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Thursday, July 11, 2019

HOW THE GODS KILL: IV

by Konstantine Paradias and Edward Morris





   That was a year ago. Much later, on Fulcanelli, inside the capital city library at Euksenos, Ari rented one of the public-use technocrats and shoved the wax Fusenge cylinders into the back of its neck to replay whatever was on them.

   This would be very telling, she knew, expecting a storm of gibberish. Moving slowly, almost with reverence, she placed the speaker against her ear to keep out the endless shuffling of feet, the cicada-like call of the market outside, the distant din of the Euksenian clock, tolling the hours according to imperial time.

   Carefully, she shut them all out.

   When she closed the flap and stood back, there was a lugging sound within the technocrat's insides. The brass features of the Turk contorted grotesquely in a mockery of human speech, mother-of-pearl irises rolling in their sockets, nickel plated lips clacking together in tandem with the recording. Ari suffered this display for a few minutes, before reaching behind the Turk's faux shirt and removing the mainspring, rendering the automaton once again immobile. Even the Other inside her brainmeat ceased its/her constant tumbling and turning in her mind in a show of gratitude.

   The woman closed her eyes and concentrated on the gentle hiss of the needle as its graphite tip slid across the grooves. From the hidden speaker on the technocrat's chest came the voice:

 "Portentsclear:Artephiusinsurrectionhasbecomelongandpointless.   ThirdQueensFleetmakinglandfallcomeJune.   SchemesapparentinHoundoperativesacrosssystem.       
 Assassinationattempt, enactedbylocals, paidoffbycolonialauthorities.   NativeswillabandonthefightfollowingL-Bombdeployment.   Mustarrangeforshowofsacrifice, warcrimetostirthefighters.   Uk'Malmakesforexcellenttarget.   Goodmenwilldie.Necessarysacrifice,tofuelnewreligion."

   From the deepest, darkest confines of the Other, from the red place inside Ari's thought-space, came the terrible push of her repressed rage. It bore down on her in the moment like some hewn stone behemoth, a juggernaut as big as the world with his face as masthead.

   Ari couldn't help but notice the plainness of his features: the protruding jaw of the Hapsburg-Romanov line (telltale mark of a thousand years of incestuous purity), the crooked hawk-like nose, the shock of red curls at the top of his skull. And the eyesGods, the eyeslike pools of black stillness, the vortices of Azathoth, hungry and wanting, so big they could take in the entirety of the Universe and still not be enough to quench the thirst inside his brain.

"Still,thereareloyalistsinFulcanelli. TheCultoftheSonliveson. Goodsoiltoplanttheseedsfornextwar. Machinerythatwillfuelthefleetthatwillovertakemother, burnPraguetotheground. IwillbuildtheNewChurchonthefoundationsoftheoldregime. Butfirst, aprecioussacrifice. LikeWoden, strungfortheslaughter. Becomeascendantthroughthetrialofthecrucible."

   The behemoth stops, screeching to a halt. The Other's rage dissipates in a flash. Suddenly, she is silent. Ari reaches out into the Other's mind, extends empathic talons into her, wrenching Information by Force.

   The Other fights her back, erects a wall of brutish defenses. Currents of flame shoot across her spine. Her eyeballs swim in the boiling fluid of her braincase, the ichor that is her blood boiling in her veins like molten lead.

   Clenching her teeth, Ariachne invokes the techniques of her training, curls the dark parts at the back of her brain into a ball, and then further compacts herself until she is dense, tiny, unbreakable; allowing the Other to lash out with every iota of strength until she is utterly spent.

   Empath disciplines require strict self control to stem the drain from the user's system. Pouncing on the Other at the slightest sign of a chink in her defenses, little Ari plunges inside and balloons outward, crushing her resolve. The Other remains dazed, reeling, unable to stop Ariachne as she extracts the information.

   A cloud of trivial, useless impressions flies up at her, choking her with pointless trails of memory. But Ariachne is a burrower by nature; distilled from what she had once been (a spy, a seducer, a procurer of whispers) and stuck inside the Other's mind like a destructive urge, like the compulsion to jump. She slips past her defenses when she is good and spent, wrangles the information out of her, brings it out, bulling, into the surface.

   The Other fights her even as the woman dissects her, arranges her thought patterns into neat slivers of memory, lays out her life against the glass walls of her camera obscura and illuminates the isolated chamber. There, she watches it unfold.  A courtship for the ages, the meeting of a headstrong mortal woman and the near-god of the Habsburg-Romanov line.

   Meetings in the battlefield, an exchange of vows, softly spoken as they writhed in a bed rocked by the orbital shelling on the planet Cibinensis. Drawn to Him like a moth to a flame, she ached.  An emperor vying for ever greater glory since the moment she first drew breath and took in her humble beginnings.

   Ariachne takes the woman's simple beginnings in.  A street urchin, organizing the rest of the abandoned in dusty side streets, before she finally picks the wrong Dragoon's pocket. A thrashing turned into a scolding turned into a job offer:  service to the Empire in her Majesty's Armed forces.

   "You'd make leftenant in five years. Three, if there's another war. More than a girl like you could ever ask for."

   And the war came.  A native uprising that dragged on for two years, with the Other trudging through the clinging off-blue muck even as an alien sun beat down on her back. She fought as hard as she gave, stuck with her rank as much as she could, tried to stay in the officers' good graces. By the end of it, she'd been made Colonial Dragoon, with a sun-gun of her own and a uniform and a hidden stash full of Colonial Gold, pilfered from all over the system.

   So she took a lover.  A homeworld commander, still green from the Academy. He fell for her, head over heels, so much so that he didn't even notice her courtship of one regional commander after the other. He stayed true to her, that forgotten soul; vouching for her character right until the moment she abandoned him, the second she knew she'd outranked him.




Click Image Below 
to read Part V of
 only on the FREEZINE of
Fantasy and Science
Fiction




Meanwhile, Click Image Below to read
Grandpa's Last Request
 
by Sean Padlo


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Archive of Stories
and Authors

Callum Leckie's
THE DIGITAL DECADENT


J.R. Torina's
ANTHROPOPHAGUS


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.

Sean Padlo's
NINE TENTHS OF THE LAW

Sean Padlo's
GRANDPA'S LAST REQUEST

Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.


Konstantine Paradias & Edward
Morris's HOW THE GODS KILL


Konstantine Paradias's
SACRI-FEES

Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.

Edward Morris's
ONE NIGHT IN MANHATTAN


Edward Morris's
MERCY STREET

Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.


Tim Fezz's
BURNT WEENY SANDWICH

Tim Fezz's
MANY SILVERED MOONS AGO

Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.

Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD


Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.

Phoenix's
AGAIN AND AGAIN

Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.


Sanford Meschkow's
INEVITABLE

Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.


Owen R. Powell's
NOETIC VACATIONS

Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
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Gene Stewart
(writing as Art Wester)
GROUND PORK


Gene Stewart's
CRYPTID'S LAIR

Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
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Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
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(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -




Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.


Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.