by Sean Manseau
June clutched his arm. “Lyle, I don’t think that’s—”
“As they say, Trooper Shepherd, we can do this the easy way, or the hard way.” An ingratiating smile broke across Price’s face, like dawn on a dark plain. “We’d like to meet the boy. Talk with him for a bit. Get a sense of who he is, how his surroundings do or do not accommodate his needs.” His eyes hardened. “But if we leave now, be assured we’ll return with a court warrant, and a police escort. Nicholas will be coming with us then, to stay at Las Cruces Home for Boys until such time as this matter is sorted out…and as you know, the wheels of bureaucracy can turn quite slowly.”
“Sir, that’s not going to happen." Shepherd gave Price his best cop glare, but the words came out strangled. "You are not taking my nephew to that hellhole.”
“He’s upstairs. I’ll get him.” They both turned to look at June. She gazed steadily back at Shepherd, squeezing his hand. “He’ll be fine, Lyle. I’ll explain to him who these people are, and why they want to talk to him. He’s a smart kid. He’ll understand.”
Shepherd said, “You know how imaginative he is. He hears about Las Cruces, it’ll give him nightmares.” But by the time the last words were out of his mouth, he knew—he was hoping—that she was right, that Nicky would grasp what was at stake and play his role convincingly.
“It’ll be fine,” June repeated, and walked into the living room, headed for the stairs. And then she said, “What are you doing to my television set?!”
Shepherd pivoted on his heel to step back into the living room. Dr. Price followed. In the corner next to the fireplace, the console TV had been pulled away from the wall, the back removed, and the gangling kid and the Mohawked girl were kneeling amidst its disassembled innards.
Some of the parts, the vinyl-coated wires, the capacitors, the vacuum tubes, Shepherd recognized from high school electronics class. Other parts, though, he couldn’t place, like an hourglass that seemed to contain a tiny sun burning in each bulb, and a crystalline structure that gave every appearance of breathing. Above these the girl held her little device at different angles. Flashes went off, as if she was taking photos, but Shepherd heard no click of a shutter, and she wasn’t winding film.
The gangling kid grinned at them over his shoulder. “Got some bona fide early-era Nicholas tech here, Cosmo.”
“Lyle?” said June, her hand on the banister.
“Go ahead and get Nicky,” Shepherd told her. “I’ll handle this.” He rubbed the 5 o'clock stubble on his cheek and turned back to Price. "Sir, I'm trying to be cooperative here, but why is my TV being taken apart?"
Price waved a hand at the detritus covering the floor. “Would you mind telling us what that is, Trooper Shepherd?”
“Goddammit, it was my goddamn twenty-seven inch Magnavox," Shep said, and his voice was rising, a bad idea when you're dealing with bureaucrats, but he was beyond caring. "You’d better hope your department has the budget to—”
Somewhere toward the back of the house, a door squealed open and slammed shut. From the kitchen came the sharp report of boot heels on linoleum, a man rasped “Cosmo! Hey, Cosmo! Out in the shed there’s—” and then the door to the dining room swung open, admitting a short, barn beam-shouldered man who stopped dead when he saw Shepherd.
The man’s eyes widened. His nostrils flared. His mouth tried on and discarded surprise, disgust, and trembling rage before settling on a sort of fearsome half-smile. He began to unzip his coveralls, muttering, “Well, I’ll be dicked!” while covering the floor between himself and Shepherd in strides that were nearly a charge.
Without time to think, instinct took over. Shepherd dropped into a wrestler’s crouch, bracing for impact, and then the girl with the pink Mohawk was between them, intercepting the short man with her forearms against his barrel chest.
“Duncan! Duncan!” she said, as the man tried to force his way past. “We’ve got a plan, right? In and out and don’t leave a trace, right? We’re on a schedule, remember?”
“What's your problem, man?" Shepherd said. Obviously this Duncan thought he knew him, but nothing about the man’s features—broken nose, blond crew cut, sharply dimpled chin—jogged any recollection. The main thing was that look he had—grunts coming out of the jungle after combat had that look. The thousand yard stare. Shep looked to the CYFD supervisor. "What is this, Price?”
“I apologize, Trooper Shepherd,” Price said, inserting himself into Shep’s line of sight. “Mr. Lawless...appears to have mistaken you for someone else. Isn't that so, Duncan?"
"Yeah," the man mumbled, not turning his eyes from Shepherd's. "Yeah, that must've been it."
"A regrettable misunderstanding," Price said. "Now, please, Trooper Shepherd, answer my question. This device in your television. It's obviously homemade. Potentially dangerous, a fire risk. Can you explain it?”
“I think I’m pretty much done explaining anything to you,” Shep said. The hell with the CYFD and any court order they might obtain. At this point, Shep was angry enough to take to the hills and fight it out. Unconsciously his right hand fell to the butt of his gun. “Except maybe that if you and your people are not out of here in ten seconds, things are going to get ugly.”
Someone cleared their throat loudly. June was on the stairs. “Lyle,” she said, “I’m sure you can show Nicholas that grown-ups settle their problems with their voices, not their fists. Can’t you?”
“Jesus,” said the pink-haired girl under her breath. She was staring up at Nicholas, who was crouched with his face pressed between the banister rails to stare back.
Glancing around, Shep saw all the CYFD workers were looking at Nicholas with something close to awe. All except the man Lawless. Shepherd returned his glare, thinking this was the strangest damned crew of social workers he’d ever heard of.
But staredown or no, Shepherd knew he had to calm his temper. June was right. If they played nice with the CYFD people, answered their questions politely, there was still a chance Shep could get Nicholas into the system, and secure the boy's place in their lives.
“As far as the TV goes,” June said, leading the boy by the hand into the living room, “Nicholas likes to tinker. We’re considering home schooling him, so he can apply for early admission to MIT or Cal Tech. I think he could be a famous inventor. The Thomas Edison of the 21st century, maybe.”
“I don’t want to be an inventor, though.” Nicholas hadn’t grown any taller in the six months since he’d come to live with them, although he’d put on about ten pounds from June’s cooking. He was wearing his favorite t-shirt, the one with the iron-on of the Eagle shuttle from “Space: 1999”, and green Toughskins that were worn at their reinforced knees. Under his arm he held a cardboard portfolio. “Not all the time, anyway.”
“No?” asked Price, his voice unsteady. “What else would you like to do?”
“Make comics!” Nicholas said. He brandished the portfolio before him. “Wanna see?”
Shepherd groaned inwardly. The kid wasn’t going to show them the books, was he?
Price perched at the edge of the love seat and patted the coffee table. “I would love to see, Nicholas.”
☇ ☈ ☍ ☊ ☩
You have been invaded by the freezine of fantasy
and science fiction. You no longer need to sub-
scribe, for we are already subscribed to you.
Subscribe to:
Post Comments (Atom)
Archive of Stories
and Authors
Callum Leckie's
THE DIGITAL DECADENT
J.R. Torina's
ANTHROPOPHAGUS
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.
Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.
Morris's HOW THE GODS KILL
Konstantine Paradias's
Adam Bolivar's
Daniel José Older's
SACRI-FEES
Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.
Edward Morris's
ONE NIGHT IN MANHATTAN
Edward Morris's
MERCY STREET
Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.
Tim Fezz's
BURNT WEENY SANDWICH
Tim Fezz's
MANY SILVERED MOONS AGO
Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.
Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD
Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.
Phoenix's
AGAIN AND AGAIN
Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.
Adam Bolivar's
SERVITORS OF THE
Adam Bolivar's
THE DEVIL & SIR
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.
Sanford Meschkow's
INEVITABLE
Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.
Owen R. Powell's
NOETIC VACATIONS
Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.
Gene Stewart
(writing as Art Wester)
GROUND PORK
Gene Stewart's
Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.
Daniel José Older's
GRAVEYARD WALTZ
Daniel José Older's
THE COLLECTOR
Daniel José Older's
THE COLLECTOR
Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.
Blag Dahlia's
armed to the teeth
with LIPSTICK
BLAG DAHLIA is a Rock Legend.
author of horror, science fiction and
poetry. She is best known for the 2002
Bram Stoker Award winner for Best
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -
Listen. http://raingraves.com/
Blag Dahlia's
armed to the teeth
with LIPSTICK
BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.
Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE
Shae is a poet/artist/student and former
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE
Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.
Nigel Strange's
PLASTIC CHILDREN
Nigel Strange lives with his wife and
PLASTIC CHILDREN
Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.
No comments:
Post a Comment