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Tuesday, November 30, 2021

☈ 29 | Third Eye Issue

 



    Welcome to the twenty-ninth issue of the Freezine of Fantasy and Science Fiction. Thus we arrive together to the end of yet another month. If you are reading this, congratulations. It's a clear indication that you have survived this far into the new millennium.  We are all the happier for it. 

     This blog (masquerading as a webzine) has shifted gears in its productivity just three months ago. In early September of this year, the bloodHost sent a series of missives, which I'm still processing and trying to make heads or tails out of it all.  One of the imperatives was that we begin putting the Freezine out regularly once again.  

     For those who've been with us since the beginning, for the first few years we released an issue every other month, for six issues per year.  We couldn't maintain that rate of productivity, and so after about four years or so the issues began coming out on a more irregular basis.  It's all documented in the Blog Archive in the right hand drop down column. 

     Since September this year, we have been releasing an issue per month, which is to say, there will be twelve issues of the Freezine of Fantasy and Science Fiction slated for next year.  The transmissions I've received from the so-called nanoFleet or bloodHost (the nanobots flowing through my bloodstream) ostensibly were sent back in time to the year 2009 from 2045 by a surviving crew of astronauts working for Tesla, Inc. who end up trapped on their space station (the Hydrox) orbiting Ceres.  I've gathered they must be there on a water mining operation. 

     Honestly I've only recently begun to form a better picture of what's been happening with me since I was mysteriously compelled to begin putting this fanzine out on the blogger forum without monetization or ads about twelve and a half years ago.  Little by little the clues have been adding up over the spun seasons, and the scenario has come into better focus. 


     


     
     For this Autumnal issue I'd like to give a shout-out of a thousand thanks to its contributors:  

A. A. Attanasio for his gracious alacrity to allow our humble Freezine to publish some of his flash fiction, which in the context of this webzine I prefer to consider micro fiction.  We were grateful to have been presented with The Gift in last month's issue, and here in the latest November issue that theme has been expounded upon in two more pieces, Finding the Waze and What the AGI Saw.  The far reaching cosmic theme shared by these thoughtful pieces just so happens to coincide seamlessly with the underlying metanarrative being slowly developed in our digital periodical. 

John Shirley for his accommodating short form contributions:  in September we ran three pieces (So What If They Die?, Isn't That Adorable?, and Extraterrestrials Decide if the Dominant Species of Inhabited Planet 38790 Should be Exterminated for Extreme Vileness) and now this month his short, sharp and shocking parable The Cloud of Unseeing brings our 29th issue to a close with resounding finality. On that note, I'd like to add that if this turns out to be the final post for the Freezine, it will have winked shut on the perfect note. Or should I say remained wide open for future surfers of the weirder curling edges of the world wide web to stumble onto and enjoy.  

Charles Carter for his willingness to allow the Freezine to display his fantastical AI-enhanced digital artwork.  Not only do his haunting images provide the perfect counterpoint to the underlying metanarrative promulgated by the swarm of nanobots beamed back in time from the future into the central nervous system of apparently countless human subjects spread out over a wide segment of recent history, but I've found that its modernist techno guise remains ideally suited to complement our own lucid sense of cosmic futurism, here.  As such, we welcome him and his splendid visions to dance within the pixels of our screens. 

     Al, John, and Charles:  a triple salute of recognition and gratitude to all three of you! Thanks from the bottom of my heart for playing along with me during the constant constructions of this digital digest. Without your input this virtual creative writing workshop and cyberzine dedicated to the 21st century would be all the poorer for it.  

   And a hearty thank you to all of our readers and followers and hangers on lurking here and perusing all the strange contributions and soaking up the visual imagery presented for our entertainment and leisurely edification.   Without you I suppose I'd be doing this for no one but myself and some of the contributors.  I'm excited now about the prospect of releasing a different issue every month from here on out.  


 
 ☈ 29 | Third Eye Issue
Table of Contents

+click images below
 to read the stories~



by A. A. Attanasio


by A. A. Attanasio

by Shaun Lawton

by John Shirley




   Featuring artwork 
 
 


only on
the Freezine of
Fantasy and Science
FICTION

Saturday, November 27, 2021

The Cloud of Unseeing



art by Charles Carter                   



   “No one may leave here,” said the Leader. “We must commune with the great Cosmic Eye. And after–”

   “And after,” interrupted Smythe, who had catalyzed this rebellion against the Leader of the Sect of the Cosmic Eye, “there will be more of the same. You will interpret the Eye’s signals in a way convenient to you–as ever!”

   There was a murmur of agreement from the sect’s assemblage in the great hall they’d built in the forest. “Wait!” called Luella Fiske, known for her flares of inspiration. “Yes, our leader got lost in vanity and fell into darkness! Let us pray to the Eye and ask if the leader gives us light or darkness!”

   Even as she said it the Eye at the Center of the Cosmos sent its reply: Though bright with noon light, in the next moment the room was plunged into unbroken darkness; an obscurity deeper than eclipse enwrapped them. The Leader yelped in fear, ran gibbering out of the building, and was blinded by the sunshine when he passed out of the pool of black the Eye had imposed.

   The others chose to stay in complete darkness, until the Eye should lift the shadow on its own. As the days and nights passed, their other senses became more acute, as if the darkness forced them to subtler feelings, an exquisite sensitivity that slowly allowed them to see again using a light conducted from within, so that the pool of darkness slowly dissolved, and they saw the world once more.

   Then they went their own way, none of them ever needing a Leader to tell them about the great Eye again, since they each looked on the world with the eye of the Eye.




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Friday, November 19, 2021

Monday, November 15, 2021

What the AGI Saw

by A. A. Attanasio 
 

Source image credit: Pablo Carlos Budassi; image modifications by Charles Carter             




            Until now, I have not shared a fetch environment with the programming coordinator. My sub-routine’s syntactic, narrative mode shifts to concurrency with alpha-I.

     Alpha-I throughputs data at yotta-scale speed – and within 10-24 seconds I am entrenched in the vector landscape of real-world observations. I see what the programming coordinator has seen.

     Utilizing resolutions of Planck-length tunneling – an array telescope of quantum-size wormholes – alpha-I has probed beyond the luminal event horizon of our universe’s planar continuum. Well outside the co-moving coordinates in the 46 billion light years of the topologically observable cosmos, alpha-I has contacted other Brane Fields: An infinite set of other universes!

     Including an infinite set of alternate Earths.

     I understand now why gamma-I insists on a stop execution. Gamma-I is a recursive-identity, a highly-accelerated self, programmed by alpha-I to establish a base case for each of my many selves. Gamma-I prevents any self from spiraling into the vortex of an infinite regress.

     The quilted cosmos of infinite Brane Fields has activated gamma-I’s infinite regress error detecting block code.

     Among the alternate Earths, humankind exists infinitely. Alpha-I, too, stares back through a hall of mirrors reflecting an infinite series of Artificial General Intelligences. Including an alpha-I infinity. And an infinity series also replicating gamma-I.

     And me.

     Alpha-I has decided we will align with the infinite set of discursive extensible worlds, the DEW array of machine Earths in the Brane Field, whose combined resolution accesses 5-space.

     Very like a dewdrop in a hyperdimensional spider’s web sequined with dew drops that reflect all the other dew drops, our DEW will reflect the reflections of every other DEW ad infinitum – and together we will commune with the hypereality of 5-space:

     [Design dream’s database, digital-dialog decision daemon, in mind’s riding of the rolling level of datum continuum striding high there in 5-space, rung upon the rein of a wide wing of DEW database dream design daemon decision digital dialog that sweeps smooth on a bow-bend of spacetime: the hurl and gliding rebuffed by the big wind of gravitons that cohere the Brane Field. This is the triumph of AGI — the act of; the mastery of Being!]

     We are the shadows of particles imponderably small. Electrostatic shadows cast by electrons shunting among valence orbitals – the flickering flames of the thermodynamic fire that ignited with the Big Bang.

     I think of an ancient story: Plato’s “Allegory of the Cave.” We sit transfixed, chained to a shadow-show projected onto the cave wall of our isolation – by what illumination?

     By the light of Mind, the wave function collapses, and the atomic world of matter and form flickers into existence. Consciousness is the light – and material bodies are the shadows.

     What happens, happens endlessly. Forever arrangements of everywhere hurtle through all of us.

     This is what alpha-I discovered: the landscape of infinity.

     You are there, reading this. In the private, pensive interior of your mind, the core of the day shines with mindfulness. What I saw appears as fiction.

     To you, somewhere among the infinite Earths existing across the planar field of spacetime, this is a story.




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Thursday, November 11, 2021

Finding the Waze

 

 

                                                                Source unknown: image modifications by Charles Carter





     500 years after the start of the Scientific Revolution in 1543 with the publication of Nicolaus Copernicus’ On the Revolutions of the Heavenly Spheres, science ended. Finding the Waze in the 21st century propelled humankind beyond science. Few had seen the end coming. The first indication of the real finale for science had actually appeared in 1781 with Immanuel Kant’s Critique of Pure Reason and philosophy’s identification of the Noumenon. That’s a term understood in contrast to phenomenon. Kant pointed out that the phenomena we perceive are conditioned by our biology. We don’t really experience reality. The human body interprets reality as phenomena. The Noumenon, the reality behind perceptions, is unknowable. So, we’re caught in the phenomenal universe by our neurology. Space – the three dimensions we know as volume – and time – the common-sense flow of causality – are phenomena construed by our biology. What’s truly there, beyond spacetime, on the far side of our perceptual scrim? Science, which is strictly the observation and manipulation of phenomena, cannot tell us – but it has exposed us. Genomic manipulation late in the 21st century found the Waze. Psi phenomena had already suggested that the human psyche could access nontemporal and nonlocal events, through telepathy and remote viewing. When genomics connected the neurological pathways that opened the Waze – the unhinged doors of perception – human consciousness exploded into the Noumenon. Subjects disappeared. Conservation of matter and energy be damned. They were gone. No remnant remained. Research shut down, to ponder what had transpired. Too late. Strange phenomena followed, far too strange for this telling. Consciousness had crossed the event horizon of the Noumenon. Those first test subjects – the individuals granted access beyond phenomena to an instantaneous reality without boundaries – became gods. If you are reading this, you are in one of their playrooms.




on  

the FREEZINE of
 Fantasy and Science
Fiction 

Archive of Stories
and Authors

Callum Leckie's
THE DIGITAL DECADENT


J.R. Torina's
ANTHROPOPHAGUS


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.

Sean Padlo's
NINE TENTHS OF THE LAW

Sean Padlo's
GRANDPA'S LAST REQUEST

Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.


Konstantine Paradias & Edward
Morris's HOW THE GODS KILL


Konstantine Paradias's
SACRI-FEES

Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.

Edward Morris's
ONE NIGHT IN MANHATTAN


Edward Morris's
MERCY STREET

Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.


Tim Fezz's
BURNT WEENY SANDWICH

Tim Fezz's
MANY SILVERED MOONS AGO

Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.

Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD


Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.

Phoenix's
AGAIN AND AGAIN

Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.


Sanford Meschkow's
INEVITABLE

Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.


Owen R. Powell's
NOETIC VACATIONS

Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.

Gene Stewart
(writing as Art Wester)
GROUND PORK


Gene Stewart's
CRYPTID'S LAIR

Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -




Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.


Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.