“Well, no. Maybe if you gave me the right people to talk to…“
Interrupting, he cried out “But ye kint go there, ye kint! If ye go, they’ll take you too. Ye crazy or somethin’?”
“Well, I have this story I’m due to turn in for my paper, but believe me, I don’t wish to put anything of your personal life. But the rest--it sounds like a story to me, Mustus. What about here, in Portland?”
“Ye go near Innsmouth, even jis’ near it, you’ll be sorry. And they’re even worse out here.”
“Is that a threat, Mustus?” I was becoming a little worried.
“No, no threat--it’s a fact. People there don’t take to strangers. And it’s about that time o’ the year now, that the Deep Ones, they’ll be rising outta the sea, for more of…” His voice trailed off, as he cast another sorrow-filled glance down at the obscene photo of his wife and that piscine abomination.
“Alright, Mustus; you invited me here for a reason, and I gather it wasn’t to show me dusty old photographs, and it’s obvious now you don’t intend for me to write this piece for my paper. What, then, are we working towards here?”
“I wanted ye to come here so I could warn ye off of writin’ this story fer yer paper. I want ye to drop the whole matter--that’s why I called ye here. I figured if I showed ye enough stuff about what’s goin’ on over there, ye’d jis’ give up an’ forget it.”
Something didn’t add up. He originally asked me here, but now he was saying he asked me here to warn me off of the whole thing? I wanted to try something… So I asked him, “Obviously you’ve read my work before, right?”
“Of course, that’s how I came to ask ye here.”
“Well, being a what, a student? Yes, a student of the esoteric, the strange, even the macabre--you have to understand that I need to investigate this further. If anything, I can--or even we--can rip the lid right off of this whole foul situation. You can help me. You can help yourself. You can… you can have your revenge in this way.”
“Oh, I’m plannin’ my revenge, all right,” he said.
I should have just left then and there, like the voice in the back of my head was telling me to do, but… That damnable curiosity that led me to write accounts of the unexplained and the weird for my paper had a grip on me, as it always must. I wanted my first real job for The Gazette to be a doozie. “What do you mean by that?” I asked.
“Nuthin’, jis’ nuthin’. I’m thinkin’ that someday, someday I’ll go back, and maybe bring me a gun or two. They may take me down with ‘em, but at least I’ll take some of ‘em down with me.”
“Mustus, that’s ridiculous. Why let yourself get killed, when we could simply call the authorities? Especially after the public learns of this, if I could print the story?”
“Ain’t nothin’ the gover’ment kin do, boy.”
“How so? Surely the armed forces, the health department, the…”
“Back in the 1930’s, the gover’ment, they went out to ol’ Innsmouth, and they went out in force. They burned most of the village, the wharves--almost everything. Many of the people were rounded up--some say they was jis’ killed, in secret, or studied…
Then, they bombed the living hell outta that island out there off the coast.”
“What island?” I asked.
“Devil’s Reef. That’s where the real evil was takin’ place out there.”
“An island--called Devil’s Reef? They met there--these… Deep Ones?”
“Yes. Them gov’ment men, they bombed it to kingdom come, then they sent submarines out into the seas off the coast, but I dunno what they was doin’ out there; some say they torpedoed the island, some say they destroyed an underwater city. Other folks believe it may have been ol’ Dagon hisself they was shootin’ at.” His voice was reaching a fevered pitch talking of all this, as if he had really been there.
“Were you there at this time?”
“Yes I was. An’ I jis barely escaped with my life.”
From whom, the Deep Ones and their acolytes, or the government, I wondered to myself.
“And… Emma? Your wife?”
“She… She stayed… She… left with… them…”
Confused again, I pressed him for more.
“You mean, the government agents?”
“No, no. She went into the sea. With them. The Deep Ones. She’s one of Them now…”
“You mean, she was a willing vessel, for more of those obscene creatures? You mean, she sacrificed herself, for you, but then left with them? Into the sea? How? Why? I don’t understand…”
“They have ways, they do. They git in yer head. When they mesmerize ye, it’s hard--real hard--to break their spell.”
“And you… you’ve broken this spell? Only you?”
“Yes, I did--because of what they did.”
“…Emma?”
“Yes. They forced us--forced her to make the decision she did--to sacrifice herself for me. So she gave herself up. But, she was like ye--she was naïve, young. She thought if anything, she would be a prisoner, or killed; she prob’ly never dreamed she would turn into one of ‘em.”
“That’s as good a reason as any, I would say, for revenge, Mustus. But I still think that you should wait.”
“That’s not the only reason!” he yelled.
He took off his jacket, throwing it down on the dirty couch. He unbuttoned his shirt, revealing scales on what was a strangely smooth chest. Upon looking upwards, I noticed for the first time what his shirt collar had covered earlier--gills. He had gills in his neck. Small ones, to be sure, but gills nonetheless. I couldn’t believe it. Now it all made sense--his grotesque appearance, the smell…
“You… you’re a Deep One? Or an offspring?” I asked.
“No, not a Deep One--never was, never will be. But they have been breedin’ off the coast an’ on the land, in Innsmouth, fer longer than either ye or I been livin’. My parents moved there ‘fore I was born. At least that’s what I was told. My grandfather told me the story, only he’s dead now. All I know is, I got Deep Ones' blood in me. Ye kin see, can’t ye?”
I nodded, saying nothing.
“My parents, they… had an accident.”
“Accident?”
“My mother and father, they was out off the coast, not too far from Devil’s Reef, fishin’ one day, when one of the deckhands yelled out he saw a mermaid.”
“Come on, a mermaid? How can you believe--“
“Believe it,” he blurted out, interrupting me again. It was obvious to me that Mustus needed to vent all of this information out, and that whether or not he deemed it to be in print was still unclear to me. But, of one thing I was now certain--somehow, I was to play a part, at least in the old man’s mind--in his “revenge”, or at least in some type of vindication he must be seeking.
“Believe it, young man. Only this weren’t no mermaid, not in the traditional sense. It weren’t no pretty girl with a fish tail. This were a true Deep One, scaly all over, sharp teeth, glossy eyes… you saw it in the picture.”
“Yes.”
“Well, I remembered something about my father saying he wanted to move to a different port other than ol’ Innsmouth; he had heard too many bad tales of that place, and would rather’ve moved his family elsewhere, like Cape Cod. But I remember, he said, that he went there against his better judgement, that it was my mother who insisted they go to Innsmouth.”
“So, your mother was already somehow under the influence of these Deep Ones?” I asked.
“Yes. She ended up much the same way my Emma did, only my father told me later, he told me, that she went willingly.”
“Went willingly? To where, to Innsmouth?”
“No. She went willingly--into the sea, when those mermaids--those Deep Ones--started calling. She jumped right over the side of the boat, she did.”
I was astonished.
“So, your mother leapt over the side of the boat, leaving your father there; and he apparently had no clue what was transpiring?”
“He knew only very little. Only rumors and stories about Innsmouth; nothing solid. No facts. At first he thought maybe she’d taken ill while out at sea, and for some reason jumped in. It wasn’t until she popped her head out of the water, surrounded by Deep Ones--her smiling back at him from the water, all glistening wet and naked--that he realized the truth. That somehow, not only were the stories he’d heard true, but he’d realized that he had been used. Used to make a new baby, and that his new baby, still in the belly of his pregnant wife, was now floating in the sea, surrounded by Deep Ones, those beasts from the depths.”
Fascinated by this tale, I had almost forgotten that Mustus was still before me, shirt hanging loose, exposing his offensive fish odor and ichthyic appearance. I must have been staring in disbelief and shock, because the old fisherman suddenly buttoned his shirt back up, and put his jacket back on.
“Come on, I got to show ye somethin’.”
Click Here for Part 4 of THE HOUSE IN THE PORT
a novella to be serialized in 12 daily installments
©by J.R. Torina
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Wednesday, September 16, 2009
THE HOUSE IN THE PORT:pt 3
by J.R. Torina
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Archive of Stories
and Authors
Callum Leckie's
THE DIGITAL DECADENT
J.R. Torina's
ANTHROPOPHAGUS
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.
Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.
Morris's HOW THE GODS KILL
Konstantine Paradias's
Adam Bolivar's
Daniel José Older's
SACRI-FEES
Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.
Edward Morris's
ONE NIGHT IN MANHATTAN
Edward Morris's
MERCY STREET
Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.
Tim Fezz's
BURNT WEENY SANDWICH
Tim Fezz's
MANY SILVERED MOONS AGO
Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.
Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD
Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.
Phoenix's
AGAIN AND AGAIN
Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.
Adam Bolivar's
SERVITORS OF THE
Adam Bolivar's
THE DEVIL & SIR
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.
Sanford Meschkow's
INEVITABLE
Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.
Owen R. Powell's
NOETIC VACATIONS
Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.
Gene Stewart
(writing as Art Wester)
GROUND PORK
Gene Stewart's
Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.
Daniel José Older's
GRAVEYARD WALTZ
Daniel José Older's
THE COLLECTOR
Daniel José Older's
THE COLLECTOR
Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.
Blag Dahlia's
armed to the teeth
with LIPSTICK
BLAG DAHLIA is a Rock Legend.
author of horror, science fiction and
poetry. She is best known for the 2002
Bram Stoker Award winner for Best
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -
Listen. http://raingraves.com/
Blag Dahlia's
armed to the teeth
with LIPSTICK
BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.
Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE
Shae is a poet/artist/student and former
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE
Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.
Nigel Strange's
PLASTIC CHILDREN
Nigel Strange lives with his wife and
PLASTIC CHILDREN
Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.
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