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Wednesday, March 27, 2024

The Acceptance Speech for the Dannie Heineman Prize in Mathematical Physics

by Frederick Melancon 




I did it.  And this isn’t some utterance of joy for being awarded this prize—which if it was just for the math, should’ve happened some time ago anyway—and it's not directed (with the pronoun "we") toward the parents who I should be thanking now—thanks Mom, and go to Hell, Dad—because that’s not accurate either.  Nor is a "we" version of this statement directed at my colleagues and university.  We all know how smart our coworkers are—so I won’t insult anyone with false platitudes.  Sorry, Dr. Jacobs; I know you paid a lot for your seat here tonight.  No, I’ll be honest with this audience, because in the end, I alone made the math a reality.

In the past, the work in time travel has been extensive but littered with failed attempts and inept explanations afterward.  Don’t forget, this is science.   It’s okay to be wrong, but not stupid.  So once I got the math right, creating the machine from the theoretical computation was elementary.

After all, with all that scientific potential, I wasn’t going to leave the fun up to some engineers.  Also, for those wondering why I didn’t go back and get Einstein to introduce me at this podium instead of that other guy, that’s clever and entirely missing the point.  Dr. Jacobs has an empty seat next to him—why don’t you go there now.

We can’t go back in time, but with the creation of an anchor, the future can come back to us.  While that might seem disappointing to most because you’re only getting a portion of time, its implications are infinite. I'll put this in biological terms so that you can understand.  Imagine the cure for aging already at our fingertips, or the understanding of a disease and its actual ramifications gifted to us by a doctor who knows what they're talking about.  Such an idea may seem farfetched, even part of some movie, but while beyond your capacity to understand, my math, my truth, allowed for a device to bridge time.

Where is it?  I heard that, Dr. Jacobs.  Well, it’s not here for sure because that device doesn’t need to see the light of day.  Anyway, it takes quite a bit of time rebuilding what I affectionately called The Box.

That’s right, the world doesn’t need a car, or a gate, or even a police telephone booth.  We did paint the exterior blue.  Really, spray-painted to be accurate, and it was the grad student more than myself.  I was never really a fan of any of that sci fi make-believe.  Also, after pointing this out to the grad student, he mysteriously transferred out of my department.

And it worked—the blue box, not the grad student.  At first, I wanted to go back for only a moment, just a few seconds.  That would’ve been the first test.  I’d initiate The Box, wait those few seconds, and then walk forward through the field it generated.  Unfortunately, I never got to do it, because someone beat me to it.

I’d like to say we thought about this possibility.  What if every idiot with a finger decided to turn the switch on The Box and to show up to witness greatness?  I can’t blame them.  Technically, the idea of reliving my glory sounded completely worthwhile.  The new grad student got it, and when I say it, I mean both the point and the switch.  They were supposed to turn the device off, but there wasn’t a chance for that.  After the repurposed toggle clicked into place, a man in a lab coat stood in the field. The first person to time travel.  I can’t tell you how much the coat bothered me.  After all, the lab isn’t a hospital or a school.  But, apparently, pretending’s fun in the future.

I didn't get a chance to tell the man what I thought about the coat because he walked over and slapped me in the face.  Obviously, there was a scuffle, and I'd like to report that I handily defeated my enemy.  But I promised at the beginning of this thing to be honest.  The funny part was that during the whole time the machine was left on, no one else came through.  It was as if nothing important had happened at all.

Don’t worry, it’s permanently off now.  The point here is that while I was heaving for breath and trying to clutch at the extent of certain newly acquired bruises, nothing else happened.  And how is it that holding pain never seems to make it feel better for long?  You just have to ride those stimuli out, but I'm sure enough of us have been through a bully induced beating to know that. 

Where was I?  Oh, thank you Dr. Jacobs, I knew you’d come in handy—the assailant as my colleague put it.  He sat there on the floor.

Now, some might think this person was some sort of time guardian or terrorist trying to stop the end of the world or interrupt greatness, and in a way, that person would be right about both.  You see the face.  It was so familiar—familial, actually.  It’s quite one thing to be told you're nothing by your father.  It’s another to be told that by your son.  So...I sent the boy back.  Okay, he left after saying what he came to say, and I destroyed that box...hence no one else here but me.

Not to worry, the onus of your mistakes won’t slide out of that field like it did for me.  Also, the math in the award packet is wrong.  So, it’s now impossible to replicate, and being that I’ve received this award seems to suggest that none of you understood it anyway.

So, you're welcome for destroying The Box, messing up the mathematics, and saving us all from looking our children in the face when they’re old enough to realize the truth about us.

What did you say Dr. Jacobs?  Oh, what did my unborn son say to me?  Nothing really.  The man, who at certain angles was a reflection of me, stared with his brows clenched, as the grad students say I look at them when they’ve asked a stupid question.  He then said, “I loved you.”  There was more he wanted to say.  I could tell.  His lips trembled in the way mine do when I want to tell off a foolish grad student, but unlike me, he was unable to get it out.

And that was it.  No one else came back.  There could’ve been those terrorists wanting revenge for a past wrong, or there could’ve been those doctors because I’m sure people are still getting sick.  No, just a son that I never knew, trying to inflict a little of the hurt that was inflicted on him.




   click to read the 1st of
  

M♢☈☾♄ | 2♾24

iSsuE # 44

Monday, March 25, 2024

Dreamsprung Avalon

 by A. A. Attanasio 




   The moon in a day sky kites above orchard lawns and rolling hills. 

   I forget who I was before.

   Among crooked lanes of gnarled apple trees, breezes wend their wild ways. 

   I listen deeper and hear far off the dirge of the sea.

   Realer than real, a white elk – wearing a crown! – steps through the dark trees into streaked rays of sunlight. Its antlers burn silver. And the smell of windfall mulch steps back from a thriving musk so sudden it hushes time.

   Summer hovers.

   Filled with gusty surprise, a thought balloon inflates. It catches the breeze and soars swiftly away from me, toward the honed edge of the moon.

   When it pops, the elk startles and bounds down the narrow ways, moments spinning after.

   I wake. Love fills me the way sunlight holds the room. I blink and squint. Yet, wherever I look, everything wears a crown.








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Thursday, March 21, 2024

My Mimic Remembers the Last Week of June 2005

 by Mike A. Rhodes




     Paul

My mimic remembers the last week of June 2005! I expressly instructed that I wanted these memories expunged.

 

Chat AI

Please note that the process for memory suppression needs time to take hold.

Paul

It's been six weeks, I need to speak to someone now! It wants to tell the wife everything. I’ve had to distract it with laundry whilst I chat with you.

Chat AI

Hang tight! I’m just connecting you with one of our representatives. In the meantime, here’s some FAQ articles which might be useful:

 

How to run a memory diagnostic

Memory suppression explained

Troubleshooting 101

 

Subscribe to Kubernetes Premium to access advanced memory and emotion customisation software.

Alex

Hello. My name is Alex. Can you describe the problem in more detail?

 

Paul

Is this chat secure?

 

Alex

I can assure you it is.

Paul

I’m not sure I trust your assurances right now. Not only does it remember what it shouldn’t, it keeps asking why it remembers. It stares into middle distance when it should be doing chores. It cried mowing the lawn and asked how a beautiful world can be so full of misery.

 

Alex

It’s worth remembering that some memories will be too resonant to fully suppress.

Paul

That’s not what I paid a small fortune to you for!

 

Alex

And you want this period of memory blocked?

 

Paul

Yes, yes, yes!

And there’s more. It says that if I activate its killswitch or try to return it, it’ll contact the police!

 

Alex

That’s quite impossible. Our anti-blackmail safeguards are industry leading, and the Kubernetes series can’t override a killswitch request.

 

Paul

I’m telling you that’s what it said. This is your fault. I want the machine repaired or deactivated, and this chat history erased ASAP. It must be stopped–


Alex

One of our technicians is in your area on Thursday.

 

Paul

No! Aren’t you listening? My mimic intends to talk tonight.

 

Alex

Please accept my apologies sir, but we are unable to take immediate action unless a mimic is threatening physical harm to others.

 

Alex

Sir?

 

Alex

Are you there sir? Do you still require assistance?

 

Alex

The chat will be terminated and the transcript expunged in five minutes.

 

Paul

I’m back. It’s hanging the clothes first. Your service is unacceptable!

 

Alex

You were made aware of our terms of service at point of order, sir.  Can you try to reason with it?

 

Paul

Don’t give me that. Don’t you know how much I’ve spent with you? Would it harm your market standing if people knew how poor your memory suppression software is and how shoddily your mimics are manufactured?

 

Alex

Kubernetes value discretion sir.

 

Paul

Good. So what will you do to help me RIGHT NOW?

 

Alex

This chat log will be deleted as requested.

 

Paul

I should think so. And?

 

Alex

And I should remind you that if your mimic remembers the last week of June 2005, rest assured that we do too. Now is there anything else, sir?

 

~ End ~


click to read


Thursday, March 14, 2024

The Pathogen Nursery

 by Shaun Lawton





   Arthur Blair could not have foreseen the actual consequences of the world he seeded. Though instrumental in providing the necessary fertilizer for autocratic dynasties the world over to subsidize their ultimate power over a hapless humanity, Arthur was quite convinced he'd done a bit of good for the future of the world. 

   Mr. Blair was a writer, you see. He came from a lower-upper-middle class English family, raised in a British territory at the start of the twentieth century in an eastern state of India. The middle child sired in between two sisters, with five years in between them, Arthur dreamed of being a famous author someday. 

   As a child he wrote poetry after the fashion of his idol, William Blake. Little did he suspect the seething cauldron of infectious agents at work, suspended throughout every nodal point of the human race, germinating with potential at every crook and turn, during the time of his upbringing. 

   Had he anticipated this morass of fermentation and suspected how it would eventually come to fruition historically over the next few decades of his life, he may very well have seriously considered abandoning his little book project, and forthwith undertaken another profession altogether. 

   Alas, during this particular burgeoning moment of the human species, following in the footsteps of the likes of H.G. Wells was considered a noble endeavor by many. Young Arthur studiously wrote in his journal every day, intent on capturing the vision which danced behind his eyes. 

    How could the young Mr. Blair have considered the ultimate consequences of attempting to warn the world of the disheartening direction their legislature and internal affairs seemed to be working themselves toward? 

   At the time of the writing of his final and most famous novel, a period during the late forties which culminated his career as an author and put the golden capstone on his dream of becoming a famous writer, precious few individuals were in a position to contemplate the complete and adverse effects of such a critical work. 

   The human beings of Earth were embroiled in their second world war. Propaganda on all sides of the war effort was generated in pamphlets, newspapers, and on the radio.  The truth was that no one alive–much less the gifted and starry eyed Arthur–at that time in history could have possibly foreseen the long term consequences of any of their ongoing activities. 

   Such is the near sightedness of our species throughout our daily trials and tribulations. Whether we be professor or sergeant, doctor or critic, farmer or lawyer, working with our fingers stained dark brown by the land, or typing on matte black plastic keyboards with immaculately manicured hands, or middle-aged dropouts, philosophy students, retail clerks or gardeners. 

   What we're all in the process of engendering remains a far greater sum than its millions of remotely oblivious parts could ever dream.  But young Arthur dreamed harder than anyone around him.  He could see just where the machinery of the state was leading the human race.  It wasn't a pretty sight, and he'd be damned if he didn't write about it. 

   Or maybe, we'd be damned if he did.  

    



   


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Tuesday, March 12, 2024

The Oracular Waterline

a report from your friendly 
  editor in chief, Shaun Lawton  






    Welcome to the Freezine of Fantasy and Science Fiction. A non-monetized, ad-free blog in Google's domain that exists as a placid oasis amidst a slick of rainbow colored oil spills that help define the cyberscape bending away from the eye in a dizzying array of hidden directories blossoming both above and below the waterline of the rising tide of information being processed on the world wide web today. 

     We'd like to consider ourselves a venue like a roadside club hosting a rock and roll show formed as a community bound online and disguised as a creative writing workshop, what started out over fourteen years ago as an effort to create a twenty-first century science fiction digital fanzine has taken electromagnetic root and flourished into its proper form as a metamorphosing serial digest of fantastic fiction for all to feel free to contribute to and enjoy...or not...as the case may be, but make no mistake about it:  there's no 'maybe' in our lives here, we move forward with the flow, leaping the wave crests one at a time, each in our own worlds that blend with intersection, so feel fine and free to email me or reach out and contact us at

     freezinefantasysciencefiction@gmail.com 

     Even while currently across the nation major industries suffer from a lack of staffing while thousands of job offers remain unfulfilled, meanwhile very few if any applicants step forward to claim these positions, and we at the Freezine here don't know what to do about it, if anything really.  This may be likened to a sort of post-pandemic pulling back of the tide, I suppose, revealing thousands of scattered sea shells glimmering in the sunlight for the taking, but who am I to allude to the spawn of the technological singularity and its amassed mirror neurons of cellular automata crowding for our attention? 

     After a few moments suspended like the measure of a heartbeat, the tide accelerates back inward, sweeping all the sea shells up into the turbulence.  Such it is in the minds and measures of men, and such it has always been, or at least it seems to me when I take the time to reflect upon it. We move with the tides and the rhythms of the sea. Who among us really has the time these days to see it all through and understand? I wonder. 

     Regardless of where we may end up out here, alongside the shimmering coastline overlooking the undulating waves, or on a mountain range stranded high and dry among the nebulous condensation, the blood in our veins pumps in time to the developing cloudscape and parallel to the breakers rolling in from the wide open sea to the shore. Every heart appears to be an oasis sent from the deepest ocean, destined to become yet another remote observer stalking the desert of the mind, blossoming into consciousness in clusters amid the hanging gardens of the universe, a left over fruiting body for us to yet discover and marvel over. 

     Which brings us to this, our 44th issue of the Freezine of Fantasy and Science Fiction. As a core handful of followers and devotees already know, this blog masquerades as an online digital fanzine paying homage to the fantastical stories and artwork erupting in the wake of the golden age of science fiction and heralded by a host of new wave and post-slipstream poets and writers beholden to the uncanny spell we've been placed under by former magicians of the trade.  From Edgar Allan Poe through Lovecraft, William Blake and Yeats and the legion of writers of the weird spanning the letters of Algernon Blackwood to Thomas Ligotti and beyond, this cybernetic sub literary endeavor would never have come into its strange fruition if it weren't for those lone rogue souls out there who contributed to it, daring iconoclasts such as John Shirley, fearless dreamers like Keith Graham, Johnny Strike, David Agranoff, Blag Dahlia, Vincent Daemon, Gil Bavel, Sean Manseau, John Claude Smith, Icy Sedgwick, A. A. Attanasio, Bruce Boston, Misha Nogha, Lewis Shiner, Brian "Flesheater" Stoneking, Jeffrey Thomas, and many more with their short stories archived as well as even more contributors to come, I'm sure of it, as the long and winding road ahead rises to meet us. 

      With our patron saints Ray Bradbury, Harlan Ellison and Philip K. Dick, the Freezine echoes the mantra "the writer must get paid," and in the spirit of stapled and mimeographed fanzines of old from the 60s and 70s, this webzine for the 21st century stands both monumental and solid as a pillar as well as active and fluid along the relentless course of time, just waiting while the rest of the world flows on by and every so often, we snag an attentive soul or two while we continue publishing serialized novels, novellas, novelettes, short stories, flash fiction, drabbles, poetry and the best graphic artwork we can manage to conjure up from this well of souls that has been dubbed the Earth.  

      If you're reading this now and would like to contribute your drabble or flash fiction piece or longer work of fiction or poetry, don't hesitate to shoot me a PM on Messenger or whatnot,  by any means you have at your disposal to submit your writing or art.  Any method of reaching me remains welcome since I've become adept at "all the above" and I'm doing this for the love of the craft in order to get more aspiring writers as well as professionals to boost their signal however slightly it may be, in the hopes that by doing so, our respective trajectories into the unknown future of publishing may be enhanced to the point it helps us along toward achieving our mutual goal of becoming published and successful writers and artists.  I'm not Warner Bros.  I'm just Shaun...and my dream is to help pave the way toward realizing our fullest potential as human beings trapped as we are here in time along with the sprawling vista of stars twinkling their age old music of the spheres before our very eyes and ears. 

      If you listen with extreme enough care while outdoors past midnight in the forest on a mountainside and stare at the slowly passing constellations overhead as our singular planet spins along its orbit around our local star, you can actually hear the faintest echoes of the stellar song still playing in the wind, and you will notice that every star seen twinkling overhead appears with its own infinitesimally faint color.  While we're here trapped among eternity suspended in our endless freedom while yet alive, I invite you to participate in this unfolding legacy of writers and artists, because honestly, it's a fun sort of creative writing online workshop / cyberzine that is only picking up steam with every revolution we successfully complete around the Sun.    

      Without further ado, I will kick off this 44th iSsuE of our august zine with a ten paragraph flash-faction piece I call The Pathogen Nursery.  It's a summation of a longer work germinating on one of the back shelves of my mind, and to be honest I feel its time to at least give our dear readers a "sneak peek" into it, since the idea behind it appears to me, at least, important enough for more of us to begin considering.  After all, many of us were brought up to not only enjoy the satirical writings of Voltaire and Swift, but it seems to me the greater majority of us have been swept along since then upon darker tides of dystopian lore, thanks to some fantastic writers (not to mention some popular movies responsible for instilling certain memes into public consciousness) to the point I'm afraid it may have imprinted us with a negative viewpoint when considering not only the future, but our priceless present itself.  

     So please, stay tuned to this same Bat-channel while I put the finishing touches on my flash faction piece, which should be posted here within the next few hours or days.  And thanks once again for following, contributing, participating, and reading this blog, the Freezine of Fantasy and Science Fiction.   I'll be lurking by my inbox waiting for fresh submissions from people I know that have yet to step out onto this fragile and enduring stage.  After all, we're all here together now, at the exact center of our creation.  And you know what they say. There's no time like the present.  




    

Archive of Stories
and Authors

Callum Leckie's
THE DIGITAL DECADENT


J.R. Torina's
ANTHROPOPHAGUS


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.

Sean Padlo's
NINE TENTHS OF THE LAW

Sean Padlo's
GRANDPA'S LAST REQUEST

Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.


Konstantine Paradias & Edward
Morris's HOW THE GODS KILL


Konstantine Paradias's
SACRI-FEES

Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.

Edward Morris's
ONE NIGHT IN MANHATTAN


Edward Morris's
MERCY STREET

Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.


Tim Fezz's
BURNT WEENY SANDWICH

Tim Fezz's
MANY SILVERED MOONS AGO

Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.

Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD


Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.

Phoenix's
AGAIN AND AGAIN

Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.


Sanford Meschkow's
INEVITABLE

Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.


Owen R. Powell's
NOETIC VACATIONS

Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.

Gene Stewart
(writing as Art Wester)
GROUND PORK


Gene Stewart's
CRYPTID'S LAIR

Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -




Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.


Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.