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Monday, September 29, 2014

OF CADENCE AND WEATHERED STATUES: IV

by Vincent Daemon






Chapter 4: Holiday In Cambodia



               To Victor’s tearful astonishment, he saw the most glorious sight. Daylight, just ahead, where the statues end, their forms not even recognizable as anything now, just smooth ruby and jade carvings of interwoven sections, all one terrible thing really that reached out for him with their gaunt moist arms, cooing his name in lurid tongues of obscene gibberish. Charlene’s sweet voice wavered between chitterings and taunts, the whore laughing at him throughout the entirety of it all. Their arms reaching from every inconceivably designed statue, their eyes of red and green sinking inward on themselves to become the vacant black vortex holes like those of his dream, their spindly limbs the same.

            Victor now pushed far beyond all of his body’s rational physical limitations, the narcotic poison of the Black Poppy already reaching peak effect, numbing all pain, temporarily clouding all fear, all rationality.

            It sounded like a billion legs were just behind him, that this thing and its jeweled marble daughters of ancient nympho-lunacy were right there, reaching out toward his shoulders to grab him and pull him back in, as if not wanting to be there alone, so they could keep him in the grip of these ruins and this most horrible place on what he was not even certain was the planet Earth anymore.

            This felt like something both infernal and eternal.

            He felt like a small child running up the basement stairs, fully certain the thing that waits below was right on his neck. Only he knew this unseen horror was real, as were the taunting and cruel statues. They whispered so loudly all the lies of this time and place, deceptive voices of insectoid hermaphroditic monstrosities exposing the truth that lay inside all, truths of the universe, blurting out the horrendous things he had always known about his consummate failure in this war, this life. Accepting, settling, going against his own personal and hard won code of ethics and honor. They were going to grab his spine and feed him to that fucking beast.

            Victor saw a large open archway at the end of the tunnel, though it did not really register on his battered and tattered mind. He quad-timed it, before a small free fall and splash, he landed in the uncomfortable warm murk of a weed strewn marsh.

            He also heard the monstrous sounding slosh into the marsh right behind him.

            He did, however, spot a small U.S. rescue vessel just beyond the tall brown weeds of the marsh...and it appeared they had spotted him as well. He hollered in a throat wrenching hoarseness upon which he could taste his own blood, and splashed frantically, knowing that this thing was in the water with him, swearing he could feel it netting horrible limbs around his legs and pulling him under. The more he tried to wrestle from its grip, the more tangled he got, the more it seemed to wrap itself around his entire being...body and mind and soul...to drag him beneath the surface of these dark waters.

            The silence came upon him again, exactly like when he watched Willy get blown into mush. Time froze, the world stopped. The legs wrapped tighter, his despondent thrashing now broken to a steadfast acceptance of fate.

            Like his entire life.


                                                                                                                                                 


            Within moments the rescue vessel reached Victor, officers pulled him aboard, cutting away the tightly wrapped and binding roots and marsh weeds that nearly drowned him. Once cut out of the mess, Victor began to flail his arms in a panic, growing more unsettled and violent by the second as the officers tried to restrain him.  He was not lashing out at them, but at his own flesh, tearing at his skin as though he were trying to remove it entirely from his body. Long and deep gouges bled out sickly-thick dark blood as he dug so deep as to tear back his own fingernails. 

            Victor was babbling inanely, shouting and even gibbering the entire time of mud kingdoms and insect gods, of horrid sexual nightmares and the statues that provide them. Ancient empires to the most perverse ideas; things that live inside of one, forever, deep within the mind, reading and raping every thought.

            Eventually, he began to wear himself out, and was injected with a hefty dose of diazepam to help keep him down. The medical officer then looked into Victor’s eyes and saw the severe constriction of his pupils. His shouting was easing to a mumble, this time about Charlene, his father, Willy, and something about a Vietnamese or Cambodian whore. They really couldn’t tell. It was falling out of him in uncontrollable and hysterical sentences of raging gibberish, his own syntax garbled and falling away as the sedative took full effect. “Con-Rit Yekub Juk-Shabb!

            Victor was out, and the medical officers tended to his infected and barely recognizable hand. It looked as though it had been chewed upon, but that was chalked up to the severity of the infection. There was no question about it: Victor was going to lose the hand.

            The med team were undressing Victor to give him a full once over. Upon removing his pants, they looked down in awe as the contents of his pockets spilled to the deck. Large black pods, obviously some kind of poppy-pod narcotic, were falling to the floor with loud ka-plats. They checked his eyes again and figured the severe constriction of his pupils explained it all. At that moment, Victor Marks Jr. was written off as nothing more than a war-torn junkie, a coward and a deserter.

            Nothing more than another weak mind on the front lines, bad as the enemy itself; useless, the med team could be heard grumbling.

            Victor’s breathing was growing shallow and stifled, and he sounded like he was suffocating. Begrudgingly, they began to perform CPR, making heinously crude off comments about his shell-shocked and narcotic state of being.

            As they emptied all of the Black Poppy pod-cubes from Victor’s turned-out pockets and extracted several that had been stuck half-chewed in his throat, the medical officers began to notice that the odd pods were beginning to split in two, and that their contents were not filled with an ad infinitum of seeds, but had instead been filled with a myriad of very small and aggressive larval black centipedes, little creatures that began to viciously come after the crew.

            What the medical officers did not see while their attentions were distracted with unjustified judgment toward their fallen man and confusion over the scattering, incessantly biting beast-pod hatchlings, was the subtle, graceful rippling just beneath the surface of Victor’s gouged gritty flesh, and the endless black universal vortex of knowledge forming behind his eyes.

           




~the end~


Click image ^ for the full 
SEPT, 2014 ISSUE 
final wrap-up thanking 
 all the authors and artists



            

1 comment:

  1. Thanks for commenting, Linda. Perhaps a decade or three from now, more readers will begin leaving feedback. The editors and authors appreciate it very much!

    ReplyDelete

Archive of Stories
and Authors

Callum Leckie's
THE DIGITAL DECADENT


J.R. Torina's
ANTHROPOPHAGUS


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.

Sean Padlo's
NINE TENTHS OF THE LAW

Sean Padlo's
GRANDPA'S LAST REQUEST

Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.


Konstantine Paradias & Edward
Morris's HOW THE GODS KILL


Konstantine Paradias's
SACRI-FEES

Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.

Edward Morris's
ONE NIGHT IN MANHATTAN


Edward Morris's
MERCY STREET

Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.


Tim Fezz's
BURNT WEENY SANDWICH

Tim Fezz's
MANY SILVERED MOONS AGO

Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.

Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD


Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.

Phoenix's
AGAIN AND AGAIN

Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.


Sanford Meschkow's
INEVITABLE

Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.


Owen R. Powell's
NOETIC VACATIONS

Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.

Gene Stewart
(writing as Art Wester)
GROUND PORK


Gene Stewart's
CRYPTID'S LAIR

Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
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his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
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ridiculous and disturbing world
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Paul Stuart's
SEA?TV!


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appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
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Consider writing him at paul@twilightlane.com,
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Rain Grave's
MAU BAST


Rain Graves is an award winning
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poetry. She is best known for the 2002
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(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
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in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -




Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
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of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
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OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
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Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.