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Monday, November 28, 2022

The Creatures That Time Forgot: VII





                                                                                   VII.


   It was morning. Lyte came shouting and sobbing down a corridor, and ran full into his arms. She had changed again. She was older, again, more beautiful. She was shaking and she held to him. "Sim, they're coming after you."
   Bare feet marched down the corridor, surged inward at the opening. Chion stood grinning there, taller, too, a sharp rock in either of his hands. "Oh, there you are, Sim."
   "Go away," cried Lyte savagely whirling on him.
   "Not until we take Sim with us," Chion assured her. Then, smiling at Sim. "If that is, he is with us in the fight."
   Dienc shuffled forward, his eye weakly fluttering, his bird-like hands fumbling in the air. "Leave," he shrilled angrily. "This boy is a Scientist now. He works with us."
   Chion ceased smiling. "There is better work to be done. We go now to fight the people in the farthest cliffs." His eyes glittered anxiously. "Of course, you will come with us, Sim?"
   "No, no..." Lyte clutched at his arm.
   Sim patted her shoulder, then turned to Chion. "Why are you attacking these people?"
   "There are three extra days for those who go with us to fight."
   "Three extra days... Of living?"
    Chion nodded firmly. "If we win, we live eleven days instead of eight. The cliffs they live in, something about the mineral in it. Think of it, Sim, three long, good days of life. Will you join us?"
   Dienc interrupted. "Get along without him. Sim is my pupil."
   Chion snorted. "Go die, old man. By sunset tonight you'll be charred bone. Who are you to order us? We are young, we want to live longer."
   Eleven days. The words were unbelievable to Sim. Eleven days. Now he understood why there was war. Who wouldn't fight to have his life lengthened by almost half its total. So many more days of youth and love and seeing and living. Yes. Why not, indeed?
   "Three extra days," called Dienc, stridently, "if you live to enjoy them. If you're not killed in battle. If. If. You have never won yet. You have always lost."
   "But this time," Chion declared sharply, "We'll win."
   Sim was bewildered. "But we are all of the same ancestors. Why don't we all share the best cliffs?"
   Chion laughed and adjusted a sharp stone in his hand. "Those who live in the best cliffs think they are better than us. That is always man's attitude when he has power. The cliffs there, besides, are smaller, there's room for only three hundred people in them."
   Three extra days.
   "I'll go with you," Sim said to Chion.
   "Fine," Chion was very glad, much too glad at the decision.
   Dienc gasped.
   Sim turned to Dienc and Lyte. "If I fight, and win, I will be half a mile closer to the Ship. And I'll have three extra days in which to strive to reach the Ship. That seems the only thing for me to do."
   Dienc nodded, sadly. "It is the only thing. I believe you. Go along now."
   "Good-bye," said Sim.
   The old man looked surprised, then he laughed as at a little joke on himself. "That's right—I won't see you again, will I? Good-bye, then." And they shook hands.
   They went out, Chion, Sim, and Lyte, together, followed by the others, all children growing swiftly into fighting men. And the light in Chion's eyes was not a good thing to see.


   Lyte went with him. She chose his rocks for him and carried them. She would not go back, no matter how he pleaded. The sun was just beyond the horizon and they marched across the valley.
   "Please, Lyte, go back."
   "And wait for Chion to return?" she said. "He plans that when you die I will be his mate." She shook out her unbelievable blue-white curls of hair defiantly. "But I'll be with you. If you fall, I fall."
   Sim's face hardened. He was tall. The world had shrunk during the night. Children packs screamed by hilarious in their food-searching and he looked at them with alien wonder: could it be only four days ago he'd been like these? Strange. There was a sense of many days in his mind, as if he'd really lived a thousand days. There was a dimension of incident and thought so thick, so multi-colored, so richly diverse in his head that it was not to be believed so much could happen in so short a time.
   The fighting men ran in clusters of two or three. Sim looked ahead at the rising line of small ebon cliffs. This, then, he said to himself, is my fourth day. And still I am no closer to the Ship, or to anything, not even—he heard the light tread of Lyte beside him—not even to her who bears my weapons and picks me ripe berries.
   One-half of his life was gone. Or a third of it—IF he won this battle. If.
   He ran easily, lifting, letting fall his legs. This is the day of my physical awareness, as I run I feed, as I feed I grow and as I grow I turn eyes to Lyte with a kind of dizzying vertigo. And she looks upon me with the same gentleness of thought. This is the day of our youth. Are we wasting it? Are we losing it on a dream, a folly?
   Distantly he heard laughter. As a child he'd questioned it. Now he understood laughter. This particular laughter was made of climbing high rocks and plucking the greenest blades and drinking the headiest vintage from the morning ices and eating of the rock-fruits and tasting of young lips in new appetite.
   They neared the cliffs of the enemy.
   He saw the slender erectness of Lyte. The new surprise of her white breasts; the neck where if you touched you could time her pulse; the fingers which cupped in your own were animate and supple and never still; the....
   Lyte snapped her head to one side. "Look ahead," she cried. "See what is to come—look only ahead."
   He felt that they were racing by part of their lives, leaving their youth on the pathside, without so much as a glance.
   "I am blind with looking at stones," he said, running.
   "Find new stones, then."
   "I see stones—" His voice grew gentle as the palm of her hand. The landscape floated under him. Everything was like a fine wind, blowing dreamily. "I see stones that make a ravine that lies in a cool shadow where the stone-berries are thick as tears. You touch a boulder and the berries fall in silent red avalanches, and the grass is very tender...."
   "I do not see it." She increased her pace, turning her head away.
   He saw the floss upon her neck, like the small moss that grows silvery and light on the cool side of pebbles, that stirs if you breathe the lightest breath upon it. He looked upon himself, his hands clenched as he heaved himself forward toward death. Already his hands were veined and youth-swollen.
   They were the hands of a young boy whose fingers are made for touching, which are suddenly sensitive and with more surface, and are nervous, and seem not a part of him because they are so big for the slender lengths of his arms. His neck, through which the blood ached and pumped, was building out with age, too, with tiny blue tendrils of veins imbedded and flaring in it.
   Lyte handed him food to eat.
   "I am not hungry," he said.
   "Eat, keep your mouth full," she commanded sharply. "So you will not talk to me this way."
   "If I could only kiss you," he pleaded. "Just one time."
   "After the battle there may be time."
   "Gods," He roared, anguished. "Who cares for battles?"
   Ahead of them, rocks hailed down, thudding. A man fell with his skull split wide. The war was begun.
   Lyte passed the weapons to him. They ran without another word until they entered the killing ground. Then he spoke, not looking at her, his cheeks coloring. "Thank you," he said.
She ducked as a slung stone shot by her head. "It was not an easy thing for me," she admitted. "Sim... Be careful."
   The boulders began to roll in a synthetic avalanche from the battlements of the enemy.


   Only one thought was in his mind now. To kill, to lessen the life of someone else so he could live, to gain a foothold here and live long enough to make a stab at the ship. He ducked, he weaved, he clutched stones and hurled them up. His left hand held a flat stone shield with which he diverted the swiftly plummeting rocks. There was a spatting sound everywhere. Lyte ran with him, encouraging him. Two men dropped before him, slain, their breasts cleaved to the bone, their blood springing out in unbelievable founts.
   It was a useless conflict. Sim realized instantly how insane the venture was. They could never storm the cliff. A solid wall of rocks rained down. A dozen men dropped with shards of ebony in their brains, a half dozen more showed drooping, broken arms. One screamed and the upthrust white joint of his knee was exposed as the flesh was pulled away by two successive blows of well-aimed granite. Men stumbled over one another.
   The muscles in his cheeks pulled tight and he began to wonder why he had ever come. But his raised eyes, as he danced from side to side, weaving and bobbing, sought always the cliffs. He wanted to live there so intensely, to have his chance. He would have to stick it out. But the heart was gone from him.
   Lyte screamed piercingly. Sim, his heart panicking, twisted and saw that her hand was loose at the wrist, with an ugly wound bleeding profusely on the back of the knuckles. She clamped it under her armpit to soothe the pain. The anger rose in him and exploded. In his fury he raced forward, throwing his missiles with deadly accuracy. He saw a man topple and flail down, falling from one level to another of the caves, a victim of his shot. He must have been screaming, for his lungs were bursting open and closed and his throat was raw, and the ground spun madly under his racing feet.
   The stone that clipped his head sent him reeling and plunging back. He ate sand. The universe dissolved into purple whorls. He could not get up. He lay and knew that this was his last day, his last time. The battle raged around him, dimly he felt Lyte over him. Her hands cooled his head, she tried to drag him out of range, but he lay gasping and telling her to leave him.
   "Stop!" shouted a voice. The whole war seemed to give pause. "Retreat," commanded the voice swiftly. And as Sim watched, lying upon his side, his comrades turned and fled back toward home.
   "The sun is coming, our time is up." He saw their muscled backs, their moving, tensing, flickering legs go up and down. The dead were left upon the field. The wounded cried for help. But there was no time for the wounded. There was only time for swift men to run the gauntlet home and, their lungs aching and raw with heated air, burst into their tunnels before the sun burnt and killed them.  
   The sun.
   Sim saw another figure racing toward him. It was Chion. Lyte was helping Sim to his feet, whispering helpfully to him. "Can you walk?" she asked. And he groaned and said, "I think so." "Walk then," she said. "Walk slowly, and then faster and faster. We'll make it. Walk slowly, start carefully. We'll make it, I know we will."
   Sim got to his feet, stood swaying. Chion raced up, a strange expression cutting lines in his cheeks, his eyes shining with battle. Pushing Lyte abruptly aside he seized upon a rock and dealt Sim a jolting blow upon his ankle that laid wide the flesh. All of this was done quite silently.
   Now he stood back, still not speaking, grinning like an animal from the night mountains, his chest panting in and out, looking from the thing he had done, to Lyte, and back. He got his breath. "He'll never make it," he nodded at Sim. "We'll have to leave him here. Come along, Lyte."
   Lyte, like a cat-animal, sprang upon Chion, searching for his eyes, shrieking through her exposed, hard-pressed teeth. Her fingers stroked great bloody furrows down Chion's arms and again, instantly, down his neck. Chion, with an oath, sprang away from her. She hurled a rock at him. Grunting, he let it miss him, then ran off a few yards. "Fool," he cried, turning to scorn her. "Come along with me. Sim will be dead in a few minutes. Come along—"
   Lyte turned her back on him. "I will go if you carry me."
   Chion's face changed. His eyes lost their gleaming. "There is no time. We would both die if I carried you."
   Lyte looked through and beyond him. "Carry me, then, for that's how I wish it to be."
   Without another word, glancing fearfully at the sun, Chion fled. His footsteps sped away and vanished from hearing. "May he fall and break his neck," whispered Lyte, savagely glaring at his form as it skirted a ravine. She returned to Sim. "Can you walk?"


   Agonies of pain shot up his leg from the wounded ankle. He nodded ironically. "We could make it to the cave in two hours, walking. I have an idea, Lyte. Carry me." And he smiled with the grim joke.
   She took his arm. "Nevertheless we'll walk. Come."
   "No," he said. "We're staying here."
   "But why?"
   "We came to seek a home here. If we walk we will die. I would rather die here. How much time have we?"
   Together they measured the sun. "A few minutes," she said, her voice flat and dull. She held close to him.
   He looked at her. Lyte, he thought. Tomorrow I would have been a man. My body would have been strong and full and there would have been time with you, a kissing and a touching. Damn, but what kind of life is this where every last instant is drenched with fear and alert with death? Am I to be denied even some bit of real life?
   The black rocks of the cliff were paling into deep purples and browns as the sun began to flood the world.
   What a fool he was. He should have stayed and worked with Dienc, and thought and dreamed, and at least one time cupped Lyte's mouth with his own.
   With the sinews of his neck standing out defiantly he bellowed upward at the cliff holes.
   "Send me down one man to do battle."
   Silence. His voice echoed from the cliff. The air was warm.
   "It's no use," said Lyte, "They'll pay no attention."
   He shouted again. "Hear me!" He stood with his weight on his good foot, his injured left leg throbbing and pulsating with pain. He shook a fist. "Send down a warrior who is no coward. I will not turn and run home. I have come to fight a fair fight. Send a man who will fight for the right to his cave. Him I will surely kill."
   More silence. A wave of heat passed over the land, receded.
   "Oh, surely," mocked Sim, hands on naked hips, head back, mouth wide, "surely there's one among you not afraid to fight a cripple." Silence. "No?" Silence.
   "Then I have miscalculated you. I'm wrong. I'll stand here, then, until the sun shucks the flesh off my bone in black scraps, and call you the filthy names you deserve."
   He got an answer.
   "I do not like being called names," replied a man's voice.
   Sim leaned forward, forgetting his crippled foot.
   A huge man appeared in a cave mouth on the third level.
   "Come down," urged Sim. "Come down, fat one, and kill me."
   The man scowled seriously at his opponent a moment, then lumbered slowly down the path, his hands empty of any weapons. Immediately every cave above clustered with heads. An audience for this drama.
   The man approached Sim. "We will fight by the rules, if you know them."
   "I'll learn as we go," replied Sim.
   This pleased the man and he looked at Sim warily, but not unkindly. "This much I will tell you," offered the man generously. "If you die, I will give your mate shelter and she will live, as she pleases, because she is the wife of a good man."
   Sim nodded swiftly. "I am ready," he said.
   "The rules are simple. We do not touch each other, save with stones. The stones and the sun will do either of us in. Now is the time—"




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The Creatures That Time Forgot: VI

 by Ray Bradbury    




                                                                                    VI.

 
  The third night and third day passed. It was the fourth night. Sim was drawn into their living. He learned about that metal seed upon the top of the far mountain. He heard of the original seeds—things called "ships" that crashed and how the survivors hid and dug in the cliffs, grew old swiftly and in their scrabbling to barely survive, forgot all science. Knowledge of mechanical things had no chance of survival in such a volcanic civilization. There was only NOW for each human.
   Yesterday didn't matter, tomorrow stared them vividly in their very faces. But somehow the radiations that had forced their aging had also induced a kind of telepathic communication whereby philosophies and impressions were absorbed by the new born. Racial memory, growing instinctively, preserved memories of another time.
   "Why don't we go to that ship on the mountain?" asked Sim.
   "It is too far. We would need protection from the sun," explained Dienc.
   "Have you tried to make protection?"
   "Salves and ointments, suits of stone and bird-wing and, recently, crude metals. None of which worked. In ten thousand more life times perhaps we'll have made a metal in which will flow cool water to protect us on the march to the ship. But we work so slowly, so blindly. This morning, mature, I took up my instruments. Tomorrow, dying, I lay them down. What can one man do in one day? If we had ten thousand men, the problem would be solved...."
   "I will go to the ship," said Sim.
   "Then you will die," said the old man. A silence had fallen on the room at Sim's words. Then the men stared at Sim. "You are a very selfish boy."
   "Selfish!" cried Sim, resentfully.
   The old man patted the air. "Selfish in a way I like. You want to live longer, you'll do anything for that. You will try for the ship. But I tell you it is useless. Yet, if you want to, I cannot stop you. At least you will not be like those among us who go to war for an extra few days of life."
   "War?" asked Sim. "How can there be war here?"
   And a shudder ran through him. He did not understand.
   "Tomorrow will be time enough for that," said Dienc. "Listen to me, now."
   The night passed.




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The Creatures That Time Forgot: V






 V.


   Sim ran through the tunnels, seeking. Sometimes he half imagined where the Scientists were. But then a flood of angry thought from those around him, when he asked the direction to the Scientists' cave, washed over him in confusion and resentment. After all, it was the Scientists' fault that they had been placed upon this terrible world. Sim flinched under the bombardment of oaths and curses.

   Quietly he took his seat in a central chamber with the children to listen to the grown men talk. This was the time of education, the Time of Talking. No matter how he chafed at delay, or how great his impatience, even though life slipped fast from him and death approached like a black meteor, he knew his mind needed knowledge. Tonight, then, was the night of school. But he sat uneasily. Only five more days of life.

   Chion sat across from Sim, his thin-mouthed face arrogant.

   Lyte appeared between the two. The last few hours had made her firmer footed, gentler, taller. Her hair shone brighter. She smiled as she sat beside Sim, ignoring Chion. And Chion became rigid at this and ceased eating.

   The dialogue crackled, filled the room. Swift as heart beats, one thousand, two thousand words a minute. Sim learned, his head filled. He did not shut his eyes, but lapsed into a kind of dreaming that was almost intra-embryonic in lassitude and drowsy vividness. In the faint background the words were spoken, and they wove a tapestry of knowledge in his head.



   He dreamed of green meadows free of stones, all grass, round and rolling and rushing easily toward a dawn with no taint of freezing, merciless cold or smell of boiled rock or scorched monument. He walked across the green meadow. Overhead the metal seeds flew by in a heaven that was a steady, even temperature. Things were slow, slow, slow.

   Birds lingered upon gigantic trees that took a hundred, two hundred, five thousand days to grow. Everything remained in its place, the birds did not flicker nervously at a hint of sun, nor did the trees suck back frightenedly when a ray of sunlight poured over them.

   In this dream people strolled, they rarely ran, the heart rhythm of them was evenly languid, not jerking and insane. Their kisses were long and lingering, not the parched mouthings and twitchings of lovers who had eight days to live. The grass remained, and did not burn away in torches. The dream people talked always of tomorrow and living and not tomorrow and dying. It all seemed so familiar that when Sim felt someone take his hand he thought it simply another part of the dream.

   Lyte's hand lay inside his own. "Dreaming?" she asked.

   "Yes."

   "Things are balanced. Our minds, to even things, to balance the unfairness of our living, go back in on ourselves, to find what there is that is good to see."

   He beat his hand against the stone floor again and again. "It does not make things fair. I hate it. It reminds me that there is something better, something I have missed. Why can't we be ignorant? Why can't we live and die without knowing that this is an abnormal living?" And his breath rushed harshly from his half-open, constricted mouth.

   "There is purpose in everything," said Lyte. "This gives us purpose, makes us work, plan, try to find a way."

   His eyes were hot emeralds in his face. "I walked up a hill of grass, very slowly," he said.

   "The same hill of grass I walked an hour ago?" asked Lyte.

  "Perhaps. Close enough to it. The dream is better than the reality." He flexed his eyes, narrowed them. "I watched people and they did not eat."

   "Or talk?"

   "Or talk, either. And we always are eating, always talking. Sometimes those people in the dream sprawled with their eyes shut, not moving a muscle."

   As Lyte stared down into his face a terrible thing happened. He imagined her face blackening, wrinkling, twisting into knots of agedness. The hair blew out like snow about her ears, the eyes were like discolored coins caught in a web of lashes. Her teeth sank away from her lips, the delicate fingers hung like charred twigs from her atrophied wrists. Her beauty was consumed and wasted even as he watched, and when he seized her, in terror, he cried out, for he imagined his own hand corroded, and he choked back a cry.

   "Sim, what's wrong?"

   The saliva in his mouth dried at the taste of the words.

   "Five more days...."

   "The Scientists."

   Sim started. Who'd spoken? In the dim light a tall man talked. "The Scientists crashed us on this world, and now have wasted thousands of lives and time. It's no use. It's no use. Tolerate them but give them none of your time. You only live once, remember."

   Where were these hated Scientists? Now, after the Learning, the Time of Talking, he was ready to find them. Now, at least, he knew enough to begin his fight for freedom, for the ship.

   "Sim, where're you going?"

   But Sim was gone. The echo of his running feet died away down a shaft of polished stone.



   It seemed that half the night was wasted. He blundered into a dozen dead ends. Many times he was attacked by the insane young men who wanted his life energy. Their superstitious ravings echoed after him. The gashes of their hungry fingernails covered his body.

   He found what he looked for.

   A half dozen men gathered in a small basalt cave deep down in the cliff lode. On a table before them lay objects which, though unfamiliar, struck harmonious chords in Sim.

   The Scientists worked in sets, old men doing important work, young men learning, asking questions; and at their feet were three small children. They were a process. Every eight days there was an entirely new set of scientists working on any one problem. The amount of work done was terribly inadequate. They grew old, fell dead just when they were beginning their creative period. The creative time of any one individual was perhaps a matter of twelve hours out of his entire span. Three-quarters of one's life was spent learning, a brief interval of creative power, then senility, insanity, death.

   The men turned as Sim entered.

   "Don't tell me we have a recruit?" said the eldest of them.

   "I don't believe it," said another, younger one. "Chase him away. He's probably one of those war-mongers."

   "No, no," objected the elder one, moving with little shuffles of his bare feet toward Sim. "Come in, come in, boy." He had friendly eyes, slow eyes, unlike those of the swift inhabitants of the upper caves. Grey and quiet. "What do you want?"

   Sim hesitated, lowered his head, unable to meet the quiet, gentle gaze. "I want to live," he whispered.

   The old man laughed quietly. He touched Sim's shoulder. "Are you a new breed? Are you sick?" he queried of Sim, half-seriously. "Why aren't you playing? Why aren't you readying yourself for the time of love and marriage and children? Don't you know that tomorrow night you'll be an adolescent? Don't you realize that if you are not careful you'll miss all of life?" He stopped.

   Sim moved his eyes back and forth with each query. He blinked at the instruments on the table top. "Shouldn't I be here?" he asked, naively.

   "Certainly," roared the old man, sternly. "But it's a miracle you are. We've had no volunteers from the rank and file for a thousand days. We've had to breed our own scientists, a closed unit. Count us: Six. Six men. And three children. Are we not overwhelming?" The old man spat upon the stone floor. "We ask for volunteers and the people shout back at us, 'Get someone else,' or 'We have no time.' And you know why they say that?"

   "No." Sim flinched.

   "Because they're selfish. They'd like to live longer, yes, but they know that anything they do cannot possibly insure their own lives any extra time. It might guarantee longer life to some future offspring of theirs. But they won't give up their love, their brief youth, give up one interval of sunset or sunrise."

   Sim leaned against the table, earnestly. "I understand."

   "You do?" The old man stared at him blindly. He sighed and slapped the child's thigh, gently.  "Yes, of course, you do. It's too much to expect anyone to understand, any more. You're rare."

   The others moved in around Sim and the old man.

   "I am Dienc. Tomorrow night Cort here will be in my place. I'll be dead by then. And the night after that someone else will be in Cort's place, and then you, if you work and believe—but first, I give you a chance. Return to your playmates if you want. There is someone you love? Return to her. Life is short. Why should you care for the unborn to come? You have a right to youth. Go now, if you want. Because if you stay you'll have no time for anything but working and growing old and dying at your work. But it is good work. Well?"

   Sim looked at the tunnel. From a distance the wind roared and blew, the smells of cooking and the patter of naked feet sounded, and the laughter of lovers was an increasingly good thing to hear. He shook his head, impatiently, and his eyes were wet.

   "I will stay," he said.





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The Creatures That Time Forgot: IV

by Ray Bradbury




    IV.



   The night came and passed and then started the second day.

   The bodies of all those who had died during the night were carried in a funeral procession to the top of a small hill. The procession was long, the bodies numerous.

   Dark walked in the procession, holding the newly walking Sim by one hand. Only an hour before dawn Sim had learned to walk.

   At the top of the hill, Sim saw once again the far off metal seed. Nobody ever looked at it, or spoke of it. Why? Was there some reason? Was it a mirage? Why did they not run toward it? Worship it? Try to get to it and fly away into space?

   The funeral words were spoken. The bodies were placed upon the ground where the sun, in a few minutes, would cremate them.

   The procession then turned and ran down the hill, eager to have their few minutes of free time running and playing and laughing in the sweet air.

   Dark and Sim, chattering like birds, feeding among the rocks, exchanged what they knew of life. He was in his second day, she in her third. They were driven, as always, by the mercurial speed of their lives.

   Another piece of his life opened wide.

   Fifty young men ran down from the cliffs, holding sharp stones and rock daggers in their thick hands. Shouting, they ran off toward distant black, low lines of small rock cliffs.

   "War!"

   The thought stood in Sim's brain. It shocked and beat at him. These men were running to fight, to kill, over there in those small black cliffs where other people lived.

   But why? Wasn't life short enough without fighting, killing?

   From a great distance he heard the sound of conflict, and it made his stomach cold. "Why, Dark, why?"

   Dark didn't know. Perhaps they would understand tomorrow. Now, there was the business of eating to sustain and support their lives. Watching Dark was like seeing a lizard forever flickering its pink tongue, forever hungry.

   Pale children ran on all sides of them. One beetle-like boy scuttled up the rocks, knocking Sim aside, to take from him a particularly luscious red berry he had found growing under an outcrop.

   The child ate hastily of the fruit before Sim could gain his feet. Then Sim hurled himself unsteadily, the two of them fell in a ridiculous jumble, rolling, until Dark pried them, squalling, apart.

   Sim bled. A part of him stood off, like a god, and said, "This should not be. Children should not be this way. It is wrong."

   Dark slapped the little intruding boy away. "Get on," she cried. "What's your name, bad one?"

   "Chion," laughed the boy. "Chion, Chion, Chion—"

   Sim glared at him with all the ferocity in his small, unskilled features. He choked. This was his enemy. It was as if he'd waited for an enemy of person as well as scene. He had already understood the avalanches, the heat, the cold, the shortness of life, but these were things of places, of scene—mute, extravagant manifestations of unthinking nature, not motivated save by gravity and radiation. Here, now, in this stridulent Chion he recognized a thinking enemy.

   Chion darted off, turned at a distance, tauntingly crying:

   "Tomorrow I will be big enough to kill you."

   And he vanished around a rock.

   More children ran, giggling, by Sim. Which of them would be friends, enemies? How could friends and enemies come about in this impossible, quick life time? There was no time to make either, was there?

    Dark, as if knowing his thoughts, drew him away. As they searched for desired foods, she whispered fiercely in his ear. "Enemies are made over things like stolen foods; gifts of long grasses make friends. Enemies come, too, from opinions and thoughts. In five seconds you've made an enemy for life. Life's so short enemies must be made quickly." And she laughed with an irony strange for one so young, who was growing older before her rightful time. "You must fight to protect yourself. Others, superstitious ones, will try killing you. There is a belief, a ridiculous belief, that if one kills another, the murderer partakes of the life energy of the slain, and therefore will live an extra day. You see? As long as that is believed, you're in danger."

   But Sim was not listening. Bursting from a flock of delicate girls who tomorrow would be tall, quieter, and who day after that would gain breasts and the next day take husbands, Sim caught sight of one small girl whose hair was a violet blue flame.

   She ran past, brushed Sim, their bodies touched. Her eyes, white as silver coins, shone at him. He knew then that he'd found a friend, a love, a wife, one who'd a week from now lie with him atop the funeral pyre as sunlight undressed their flesh from bone.

   Only the glance, but it held them in mid-motion, one instant.

   "Your name?" he shouted after her.

   "Lyte," she called laughingly back.

   "I'm Sim," he answered, confused and bewildered.

   "Sim," she repeated it, flashing on. "I'll remember."

   Dark nudged his ribs. "Here, eat," she said to the distracted boy. "Eat or you'll never get big enough to catch her."

   From nowhere, Chion appeared, running by. "Lyte," he mocked, dancing malevolently along and away. "Lyte... I'll remember Lyte, too."

   Dark stood tall and reed slender, shaking her dark ebony clouds of hair, sadly. "I see your life before you, little Sim. You'll need weapons soon to fight for this Lyte one. Now, hurry—the sun's coming."

   They ran back to the caves.



   One-fourth of his life was over. Babyhood was gone. He was now a young boy. Wild rains lashed the valley at nightfall. He watched new river channels cut in the valley, out past the mountain of the metal seed. He stored the knowledge for later use. Each night there was a new river, a bed newly cut.

   "What's beyond the valley?" wondered Sim.

   "No one's ever been beyond it," explained Dark. "All who tried to reach the plain were frozen to death or burnt. The only land we know's within half an hour's run. Half an hour out and half an hour back."

   "No one has ever reached the metal seed, then?"

   Dark scoffed. "The Scientists, they try. Silly fools. They don't know enough to stop. It's no use. It's too far."

   The Scientists. The word stirred him. He had almost forgotten the vision he had short hours after birth. His voice was eager. "Where are the Scientists?" he demanded.

   Dark looked away from him, "I wouldn't tell you if I knew. They'd kill you, experimenting. I don't want you joining them. Live your life, don't cut it in half trying to reach that silly metal thing on the mountain."

   "I'll find out where they are from someone else, then."

   "No one'll tell you. They hate the Scientists. You'll have to find them on your own. And then what? Will you save us? Yes, save us, little boy." Her face was sullen; already half her life was gone, her breasts were beginning to shape. Tomorrow she must divine how best to live her youth, her love, and she knew no way to fully plumb the depths of passion in so short a space.

   "We can't sit and talk and eat," he protested. "And nothing else."

   "There's always love," she retorted acidly. "It helps one forget. Gods, yes," she spat it out. "Love!"





Click below for Ch. 5 of

The Creatures that Time Forgot


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Fantasy and Science

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The Creatures That Time Forgot: III

by Ray Bradbury

 



 III.



   All day the sun seemed to blaze and erupt into the valley. Sim could not see it, but the vivid pictorials in his parents' minds were sufficient evidence of the nature of the day fire. The light ran like mercury, sizzling and roasting the caves, poking inward, but never penetrating deeply enough. It lighted the caves. It made the hollows of the cliff comfortably warm.

   Sim fought to keep his parents young. But no matter how hard he fought with mind and image, they became like mummies before him. His father seemed to dissolve from one stage of oldness to another. This is what will happen to me soon, though Sim in terror.

   Sim grew upon himself. He felt the digestive-eliminatory movements of his body. He was fed every minute, he was continually swallowing, feeding. He began to fit words to images and processes. Such a word was love. It was not an abstraction, but a process, a stir of breath, a smell of morning air, a flutter of heart, the curve of arm holding him, the look in the suspended face of his mother. He saw the processes, then searched behind her suspended face and there was the word, in her brain, ready to use. His throat prepared to speak. Life was pushing him, rushing him along toward oblivion.

   He sensed the expansion of his fingernails, the adjustments of his cells, the profusion of his hair, the multiplication of his bones and sinew, the grooving of the soft pale wax of his brain. His brain at birth as clear as a circle of ice, innocent, unmarked, was, an instant later, as if hit with a thrown rock, cracked and marked and patterned in a million crevices of thought and discovery.

   His sister, Dark, ran in and out with other little hothouse children, forever eating. His mother trembled over him, not eating, she had no appetite, her eyes were webbed shut.

   "Sunset," said his father, at last.

   The day was over. The light faded, a wind sounded.

   His mother arose. "I want to see the outside world once more ... just once more...." She stared blindly, shivering.

   His father's eyes were shut, he lay against the wall.

   "I cannot rise," he whispered faintly. "I cannot."

   "Dark," The mother croaked, the girl came running. "Here," and Sim was handed to the girl. "Hold to Sim, Dark, feed him, care for him." She gave Sim one last fondling touch.

   Dark said not a word, holding Sim, her great green eyes shining wetly.

   "Go now," said the mother. "Take him out into the sunset time. Enjoy yourselves. Pick foods, eat. Play."

   Dark walked away without looking back. Sim twisted in her grasp, looking over her shoulder with unbelieving, tragic eyes. He cried out and somehow summoned from his lips the first word of his existence.

   "Why...?"

   He saw his mother stiffen. "The child spoke."

   "Aye," said his father. "Did you hear what he said?"

   "I heard," said the mother quietly.

   The last thing Sim saw of his living parents was his mother weakly, swayingly, slowly moving across the floor to lie beside her silent husband. That was the last time he ever saw them move.





Click below for Ch. 4 of

The Creatures that Time Forgot


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the FREEZINE of

Fantasy and Science

Fiction 

Archive of Stories
and Authors

Callum Leckie's
THE DIGITAL DECADENT


J.R. Torina's
ANTHROPOPHAGUS


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.

Sean Padlo's
NINE TENTHS OF THE LAW

Sean Padlo's
GRANDPA'S LAST REQUEST

Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.


Konstantine Paradias & Edward
Morris's HOW THE GODS KILL


Konstantine Paradias's
SACRI-FEES

Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.

Edward Morris's
ONE NIGHT IN MANHATTAN


Edward Morris's
MERCY STREET

Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.


Tim Fezz's
BURNT WEENY SANDWICH

Tim Fezz's
MANY SILVERED MOONS AGO

Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.

Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD


Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.

Phoenix's
AGAIN AND AGAIN

Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.


Sanford Meschkow's
INEVITABLE

Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.


Owen R. Powell's
NOETIC VACATIONS

Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.

Gene Stewart
(writing as Art Wester)
GROUND PORK


Gene Stewart's
CRYPTID'S LAIR

Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -




Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.


Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.