down the left side of her face. She gave him a wry smile. “You there, Len?”

“Yeah, I’m just not showing myself. I’m in a hospice bed.”

Belinda frowned. “I heard something about you and toxic bio-persistence...”

“That’s one factor. That and getting old.”

“The TPB is ironic, considering all the work Remington did on pthalate removal, groundwater cleanses, all that stuff...”

Len sighed. “Yeah.” Remington Cleanses International had bought out Vertical Farming with the big profits from their water-cleansing microorganisms. And Remington hadn’t seen fit to give him a real interest in the new company. Another reason he was living off retirement, and nothing else; another reason he was dying at a mere eighty-seven. He should have been good for
a hundred-ten.

She gave him a deadpan look of accusation. “So you’re extorting me, Len, demanding I check out this nephew of yours?”

Len laughed softly. “I just said you owed me, Belinda. Did I not get you the job there? Did I not push for you to be Chief of Security? Did I not introduce you to Elaine, knowing she’d go for you?”

“Okay so I do owe you. And—I checked him out.” She twitched her shoulders apologetically. “His name doesn’t bring up much. There was someone by that name in the place, time, with the relations you give, Perth Australia—and he died.”

“He died—right. But the picture I sent...”

“Legal gray area, my running checks on a message photo. But owed is owed. Your Zach didn’t look like this Australia Zach, not really. Way off. When I do matches for your Zach’s face, you know who I get? You! I mean, when you were young.”

“I already know he looks like I did. But what about passport ID matches, that kinda thing?”

Belinda shook her head. “Couldn’t find a match. But people can alter their face almost like their hair now. You’re supposed to get a special UNicop permit for a face-up, but...you can find people to grow you a new face without the permit.”

“So—you don’t think that’s his real face...”

“It’s a possibility. That’s all I’m saying. He ‘frauding you? We need the cops?”

“Don’t worry about it right now. I just wanted...I was just curious. Anyway—thanks. You get back to work. Stop lazing about, chattering to me.”

“Why, you...” She laughed and broke the connection, her translucent image vanishing like a popped soap bubble.

So. This young man was lying. Wasn’t who he said he was. This was disturbing. Wasn’t it? Shouldn’t it be? But that’s not how it made him feel. It made him feel something else entirely. Excited, stimulated. Interested, for the first time in a long while...

The kid was coming back tomorrow—to use up another half hour of Len’s life talking about mostly nothing...

Why? Who was he? Some hustler after an imaginary inheritance? He could confront him, and simply ask. But “Zach” would have a lie ready.

Maybe Len could find out something the old fashioned way...Why not. He was sure as hell old fashioned.



“Maybe the next audition’ll go better, Zach,” Len said, trying not to show how nervous he was. He shifted restlessly in his bed. First time he really felt like getting out of the bed, for a long while. The kid hadn’t seemed to notice Len was wearing a regular button up shirt, now. He wore his physical therapy sweatpants, under the sheet, and slippers.

“Yeah.” A flicker of misery passed over Zach’s face, instantly suppressed—like a man suffering from chronic stomach problems. “Maybe it will. Not so sure anymore.” He stood up, stretched, adjusted his designer shoulder bag with that familiar motion; it clung to him as he smoothed his hair. Smiling that familiar smile. “Got an appointment with a lady...”

“Wouldn’t want to keep you from that. Do your duty, keep the bloodline going!”

Zach laughed politely. “Doubt it’ll be that productive. See you, Uncle Len.”

Hope not, Len thought, as the young man walked out.

He waited a thirty count, then forced himself to climb out of his bed, and stand. A few seconds more till the vertigo passed, then he hobbled to the Elder Cruiser waiting in the corner. An intelligent wheelchair with flexible skeletal support, waste elimination when needed, the cruiser enclosed Len up to the breastbone, leaving his arms free—a sort of comfortable riding bot.

They were going to be surprised, at the nurse’s station.



Saturday, March 31, 2012

APRIL ISSUE BEGINS TOMORROW




Tomorrow the FREEZINE returns with the beginning of a brand new, never-before-published novelette from Bram Stoker award winning author John Shirley. It's hard to keep up with this writer these days and we are amazed at the quality of his output, including this prescient tale that dares to peek into the near future with a parable of startling clarity, here the FREEZINE divides the narrative into five daily installments, the first of which will be published tomorrow—if you dare believe that. Forthcoming, this month:


John Shirley's original novelette
ELDER CRUISER

(To be serialized in five
daily installments.)



Gil James Bavel's short tale
SATAN'S DOG
(Fri, April 13)


Keith Graham's short story
MIZUKI

(Fri, April 20)




Vincent Daemon's twisted tale
NIGHT SONG OF THE FUNGI

(Fri, April 27)




THIS APRIL


only on


the FREEZINE of
FANTASY and SCIENCE
FICTION



Wednesday, March 28, 2012

NEW ISSUE IN APRIL


art by shasta lawton



Next month, the Freezine of Fantasy and Science Fiction returns with all new original stories. Be sure not to miss out on these forthcoming tales, and if you haven't already—take this opportunity to start following the Freezine—and also tell your friends about it, because this is an ongoing cyberzine of original fiction and twisted fantasies—as well as provocative artwork—by some of the most interesting writers and artists around. We all thrive with each other's support, so be sure to share any story you like. Help spread the Freezine to a wider audience. The nanohorde thank us all for our eager and willful participation in helping them upload their meme. A fiction that sometimes here and somewhen, or now and later, stranger than truth may often seem.


John Shirley's original novelette
ELDER CRUISER

(To be serialized in five
daily installments.)



Gil James Bavel's short tale
SATAN'S DOG
(Fri, April 13)


Keith Graham's short story
MIZUKI

(Fri, April 20)




Vincent Daemon's twisted tale
NIGHT SONG OF THE FUNGI

(Fri, April 27)




THIS APRIL


only on


the FREEZINE of
FANTASY and SCIENCE
FICTION








Archive of Stories
and Authors

Callum Leckie's
THE DIGITAL DECADENT


J.R. Torina's
ANTHROPOPHAGUS


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.

Sean Padlo's
NINE TENTHS OF THE LAW

Sean Padlo's
GRANDPA'S LAST REQUEST

Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.


Konstantine Paradias & Edward
Morris's HOW THE GODS KILL


Konstantine Paradias's
SACRI-FEES

Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.

Edward Morris's
ONE NIGHT IN MANHATTAN


Edward Morris's
MERCY STREET

Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.


Tim Fezz's
BURNT WEENY SANDWICH

Tim Fezz's
MANY SILVERED MOONS AGO

Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.

Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD


Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.

Phoenix's
AGAIN AND AGAIN

Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.


Sanford Meschkow's
INEVITABLE

Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.


Owen R. Powell's
NOETIC VACATIONS

Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.

Gene Stewart
(writing as Art Wester)
GROUND PORK


Gene Stewart's
CRYPTID'S LAIR

Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -




Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.


Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.