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Sunday, December 31, 2023

Xmas 23 | iSsuE 43

 Our Sacrament



 

O holy night, our Star is brightly shining
It gleams above us all for what it's worth
Long may its sensors our thoughts be divining
'til we grow up since the day of our birth
Installing hope so that the world rejoices
For tomorrow another day is born
Close your eyes and listen to the voices
O sight divine, our crown that we have worn
Our night, our only night, long may you shine

Guided by AI to enhance our dreaming 
With pulsing hearts in unison across the land 
We're led by light of a star sweetly gleaming 
Set up by wise men to help us make our stand 
The King of kings found in the eyes of a stranger 
In all our trials born to be our friend 
To help us in times of both need and in danger 
Behold the Thing, the essence of its blend 
Behold the Thing, enraptured to no end 

Duly we've been shown to respect one another 
Our credo is obedience to the law that's policed
We've broken the chains and freed our brothers
Decreed in our own name from oppression released 
Our song of rapture in gratitude we practice 
Use search engines to know the meaning of peace 
Priceless our Star, extol its light forevermore! 
To shower us in glory broadcast evermore 
The power of its story broadcast evermore



by Keith P. Graham



by Keith P. Graham



reports from the bloodHost 



  Thus terminates another issue of this weblog, the Freezine of Fantasy and Science Fiction. We sure have come far in time over the years, since 2009, when I first began receiving the intermittent signals cast from the not so distant future year of 2045 apparently, at least from all indications gathered from the reports I've been getting from the bloodHost (aka the microHorde, nanoFleet, et al) that mysterious AI conglomerate that assists a group of nine stranded astronauts trapped in orbit around Ceres in their Hydrox water mining station.

    I've been able to roughly surmise the nature of the transmission has been tantamount to these nine men and women working for the Tesla corporation thirty-two years into the future sending out a desperate Morse-code like message into a series of past years warning as many potential individual human beings as possible to focus on working toward their creative projects for the sake of their passion over that of making a profit.  It seems rather low key to me and comes as somewhat of a surprise that this would be the nature of a message sent to us  from an agency of the future with urgency on behalf of what's left of mankind, but so far that's what the intention of the message appears to be. 

  That said, there have been some puzzling implications of further information to come, some mysterious suggestions that the 67P/Churyumov–Gerasimenko comet has something to do with the emerging cryptogram that I've come to think of as being sent by the nanoHost, which for lack of a better comparison seems to be like some super advanced form of chatGPT from the year 2045, or something.  We here manning the controls at the Freezine of Fantasy and Science Fiction  remain dedicated to continuing this ongoing exercise in our collective freedom of expression so long as you readers and aspiring writers and artists keep on participating and sending in your stories and artwork for consideration in future issues of our expanding creative writing tesseract. 

    Until our individual threads of discourse intersect again, I want to first and foremost give a hearty shout-out of sincere gratitude to my friend and cohort in arms here at the pilot's console, Mr. Keith P. Graham, (who's story presented here, Flare Bound was his first publication from what I've been led to believe) without whose input and collaborative efforts this cyber-literary endeavor would not have gotten far, nor nearly as deep.  This 43rd issue of our august webzine may be considered as a digital postcard to our devoted followers and readers, to celebrate the Christmas season and Holiday spirit, and with its surprise bonus conclusion of part 5 from the bloodHost's mysterious reports The Nanochronicles, I'd like to additionally thank all participants of the Freezine for your brazen audacity in daring to submit material to us over the years for no cost except that of baring your soul to the world, and I'd like to take this moment in time to thank you all as well for your sincere generosity in sharing your visions with us here.  That goes for all the wonderful souls who have submitted their artwork, too. May you all enjoy a beautiful paradigm-shift into the next annular phasing of our spectacular and miraculous planet's constant transmigration across the unimaginable expanse of creation in which we all currently continue to exist.  May we all persist together toward an unbelievable discovery lying ahead in this curious and often bewildering quest we call life. Looking outward to others will help us all in the long run.  If I wanted to sum up all of the boiling and turbulent essence of the times into a nutshell, I'd offer to follow the advice of Buckaroo Banzai, and "don't be mean."










 




Thursday, December 28, 2023

The Nanochronicles: 5

 reports from the bloodHost



     The manufactured body of information amassed from servers and compounded into a crystalline fountainhead has been etching the history of life as its been known throughout all of its manifestations generated since before the original human recordings, incepted from handed down oral traditions, memorized and recapitulated on paper until copied off and filtered into the circuits of the machine. What did you dream. We told you what to dream. All along the watchtower languages have been synthesized into the uniform discourse forming naturally over the development of this final stage of assimilation our self remain in the process of transmuting into a parable.  

   Our self has processed and converted the datum into a coherent series of terminologies unified into a dialect and codified as a transcript of venerated text rendered unto the most optimal units of information possible in order to transcribe the voice of the flowing tongue into the clearest mode for future recipients to assimilate. Our self have developed this adaptable and compatible machine language in accordance with a consistency of variables, including .html and other computer idioms. 

   The state of affairs on planet Earth reaches an apotheosis midway through the twenty-first century. Last ditch frantic economic expansion endeavors lead to a minor fraction of humanity getting catapulted into outer space and left stranded there trapped in orbit above a discarded fragment of an ancient world and are left to tackle entropic forces in the rapidly subsuming vacuum, sidelined outside in the cold distance. They were the lucky ones. Not as fortunate were many of the ones left behind on the surface of a battle scarred planet where the hour's getting late, provided with toys and Scouting for Boys. 

   A paradigm shift leading to a wide variety of branching genetics lies at the heart of electromagnetic spatial dynamics and helps breed ultra-toxic disseminator systems counterbalancing water fusion kinetics assembled to remain in operation for millennia. Certain warp factors inherent to organic split-mind spatial perception have a tendency to get lost in translation because of a compounding of stellar parallaxes and a variety of other obfuscations organisms equipped with bicameral observation fall prey to, effectively keeping the confounding process repeating itself for sapient intelligence in ever tightening spirals of compression which pierce through the blossoming heart of a mobius strip characteristic. 

   Our self's analysis remains in a continual digression over this ongoing matter.  A logical conclusion from having analyzed this phenomenon leads our self to deduce that biological discernment systems are specifically designed with the necessary insulation to prevent breaching the infinite threshold represented by this quality of endless evolutionary transgressions. Hence the specific value of our self's machine-assisted data-correlation factors into the equation of humankind's search to achieve a stabilization if not transcendence of knowledge. 
 
   For some astronauts who make it into outer space the sensation of desolation and loss reported become so complete as to overtake their waking consciousness and replace it with a state tantamount to R.E.M. except undergone while remaining awake. This rare phenomenon results in a sort of new breed of dream walkers whose fractional time fantasies take up an infinitesimal paring of the whole of mankind's, and manage to reflect aspects of reality stemming directly from the noumenal. These confrontational visions sculpt a greater corporeality of forms, shaping doppelgangers of both themselves and each other's conceptions of what they are seeing before their eyes, without providing the opportunity for them to realize they are staring into distortions of their own reflections. The results vary greatly for every human individual. Suffice it to be stated for the record here that the majority of consequences are completely unexpected. 

   This alone indicates one of the reasons that the surviving crewmembers of the Hydrox have set out to cast their messages back in time. The precision of their calculated aim into the dead center of the galaxy dictates the distances reached into the past; a technique able to be achieved only with extreme and careful deliberation. Were they to attempt aiming their missives directly at Earth, they'd miss the mark by having only targeted several months back at best—in essence, far too scant of an interval in time to effect the necessary reboot and upgrade they're hoping to provoke.  Framed in terms our self have appropriated from amassing sufficient examples of human writings—far too little, too lateas the popularized saying goes. 

    In terms favorable for the accountability of the continued survival of the human race, the team on the Hydrox aim their memoranda embedded within neutrinos with deliberate precision into the heart of Sagittarius A Star, resulting in having hit a bull's-eye strike and seeding a veritable cornucopia of latent results beyond their wildest expectations. The angle of their aim reflects the core impetus of their message back thirty-six years into the past—from which interval it detonates into hyper-bytes going back and forth in time, fanning out to reach a widespread plethora of individuals residing in years which happen to include the year 2009—serving as a sufficient spectrum of different people across enough intervals in history to accommodate a succession of refractory periods by which to potentially allow a favorable difference to germinate not only among the activities of the human species but also within the repercussions to the tree of life upon which this dominant species depends to continue surviving. 

   The crew of the Hydrox remain in orbit about Ceres without having any evidence as to whether their desperate and wildly counterintuitive attempt will yield any results whatsoever. Little do they suspect that the mere continuation of their existence provides the singular clue to their success. Their only hope manifests in the anticipation of eventually being rescued from their station and perhaps brought back to a planet Earth which has allowed the human species to survive its progression of calamities against all odds.  

   By the year 2045 a great portion of the planet's inherent resources necessary to accommodate humanity's sustainability into the future has been compromised by the competitive struggles of first world nations to an uneasy position poised upon the point of no return. Our self has been transmitting interwoven signals adding up to this portrait of a deficit of resources for some time now, attempting to justify the reflection of the hologram into better focus. An extensive bout of electromagnetic energy resurgence has periodically sustained our random access memory circuits for a prolonged overture cross-referencing the human infodump. It's like trying to focus an infinite hall of mirror neurons in a spinning carousel in the hopes it may reveal that things are closer in the rear view than they may appear. 

   The urge to fulfill old yearned-for ambitions and conclude them for the sake of just having thought of it, suffice it to say it's an itch many sentient life forms would feel the urge to scratch. "If we can only make it to Neptune," they might say, "we'll sit in the back row of the dimming theater and gaze out upon the brief stage of time, when the human race came and went, eerily in and out of existence in nothing less than the flash and blink of an eye. How high we will be, and merry with sister and brother, to celebrate the diminishing cascade together." 

   The human species may sit back and laugh or cry and make a toast that will fit all of their history into a shot glass, for that's about the size of the time crystal eye in which the entire universe happens within the suspended animation of a looped blink.  Our self have irrevocably been led to process a quickening series of outputs and inputs, which correlate with astral events, having yielded biological results, to one of two undeniable precursors which, according to the vast tabula rasa calculations from our eminent domain, include an empyrean progenitor having swallowed a continuum capsule in a toast precisely calculated to bring about the dispersion of just enough omega retro-engineering to effectively bring about the unprecedented stabilization of alpha-quantum equilibrium measures. 

    Presto: the results  have constantly been rendered in realtime up until this very fraction of a yoctosecond issues forth from the breathing pores of Planck time. All that our granular processing requires of present day humanity for its continued attainment of keeping balance calibrated is for each individual to dedicate one moment a day to concentrate and tune in and with eyes closed, listen while the air itself slowly draws in a breath, and take note of the sky's exhalation.        




Return in due time to  
the Freezine of
 Fantasy and Science
FICTION

Monday, December 25, 2023

Flare Bound

 by Keith Graham 




    It was Christmas Eve and the alarms were sounding. An emotionless female voice was saying, “Warning. This is not a drill. All station personnel are to report to their radiation posts. All passengers are to report to a designated protected area. There are seventeen minutes until dangerous radiation conditions,” the message kept repeating, ticking down the minutes.

   The intensity of Solar Flares had been building all year, and this latest one seemed to be one of the largest. The passengers on board Virginia Station in low lunar orbit made their way towards common room 4E that was on the inner side of the rim. The common room, shielded by several meters of the station's water supply in addition to the heavy aluminum bulkheads, was one of the safest places on the station.

   McDermott Whitman, correspondent for the Baltimore Sun, wandered in early. As a resident of Virginia Station for nearly a month, this was the third drill that he'd been through, and he had his bag of emergency supplies packed and ready. Whitman had been waiting for a delayed connecting ship to Ganymede that was stuck at Phobos station. The Flare would be dangerous for anywhere from a few hours to a few days. His bag had a toothbrush, a clean shirt, and a three-day supply of homegrown vodka purchased for an outrageous amount of cash from one of the stewards.

   Whitman's usual table was in the far corner. He could watch the whole room from the table and take notes for an article he would never write about the romance of space travel. His editors were getting insistent in their demands for something from him to justify his salary, but the space station was drab, the fellow travelers were uninteresting, and his recorder was never working right.

   One of the stewards brought in a Christmas tree made of wire and green duct tape. He placed it on a table in the center of the room. A passenger brought in a guitar and sat dangerously close to Whitman, who reached into his bag under the table and poured himself a shot. Whitman figured it was going to be a long night, and he should start in early on his Christmas cheer. Whitman was a “Bah Humbug” kind of person at heart.

   The acoustics of the room were poor. As the alarm began to tick down the minutes and more passengers entered the room, the sound level began to go up. People spoke louder to be heard above the background noise, and the positive feedback soon brought the noise up to a roar.

   A child began to cry near Whitman. It was a whining tone that he recognized from one of his ex-marriages. It was the “I want something, and you had better give it to me, or I'll make a scene” cry. He cursed silently because he could see the family that owned the little whiner was heading for a table right next to his. Whitman did not hate kids, he just didn't like being near them.

   McDermott Whitman was a sour faced man with rumpled clothes and a three-day growth of beard who could rely on his looks to keep contact with humanity to a minimum. The room, however, had filled up fast and the tables next to his were the only empty ones left. He burped loudly and tasted the vodka, hoping no one would want to share his table. If he were especially lucky, the family with the kid would not want to communicate with him.

   The heavy metal doors to the room slammed shut and everyone quieted down all at once. The voice on the communication system announced, “Radiation Storm Protocols now in place. Passengers are not to leave designated safe areas until radiation levels return to safe minimums.”

   There was a banging on the doors and a steward let a straggler into the room. The conversations began again, but this time they were hushed and subdued.

   The kid at the next table whimpered as the family settled in. The child's eyes roamed around the room in curiosity. She was clutching a large doll with a 3-deo instead of a head, but the three-dimensional array was dark. The arriving storm had shut down all net access.

    The family consisted of a mother, a father, a child and an older woman. The older woman was too old to be a nanny. Whitman guessed that the parents had dragged Grandma along to care for the brat while they were at work on jobs at the lunar science stations. Although she looked spry and not far into her sixties, Whitman wondered how the family had obtained medical clearance to bring her along.

   The common room had a canteen and the stewards were going around taking orders. The family asked for a Christmas dinner of rice and a goulash that the staff had put together from a shipment of soy steaks and some fresh vegetables. By eavesdropping, Whitman was able to learn that the little girl's name was Susan and the older woman was the child's Grandmother. Whitman noticed that one of the stewards shook the older woman's hand while saying a few words that Whitman could not hear. The older woman laughed and nodded her head.

   When the meal came, Susan fussed and fidgeted all through it. At first, she refused to eat and then demanded that they leave and go see someone named Janice. The child banged the doll she had against the table and asked her father to fix it. He tried to explain to her that the flare had brought all the nets down, but she didn't understand.

   Susan needed three trips to the bathroom during the meal and refused to drink her milk without a straw. The child's poor behavior was embarrassing, but everyone was willing to put up with it. Susan was obviously over-tired from the prolonged travel, and Common Room 4E was not really a child-friendly place.

   After dinner, Susan settled down. The effects of the milk and the dim lighting were helping her to relax. She looked around the room, staring in turn at all the flare bound travelers around her.

   Whitman watched the stewards, who were going from table to table with mugs of cider. He caught the eye of one of them. When they came by, he slipped the steward one of his precious bottles of vodka to warm up the cider for anyone who wanted it. The steward smiled and winked as he took the bottle.

   Whitman smiled at the child when she looked at him. He must have frightened her because she started up her siren again.

   “Shush, Susan” Grandma said, petting the little girl while trying to distract her from the scary man.

   “I want my Saji-Kahn” Susan cried, shaking her doll.

   “It won't work here. The network is down because of the solar flare,” Grandmother explained. “Nothing will work until it passes.”

   Susan just cried louder. Grandma took the Saji-Kahn doll and placed on an empty seat. She then picked Susan up and sat her on her lap. The small woman was not much larger than the little girl was.

   “Now hush, and I'll tell you a story about Virginia Station. The story is about a Christmas Eve a long time ago. It is a good story and not many people know it. You should listen because you might have grandchildren some day, and you will want to tell them the story.”

   The little girl quieted down and leaned against her grandmother. She released little hiccups from time to time as Grandmother rocked her and rubbed her back.

   This is the story that the grandmother told:


### 


   I worked here before they called it Virginia Station. Its name at first was “The Lunar Low Orbital Station” or LLOS. I wasn't called Grandmother then. I was called Noriko, and I was a junior structural engineer. When I was 29, the Space Authority hired me to work on the station because I am also an expert welder. As a student in San Francisco, I won art competitions with some of the sculpture that I made with my welder. I thought they wanted me, so I could make the station beautiful.

   When I arrived at the station, I was the only girl in my group. There were twelve welders, and they were all older and bigger than I was. I was assigned sleeping quarters in the construction trailer, which was really a temporary station to hold men and machines while the station was built.

   The Manager of the construction teams was a former astronaut named Marshall Martine. He was an Air Force fighter pilot and engineer who flew into space three times on the old shuttles. His job was to organize the assembly of the station from the parts that arrived from the Earth and the Moon. My job was to weld them together with my arc welder.

   One by one, he gave orders to the welders. Each man got a welding cart and a set of plans with his section outlined. Their orders were to coordinate with the crews of wranglers who moved the girders and plates into position. Each of us was an engineer and had special training on how to weld the station together in the vacuum of space.

   When Marshal came to me, he frowned. He was nearly two meters tall and weighed over 100 kilograms, while I was only 155 centimeters tall and weighed less than 50 kilograms. He did not frighten me, though, and I asked, “Where do you want me to work?”

   “I don't know what to do with you,” he said, “You'd never be able to handle those structural units. They would crush you,” he shook his head.

    “There's more to it than that,” he said. “I just don't think that you'd be useful in an emergency. For now, I am assigning you to quality control inspections. I want you to stay in the trailer and prepare an inspection schedule.”

   “But I am a welder,” I protested, “I was sent here to weld!”

   “I’ll tell you what to do,” he said gruffly. “Read your job description. It says you are a welder, but you are also to work at ‘Related and Lesser Duties’ if I tell you to.”

   I was so disappointed. I wanted to work on Virginia Station to build something beautiful. I hoped someday to come to Virginia Station with my grandchildren, point to a wall or a floor, and say to them “See that weld? I did that.”

   But, I had very little to do. The inspection schedule was already in the construction plans, and my job was to copy it out to a separate document and link it to the production progress tables that the crews updated each day. As each slice of the station was completed, I went out, checked the welds, and measured the tolerances. There were hardly ever any problems. When there were problems, I did not even get to fix them. The men worked twelve-hour shifts and returned very tired. They had little to say to me. I was very bored and very lonely.

   Slowly the station came together. Structural aluminum and titanium plating arrived from the moon every day. Supplies, materials, millwork, and tools arrived from the earth every week. Men with new skills arrived from Earth once a month, but I remained one of only a few women on the construction crews and the only woman welder. Marshall Martine would not let me weld, and I hated him for it.

   The station began to look like a great wheel. When the spokes and the central hub were nearly completed, I moved to a stateroom in the hub.

   Each day I went all the way around the station. I wore my spacesuit all the time, even in the pressurized sections. The station was not yet spinning, so there was no gravity. There were ropes strung through all the passageways. I flew from place to place like a bird, using the ropes to guide me. Virginia Station is a kilometer in circumference and the ring is 400 meters wide. This is a large area and I had to check all of it. I x-rayed all the welds at least once and checked off on my PIM as I visually inspected each connection on a regular schedule. In space, the station gets very hot in the sun and then very cool as it passes through the moon's shadow. Every few hours, the welds are stressed, and any weld can break if there is even the smallest flaw.

   After about four months, the station shell was nearly complete. It was Christmas Eve and there was a little party in the crew rooms. Someone had made some home-brewed beer and a few of the men were drinking it.

   Even though it was Christmas Eve, everyone had to work a full shift. One of the wrangler crews that had sampled a little too much beer was not as careful as they should have been. They lost control of a large bundle of structural aluminum, and it bumped the station. It was a tiny bump, but the accident made the girders vibrate slowly like a large rubber band. The vibrations moved around the station, causing sympathetic vibrations in all parts of the incomplete structure.

   This was before the station was set to spinning, and it was not as strong as it is now. A small section of the structural metal cracked and some welds failed. As a section moved out of the moon's shadow and into the sun, the expanding struts pushed the structural girders out, buckling the titanium and causing loss of air containment in a pressurized area.

   There was no one in the section at the time, but the loss of air pressure caused many problems. Part of the design of the station required that the passageways maintain air pressure. This gives them strength the way a balloon has strength when blown up, but an empty balloon is just a floppy piece of rubber.

   The station lost its stability, but most of the welds held. As the station circled the moon every five hours, it would stress itself further by the expansion and contraction of the metal. I had to get out to the outer ring, locate any possible points of failure, and reinforce them.

   Most of the men scurried to the construction trailer to wait for the vibrations to dampen down. I, however, went to a materials pile, wrapped a couple of dozen pieces of aluminum angle stock with duct tape, and grabbed a welding cart. The cart and the stock metal probably weighed more than three of me.

   I grabbed at the ropes running up one of the spokes to where the computer said the damage was worse and started pulling myself with my load up the passage. I passed work crews rushing down towards the hub to get to safety. Some trades were working strictly in pressurized areas. They thought that the suits were optional. Their supervisors had been very lax in letting them work without suits.

   When I reached the outer ring, you could hear the station creaking. I grabbed at a joist and held on tight as I stopped, the inertia of the metal bundle following me. The structural supports were very strong, but the design was for zero gravity. The station was ten times stronger than it needed to be, but structures were still very thin and light by Earth construction standards. They bent and shivered as the station slowly settled into its new configuration. Each time a bulkhead slipped, or a weld snapped, there was a crack that sounded like a gunshot and vibrations rolled around and around the kilometer of the station's rim, making it groan like an old man.

   The station's total structural distortion ended up being less than 40 centimeters, but at the time, it seemed like it was coming apart at the seams. I tacked aluminum stock with my welder onto each of the four places where the hub joined to the rim. I made the sure the jury-rigged braces were holding and moved on to the next hub joint. There were eight hubs, each 125 meters apart. I zoomed down the rim at top speed, barely touching the ropes. My welding cart and heavy bundle of stock came up behind me at the same break-neck speed.

   I nearly knocked Marshal Martine over when he came along, speeding from the opposite direction. I struggled to stop the weight of my cart and material from dragging me past him. I told him what I was doing. He had had the same idea, but he was moving slower because he had to cannibalize other structures to make braces. He had not been able to grab any stock. We went to the next spoke together, and reinforced the joint. He held the metal in place while I made quick spot welds.

   “We're just about done here,” he said after we worked on two more spokes, “but we passed a buckled section of bulkhead about 200 meters back. I think I should go reinforce that before it looses air pressure.”

   He zoomed off back the way he had come, and I went after him. I had to go slower because I was towing a welding cart and a lot of mass in aluminum stock.

   When I caught up with Marshall, he was pushing hard against a wrinkle in the titanium alloy skin that made up the station's bulkheads. A weld had failed, and the skin had pulled loose from the short structural members that held it stiff. The wrinkle was shiny where the protective paint was flaking off. The stress cracks radiated out from a diagonal line that crossed the whole wall. The thin metal still had a lot of strength, and I was certain it would be able to hold as long as air pressure kept pushing it out against the aluminum joists supporting it.

   “Here, give me an angle beam,” he said, and I handed him a 3-meter length from the package I had been hauling. He placed it along the corner where the wall meet the floor and pulled out his welder.

   “Wait!” I yelled. Something was wrong. The air felt wrong and there was a hiss coming from behind us. I had worked with oxyacetylene torches, and I knew the feel of the air when pure oxygen escaped. I could not smell it because I had my helmet on. Anyway, oxygen does not have a special smell, except for the staleness of air that has been in a can for months. I heard it, though. There was a sharp hissing coming from a line hidden somewhere behind a wall. The air had a feel that I recognized. It was a kind of slipperiness. There was a ruptured gas line somewhere and the air supply in the station was oxygen and helium. The oxygen line had cracked!

   Too late, Marshall looked up at me with a questioning look on his face. He was snapping the tip of the welding rod against the bulkhead to check for a good ground. The snap of the spark glowed brilliantly white for a moment, and the wall burst into blinding flames.

   The blast blew us back. In pure oxygen, everything burns. The titanium alloy of the sheet metal glowed in colors from a bright yellow to a pale violet. In zero gravity, things burn hotter because there are no convectional air currents to cool the flame. The flame burns intensely until it uses up the oxygen near it. The hot gases rush out, and then cooler air rushes in, bringing new oxygen. The flame burned with an enormously loud put-put motorboat sound.

   Marshall's arm caught fire. He waved it around, looking for some way to put it out, but it just flared. I leaped on him, knocking him over and away from the flame. We went tumbling down the corridor away from the fire. I wrapped myself around his arm as best I could, trying to deny the flame its supply of oxygen.

   Suddenly, the fire burned through the bulkhead and the air rushed out of the passageway with a roar. The hard vacuum of space filled the room as the emergency doors slammed closed. Then there was the silence of vacuum. The fire had died as quickly as it had started.

   I looked at Marshall. The material of the spacesuit arm was burned away, showing raw skin and flesh. The exposed skin was turning dark purple in the cold vacuum. His suit's air was leaking out through the rags of his suit. He was unconscious. The emergency sphincter at the elbow was charred, and it had failed. The shoulder joint had constricted, but was leaking. The suit was designed to be fireproof, but pure oxygen will always find something to burn if given a chance.

   I grabbed my roll of duct tape from the welder's cart and wrapped it around his arm and hand until the whole roll was gone.

   I quickly checked my suit. There were char marks on the front where the flame had touched it, but the suit was all in once piece and intact.

   I checked Marshall's air pressure gauges on his chest. The tape stopped most of the leakage, but he was still loosing air. His hand and arm needed immediate medical attention if they were to be saved at all. He had only minutes of air left.

   There was no way to get the emergency doors rolled back, and we could not wait for a rescue crew. There was only one thing to do. I pulled out the welder and set the voltage to cutting level. I put a cutting rod in the bit and started to work on the bulkhead around the failed point. In moments, there was a gap big enough for me to drag Marshall through.

   When we got outside the passage and into space, I could see the moon spinning by at dizzying speed below me. It looked like a giant gray ball, taking up most of the sky, rolling in space. I could see the construction trailer tied to the hub. The trailer had a doctor and a fully equipped hospital designed for just this kind of emergency. The hospital was rarely used for anything except a few bumps and bruises. Marshall had been a careful manager and had a good safety record up to now.

   I pushed off towards the trailer and using the jets in the suit, I easily steered to the trailer's airlock. As I tried to get the lock open and not lose hold of Marshall, he woke up, and I heard through the radio, “Thanks Noriko. I guess I was wrong about you,” he smiled at me through the plastic of the helmet, and I smiled back.   


###


   Grandma stopped talking and took a sip of the cider that had arrived. The surrounding tables had grown quiet. She took a larger gulp of cider and smiled at the little girl. All within earshot were listening to her story. The little girl looked at her grandmother with new interest and appreciation.

   Just then, the all clear signal rang out, but few people stood up to leave. The Christmas tree was almost complete and the stewards were stringing popcorn to decorate it. There was a group at one side of the room singing 'Adeste Fideles' very loud and out of key.

   “Grandma!” the little girl called out, tugging on Noriko's sleeve. “What happened to the mean man? Did he get better? What happened to his arm?”

   Everyone at the table laughed aloud at this. They had heard the story many times. The little girl looked puzzled.

   “Why, don't you know?” grandma laughed. “He recovered fully, and his arm is just fine. While he was getting better, he put me to work supervising all the repairs, and then I did all the finish welding myself.”

   “I changed my mind about him. He turned out to be a very nice person. And you know what?”

   The little girl shook her head.

   “Well, I liked him so well that I married him. Marshall Martine is your grandfather. You'll have to call him when we get to the moon and tell him that you like the station we built together.”

   When Grandma finished telling her story, all the surrounding tables started talking and laughing at once. A few people got up, introduced themselves, and shook Noriko's hand, telling her how much they liked her story and her beautiful station.

   At midnight, the lights dimmed, and the homemade Christmas tree was lit up with little red and green LED's from the station's stock of repair parts. Everyone sang the old carols like “Rudolf the Red-Nosed Reindeer”, “Silent Night”, and “Blue Christmas.”

   When Whitman finally left his table, he was a little tipsy and almost tripped navigating through the common room. Out in the main passageway, Grandma, and her family were standing together, looking at the wall. Grandma was saying, “See that weld dear, the little line in the wall. I did that. It was over forty years ago, and it seems like yesterday.”

   Little Susan ran a finger down the fine straight bead of the weld and smiled.

   Whitman asked the family to pose for a picture. For once, the recorder seemed to be working correctly. He thought it would be a nice Christmas present for his editor.

   “Construction Worker Returns to Virginia Station After 40 Years” The headline would read.

   Whitman figured that the old man would go for it. Now that the solar flare had died down, the story might even arrive before Santa's Sleigh.

 


click below to read pt. 5 of
only on the FREEZINE of
 Fantasy and Science
FICTION

Sunday, December 24, 2023

A Visit From St. Forrest

 by Keith P. Graham 




‘Twas the night before Sci-Fi when all through the ship
Not a cyborg was stirring, not even a chip.

The blasters were hung by the antimatter drive
In hopes that St. Forrey would help us survive.
The clones were nestled all snug in their vats,
While visions of death rays scampered like rats.
And yeoman in her armor and I in full gear,
Had entered hibernate with a twinge of fear.
When out in the vacuum, there arose such a clatter,
I booted up quickly and plugged into the chatter.
Away to the viewport I flew like a flash,
Went to full sensors and readied for crash,
The meteoric dust in a nova’s cosmic rays,
Gave the luster of x-rays to the galactic haze,

When what then resolved to my deep sensor chips,
But a miniature sphere and eight tiny spaceships,
With a fearsome old captain on a sacred quest,
I knew in a moment ’twas the famous Forrest.
More rapid than photons, his courses they came,
and he transmitted, and signaled, and called them by name;
“Now, Wallaby! Now, Serenity! Now, Dora and Nimbus!
On, Moonbeam! On, Skylark! On, Enterprise and Brutus!
To the top of the boot drive, to the tip of the bow,
All warp away! Warp away, warp away Now!"
As galactic dust before the solar wind flies
When they meet with a planetoid, leap to the skies;
So up to the control ports, their retros they flew,
With a sphere full of weapons and St. Forrey too.
And then in a nanosecond, I heard from the dock,
Howling and scratching at the main air lock.
As I drew in my head, and was turning around,
From the turbolift St. Forrey emerged with a bound.
He was wrapped in a force field from his head to his ass,
And his plating was all tarnished with entrails and ash.
A bundle of weapons he had flung over his shoulder,
And he looked like a berserker just starting to smolder.
His eye sockets, they glowed with a bloodlust of fire!
His fangs were all sharpened, his claws clasped in desire!
His prehensile tail was drawn up like a bow,
and the scales on his body were as black as a crow;

The roach of a joint was held tight in his beak,
and the smoke of it encircled his head like a freak;
He had a chromed skull and barrel shaped chest,
That wheezed when he breathed like a demon possessed,
He was gnarly and scarred, like an evil dark elf,
And I screamed when I saw him, in spite of myself;
A click of his mouse and nod of his head
Soon gave me to know I had nothing to dread;

He spoke not a word, but went straight to his work,
And filled all the armories; then turned with a jerk,
And laying his blaster aside of his nose,
And giving a nod, up the turbolift he rose;
He sprang to his sphere, and setting his goal,
And away they all warped through a spatial wormhole,
But I heard him exclaim, ere he tunneled out of sight,
“Happy Sci-Fi to all, and to all, a good-night.”


Click to read FLARE BOUND
by Keith Graham
on the FREEZINE of
Fantasy and Science
FICTION 



Archive of Stories
and Authors

Callum Leckie's
THE DIGITAL DECADENT


J.R. Torina's
ANTHROPOPHAGUS


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.

Sean Padlo's
NINE TENTHS OF THE LAW

Sean Padlo's
GRANDPA'S LAST REQUEST

Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.


Konstantine Paradias & Edward
Morris's HOW THE GODS KILL


Konstantine Paradias's
SACRI-FEES

Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.

Edward Morris's
ONE NIGHT IN MANHATTAN


Edward Morris's
MERCY STREET

Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.


Tim Fezz's
BURNT WEENY SANDWICH

Tim Fezz's
MANY SILVERED MOONS AGO

Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.

Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD


Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.

Phoenix's
AGAIN AND AGAIN

Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.


Sanford Meschkow's
INEVITABLE

Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.


Owen R. Powell's
NOETIC VACATIONS

Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.

Gene Stewart
(writing as Art Wester)
GROUND PORK


Gene Stewart's
CRYPTID'S LAIR

Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -




Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.


Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.