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Friday, October 31, 2025

0c☨☉b☄☈ D☈eaM

 A report from your friendly editor in chief, Shaun Lawton




    Welcome to the forty-fifth issue of the Freezine of Fantasy and Science Fiction.  Begun sixteen summers ago with veteran, award-winning author John Shirley's never-before published serialized novella Sky Pirates, presented in sixteen daily installments, this homage to Edgar Rice Burroughs and Sabatini's Captain Blood in a futuristic setting really helped lift off our mutual worldwide creative writing workshop/webzine and send it in the right direction, hurtling straight forward through time.  

     As very few people in general are self-aware that the blogger forumwhich is to say, blogs themselves--are archived through time in daily, weekly, monthly, and annual installments, so too are we generally predisposed toward keeping our noses to the grindstone throughout most of our lives that we don't stop to consider how they, too, our lives mind you, are catalogued in timefrom every second and minute and hour and day since we're born until, frankly, this very moment in time, where we get to strangely meet from our various and disparate positions about the globe, conglomerating more or less together, a little pixelfractal cloud all of us sort of suspended together on a planet in outer space need I remind you, still here after all these years, having survived the pandemic and every other thing, well it just seems somewhat remarkable to me, as I'm sure it is for everyone.   Meaning the underlying central theme of our webzine dedicated to speculative fiction and art just so happens to be time, that barely understood phenomenon that has bound us all together as one historic document, still developing against all odds. 

    Now here we are again, after having just run seven installments for our traditional Fall/October spooky-at-a-distance periodical, paying homage to the strange and uncanny after a variety of different forms.  The Freezine got in the habit of putting out an OCTOBER, Halloween-themed issue, almost every year since its inception, it being everyone's favorite month and Holiday, pretty much.  We have featured a wide variety of talented writers and artists, throughout the years.  This year we have just finished streaming the 0c☨☉b☄☈ | iSsuE # 45 | 2025.  The cool thing about this webzine, is that if you weren't actively engaged reading each of the short tales and offerings, well it might even be better that way, since now you can read this one editorial post and binge on all the entries in one sitting.  

Click on the entries below to read the stories (then read the concluding afterward at the end of this post, thanking all contributors):


 

















   First I'd like to thank the ghost of M.R. James, a medieval scholar from Eton, England who died eighty-nine years ago, known for his ghost stories and admired by both H.P. Lovecraft and Clark Ashton Smith for being the best ghost story writer England ever produced.  His classic ghost story Lost Hearts was included in the collection Ghost Stories of an Antiquary (1904), and has been updated here into a more contemporary style, for the benefit of our growing legion of younger readers out there.  I hope you enjoyed the small liberties I took in redrafting the original text into what I hope will prove to be a slightly more accessible telling for young readers (of all ages) who may find themselves never having even heard of M.R. James, before. 

    Here lies the key to the idea of bringing out the whole soon to be lost world of stories from the public domain, and dressing them up as needed into a more modern setting or with whatever minor changes necessary to make them more appealing to the broader sensibilities of millions of new, younger readers out there.  It's really the same idea that the brothers Grimm and Hans Christian Anderson, and the like, have had throughout the ages, and if you think about it enough, can picture it going back through Shakespeare and Homer and further back to a time when stories such as these were told orally, and passed on from generation to generation, as information captured in the telling of a tale. With many tellings undergoing revisions and minor changes in characterization and setting, sometimes with different endings, adjusting scenes to accommodate the needs of both publisher and reader, and for whatever reasons may come through the changing of the seasons, the point being, the stories remain to this day, as if granted an extended afterlife breathed into constantly by a continually renewed authorship. 

   The next story I discovered that I wanted to adapt into my own new version of a "Big Book of Fairy Tales," is an old Ruthenian fairy tale called The Dead Mother. I found the text from an old 1872 book called Russian fairy tales, A Choice Collection of Muscovite Folk-lore, by W.R.S. Ralston, M.A.  (published by Hurst & Co., New York).  The only changes I made were to set the story here in the midwestern United States, in a more contemporary manner; but otherwise, I tried to stay as close to the telling which I was presented with, to preserve the feel and grim tone of the original tale and keep to its skeletal framework as much as possible.   So thank you, Mr. Ralston, for helping maintain the course for this creepy ghost story to find new life here in our unfolding year of 2025.  And thanks to the fine folk at Project Gutenberg for providing us with your invaluable archive of public domain documents.   

    A thank you to Whitney R. Holp for submitting your short story Sweeter Than Honey, I'm glad to have you onboard, and thanks for coming along as we sail forward through the Fall with yet another issue developing at this very moment.   What began as a very personal issue for me last month in October, considering we hadn't run a proper Hall0ween issue for a couple of years [see: Fractal Blood Issue [# 41] soon the issue become even more personal with the accompaniment of Whitney R. Holp, Steven Craig Hickman, and John Shirley.    My short piece "I Have a Mouth, and Must Not Scream," serves as a minor bridge article, from an editorial viewpoint, a habit that may or may not survive itself, depending on how things shape themselves moving forward from here.  

    The following short story The Telltale Gift, by Shaun Lawton, is my flash fiction offering in honor of our scaredy cat, Ranger, who's five now, and which I wrote this silly little piece for my own amusement, and while its clocking in at 940 words, I'm reminded of one of the freezine's optimal tenets, that of rendering fiction into micro doses, for a world on the run that honestly, we can't even be that certain reads at all.  

    

   A big shout out of appreciation for Steven Craig Hickman, your bright little fish of flash fiction I caught swimming upstream from my position anchored in the metaverse comes as a sweet surprise, and I appreciate your willingness to be a contributor to our fully realized archival metaclipper of hand-picked documents, all set sail upon the waves of time.  Over the past sixteen years here, we've amassed a motely crew of word-slingers and perfected practitioners of the craft of sleight-of-hand with mirror-neurons, now well known among us as one of the oldest tricks in the ever expanding book of dreams we're all caught up in here together. That was just my weird way of saying welcome to the fold. You are now archived online with the rest of the motley crew of digital dreamers and misfits. 

   Once again my sincere gratitude goes out to my old word-slinger outlaw partner, John Shirley, for contributing your short story Empty Bottles to this sudden outpouring of a Fall issue. I believe it counts as your 19th tale tacked on to our old crusty pirate board, here.  I'm just surprised I was able to get these stories up and into an issue.  However, I'm pleased with the results as another short, sharp shock of an issue has emerged for posterity and our own lazy re-examination, should the pace of our respective lives slow down just enough or afford us with the opportunity to do so. 

 The whole point of a science fiction fanzine being rendered into one major url artery on the world wide webhttps://freezineoffantasyandsciencefiction.blogspot.com/ , 
 easily accessible on any smart screens, as a public service free of charge, it was started on a lark, and now today after all these years of building its own sublegacy to the expanding frontier of the cyberweird,  I'm grateful to all the readers and contributors and artists and rebels who've come along for the ride, committed to our fullest to the cause of unbridled literary imagination, and the freedom to read the striking sort of speculative fiction that grabs our attention and won't let go, at no financial cost, until we politely ask if we can take a breath.  
 
    That's the reason this blog masquerading as an official website remains here for us, the fans and readership of all the greatest writers this world has ever known, and those far and few between of us who long ago were sworn to the dream.  This cyberzine has been incepted and fully supported by one such individual, and maintained with occasional upgrades over the past sixteen years, and may be subject to continuation or abandonment; it could fall to the escalating or non-negotiable third party hosting image costs syndrome, or it may continue to flourish for years to come, depending on the delicacy of finances and a host of other factors we can't get into here, so barring any other manner of interruption that may present itself in life during these turbulent of times, I'll be here to see you all on the other side for the next issue.   

   Honestly, I'm as surprised as the next person that the Freezine of Fantasy and Science Fiction is still here, and grateful that it means most of us going along with it are still here, too.  Thanks to the host of writers and contributors I've come to think of as my friends over the years, those who have allowed me to plunder their cache of stories, or who have graciously submitted their own tales for consideration in the Freezine. I'm still here hoping to put together an even better issue than the ones that came before, so please don't ever let go of the dream, hang on to yourself, and if need be, take charge of your life. Otherwise, congratulations for keeping it together this far. After all, each and every one of us is the Star of our own story.  We're all in this one big thing together. So keep your own faith. And don't stop reading. 

  







    

    
  

 



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Archive of Stories
and Authors

Callum Leckie's
THE DIGITAL DECADENT


J.R. Torina's
ANTHROPOPHAGUS


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.

Sean Padlo's
NINE TENTHS OF THE LAW

Sean Padlo's
GRANDPA'S LAST REQUEST

Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.


Konstantine Paradias & Edward
Morris's HOW THE GODS KILL


Konstantine Paradias's
SACRI-FEES

Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.

Edward Morris's
ONE NIGHT IN MANHATTAN


Edward Morris's
MERCY STREET

Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.


Tim Fezz's
BURNT WEENY SANDWICH

Tim Fezz's
MANY SILVERED MOONS AGO

Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.

Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD


Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.

Phoenix's
AGAIN AND AGAIN

Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.


Sanford Meschkow's
INEVITABLE

Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.


Owen R. Powell's
NOETIC VACATIONS

Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.

Gene Stewart
(writing as Art Wester)
GROUND PORK


Gene Stewart's
CRYPTID'S LAIR

Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -




Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.


Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.