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Tuesday, September 26, 2023

TWO TECHNO TALES




2. Flibbertigibbet






art by Shasta & Shaun Lawton



          Dwayne Dwidget, Chairman of Flibbertigibbet Incorporated, leaned back in his plush boardroom chair, started to speak—then noticed the damn gulls flying up to the window again. They'd become most bothersome lately. Happily, he'd had the laser anti-bird device installed and he smiled seeing its green beams lancing out, snuffing out the lives of the four gulls in four flares of flame. They plummeted away, trailing charred feathers, and Dwidget turned to the men and women waiting for him to address them. "Today is the day!" he declared. "This very day, Flibbertigibbet is going to transform the infrastructure of this country, and someday the world. Uniting all infrastructure with one software in one system will save the country billions and galvanize efficiency."

            "And make us a trillion dollars," said Celia Forman happily.


            "Certainly," Dwidget said. "And that is why we must proceed apace, and not let anyone force us into unnecessary re-dos and betas and so on. We've got this!"


            "But," objected Gary Hamlin, their quality-control officer, "If you sell this version of the software to the government there's a big risk of things going wrong—it's really not ready for prime time—"


            "Nonsense! The Flibbertigibbet Master Program is privatization at its best!"


            "But Dwayne—"


            "Does it not have the subprogram, with the execution of self-correcting AI?"


            "Yes but that too is not ready—"


            "We've got a trillion dollars to make, Hamlin! Now, having settled that, let's get ready for our zoom meeting with the President!"


            A few months later, on a Friday evening, Dwidget was in his thirty-million-dollar penthouse apartment, watching the news on the big screen TV, while drinking designer cocktails made by his in-house cocktail specialist.


            "…the explosions along the power grid in the southeast have already cost forty lives," said the news anchor. "In addition, fifteen planes are reported lost at sea, and it's believed this is due to collisions caused by faulty software rushed into the system by Flibbertigibbet Incorporated. Another plane is—" The news anchor vanished in mid-sentence as a plane crashed into the news channel production. Gulping his three-hundred-dollar cocktail, Dwidget changed the channel for a reality show he liked—which was interrupted by breaking news: "A dam controlled by Flibbertigibbet has opened its spillways during extreme-flood season, flooding an entire town and killing thousands—"


            Another channel-change. "The Flibbertigibbet program has failed across the nation. City traffic lights are green when they should be red and countless people are dying in accidents—"


             Hands shaking, Dwidget turned the tv off and called for another cocktail. Then he called Hamlin on the video phone and said, "We've got to fix the program now, this minute!"


            "To do it this minute, boss, our only option is to give full correction powers to the subprogram AI. But that hasn't been fully tested either—"


            "It was tested enough! This is an emergency!"


            "If you say so…"


            Within minutes, the AI subprogram took over the system and two effects came about. The first one involved ending all Flibbertigibbet control and transferring systems to emergency manual control operatives. The second one was to eliminate the fundamental source of the program, with full executive power.


            Thus it was that three large Flibbertigibbet security robots burst into Dwidget's penthouse; two of them grabbed Dwidget's arms and dragged him to the penthouse balcony. The third one, dragging a rope, tied it into a noose, which it put around Dwidget's neck. Gripping the upper end of the rope, the robots tossed him shrieking over the balcony railings, so that his neck broke and he quickly died, dangling over the city.


            "Problem solved," the robots intoned.  






up next:
by John Claude Smith  
on the FREEZINE of
Fantasy and Science
Fiction 
 

TWO TECHNO TALES



1. To Live and Die in Googletown




   Emilio knew it was the googuys the second he saw them through the peephole in his apartment door. Despite their being warped around the fish-eye, he could see they were in their "casual but not casual" clothes; designer jeans, top drawer button-up shirts. The blond one wore the most high-end Google glasses. And something metallic hovered, just out of sight, barely glimpsed in the background.

   Google Guys for sure.

   "Yeah he's there," said the guy with the glasses.


   "I'm picking it up," said the other one.


   Implant scanners, Emilio figured.


   "Mr. Sanchez," the one without the obvious glasses called. "Hi! We're here from the Housing Interface!"


   The drone being there told Emilio he had no choice. He knew it'd summon Hard-forcement if he refused to open the door.


   He unlocked and opened the door and there they were, the googuys, their armed drone hovering over between them. It was a whirly little thing like a silvery frisbee, and on the stationary metal post in its center it had a tiny nozzle. It could shoot little blood-soluble glassy injectors with that nozzle.


   And that was just the drone he could see. Emilio knew they often came with the little stealth drones, smaller and harder to see than a housefly.


   He looked them over. No surprise. They were sparklingly groomed, and though the glasses guy, Chode, had long butter-colored hair, every inch of it was exquisitely coifed. The little silvery card clipped to his collar read, Romeo Chode, Google Housing Interface.


   The other one looked mixed race, maybe Latino Asian Black Caucasian. His collar card read, William Nim, Google Housing Interface.


   "Emilio, hi," said Nim. "I'm Bill Nim. Can we come in?"


   "You going to text me a warrant?"


   "We've done that," Chode said, smiling apologetically. He was looking past them at the small Mission apartment, an early 20th century construction passed down through the family, one of the last rent-controlled places in this shrunken San Francisco barrio.


   "Then come the fuck in," Emilio said, sighing, wondering if this was a check-on visit—or was it the Worst Possible.


   Their frisbee-sized drone followed them in like a trained bird. Chode scanned the apartment, turning his head with the slow-sweep efficiency of a security camera so his glasses got a panning shot of the room; taking in the Immaculate Heart of Mary statuette in its shrine; the framed family photos, the worn sofa and cluttered coffee table; the slightly slanted floor, the old wood-framed archways painted in bright Mexican colors.


   "Looks like the building's settling," Chode said, glancing at the floor. "Has it been safety-checked in the past six months?"


   Emilio ignored the question. But he knew what it implied. "What are you guys planning to put in its place after you tear it down?"


   Nim blinked at him. "We are not real estate investors or demolition persons or…"


   "Whatever, man—my family is not leaving here," Emilio said.


   "There's no definite decision on that," Chode said, looking Emilio up and down, pausing to scan Emilio's maimed hand. Two fingers had been removed from Emilio's left hand as a contractual requirement when he'd signed on to work for OctoCorp. Part of their Full Commitment hiring policy.


   "The housing authority has already granted us this building," Chode went on, "as per the Corporate Financing Incentives Act of 2034. But as to the schedule, the short version is, if you apply for a Hispanic Heritage deferral, you can get an extra sixty days here. But--if you give us access to a cerebral usage unit, you can stay for an additional fourteen months!"


   Emilio wished Carmen was here. She'd have torn these guys a new one. She was stronger than he was. He felt defeated already. But he stalled for time. "A Hispanic Heritage referral? How do I get that? I'm a Sanchez, for Chrissakes. What do you want me to do, reel off some EspaΓ±ol?"


   Chode sniffed. "You look a little light-skinned. Our records show your grandfather was from Germany. I have your DNA read-out."


   "Everyone else in my family is from Mexico and this place has been in our family for generations. My uncle lives here—he'll tell you. He's out playing dominoes now but when he gets back—"


   "Daddy?" It was Julio, in the archway of the hall, rubbing his eyes. He had slept in, his first day of school vacation. He wore the Kwazy Kwacker pajamas he'd long since outgrown.


   "Julio Sanchez, eight years old," Nim muttered, gazing raptly at the boy. "Fully vaccinated, enrolled in Wal-Mart Elementary. Shows upper-level cerebral responsiveness in class."


   That made Emilio grate his teeth. Maybe he should call Carmen at work…


   "Hi, Julio!" Chode said brightly, waving at the boy. "You know, you'd be ideal for our new Cerebral Youth program, and we've been tasked to find out—"


   "No!" Emilio shouted. "Out, Chode! Both of youout!"


   "Dad!" Julio ran to his father and clung to him. "Who are they?"


   "Doesn't matter, they're leaving." Emilio pointed at Chode. "You heard me—I said get out now or I swear I'll—" He was unable to finish he sentence. He broke off at the piercing sting on his neck.


   He heard Chode say, "As you threatened us, we do have authorization to—"


   Then Emilio was gone, instant-tranked by the drone.


    When he came to, he was lying on the floor, his head on a pillow. He straightened up, feeling queasy, the room rotating slowly. The vertigo passed and he saw Chode and Nim straightening up from Julio who was stretched out on the sofa.


     There was a little foam at the corners of Julio's mouth and a metal stud in his forehead.


     Emilio's hands fisted. "What have you pricks done!"


     They turned to Emilio as he got swaying to his feet. Nim smiled. "In the event of malicious resistance, we have All Access to the cerebral resources of tenants, as of the new law—it took effect January first."


   Chode nodded. "The boy is fine! He's having a typical initiatory response reaction. Nothing to worry about."


    Stomach churning, Emilio looked around the room for a weapon. There were knives in the kitchen….


     Then Julio sat up, smiling, wiping foam from his mouth.


     He looked cheerfully at his father—but there was an infinite remoteness in his eyes. "It's okay, dad, I feel better! Can I go with Bill and Romeo, after I get dressed? I want to see what it's like to be a cerebral helper! I really want to!"


     And Julio's smile widened—as a little blood trickled down from the stud in his forehead.

                                                           



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Thursday, September 7, 2023

The House at the Coast

 by Icy Sedgwick




             If you asked me why I did it, I won’t be able to tell you why I bought a house at the coast, sight unseen. 

Well, it was sight unseen to me. My mother had gone to the viewing, and practically frothed with excitement the moment she stepped through the door. She’d bombarded me with so many photos and videos that I felt I’d set foot inside the house myself. I paused once during the sale, wondering if a three-storey townhouse in the most expensive coastal village was the best thing I could spend my money on. But my mother swept my worries aside, convinced that the husband and family I hoped would eventually occupy the townhouse with me wasn’t too far in the future.

Once I actually arrived at the townhouse, I wished I’d listened to my Inner Fusspot. Something about the house felt ever so slightly off. It wasn’t enough for me to figure out exactly what bothered meit was like a single wrong note in the middle of a symphony. It wasn’t enough to ruin the whole experience, but it was enough to slightly sour it. The plaster moulding was original 19th-century work, the previous owner had left a fully-fitted kitchen like something you’d see on a TV cookery show, and the stained glass above the front door cast a mosaic of colours in the entrance hall just before dusk.

I wanted to love it. I really did. But sometimes, when I sat in the living room at night, I didn’t always feel like I was the only one in the room. The shadows in the kitchen didn’t always correspond to anything I could see in the kitchen. Once, I could have sworn a whispered conversation suddenly stopped when I walked into the dining room. I tried talking about it with my mother, who absolutely loves all those ghost hunting podcasts, but weirdly, she dismissed everything.      

“But Cassie, dearit’s a new house. Of course you’re going to take a while to settle there. But don’t let your imagination run away with you,” she’d said, before moving the conversation on to discuss the new florist and her preference for rosemary over lilies in funeral bouquets.

So I tried to put it out of my mind. But I couldn’t make up my mind about the village, either, and it just kept making me doubt the house. The streets furthest from the seafront were a grid of townhouses like the one I’d bought, with wrought-iron lamp posts and double yellow lines painted on the cobbles. A posh high school for boys stood between the grid of houses and the train station, and every afternoon, swarms of the boys would whoop and holler outside. Their calls echoed around the tall brick townhouses, turning the streets into howling chambers open to the stone grey sky above.

A main street full of bistros, expensive clothing shops and gastro pubs led to the seafront itself, which was dominated by the looming ruins of a priory. Even the obligatory fish and chip outlets charged £5 for a bag of chips, seasoned with the finest sea salt and organic apple cider vinegar. Unlike my previous home, in a university student-dominated suburb that burst at the seams with charity shops, discount supermarkets and branches of Subway, I had no idea who my neighbours were.

Truth be told, I wanted allies rather than neighbours. I longed to know if they ever experienced the sensation of being stared at on the upstairs landing at night. Did they hear the faint tinkle of servants’ bells whose wires had long since corroded? Had they heard a swish of footsteps in the attic?

So, one afternoon when I heard the signs of daily life in each house, I tried knocking on the doors of the houses on either side of the townhouse. I still hesitated to call it my townhouse. Not yet. No one answered though I got the distinct impression someone was watching me through the expensive video doorbells that flanked the doors. Whoever lived there weighed me, measured me, and found me wanting.

At least, that’s what I thought happened. I thought they were ignoring me, and I went home, feeling rejected and determined not to Google the signs and symptoms of a haunted house.

The day after my wasted effort to meet the neighbours, I stood in the kitchen making dinner. My last client call had run over, so dinner was more like supper. I waited by the stove, basking in the warm light of sunset. 

The sudden knock at the door made me jump. It was a short, sharp rap, that seemed to say, “Come along now, I haven’t got all day.” Convinced it was one of the neighbours wanting to finally say hello, I abandoned the kitchen and made my way through to the hall. Another rattle of three sharp raps resounded against the front door before I could get there.

“I’m coming!” I yelled, unsure if my voice would carry through the thick wood of the door.

I slipped the chain free and hauled open the door. The welcoming smile I’d plastered on my face faltered when I realised the top step was empty. No one stood on any of the four stone steps that led up to the front door. My neighbours didn’t seem the type to play knocky-nine-doors, so I looked up the street.

And the world fell out from beneath me.

It was my street outside, alright. Just not the street I recognised. A carriage rattled by, its massive wheels bumping on the cobbles, and the shoes of the two horses pulling it left sparks in their wake. I blinked hard and looked again, but yes, a horse-drawn carriage was definitely making its way down the street. A couple walked along the pavement on the other side of the road. He wore a top hat and a debonair black coat, while she wore a pale lavender dress and carried a parasol. A man in overalls hefted a sack of something large and unwieldy out of a cart and down the cellar steps of a house three doors down. He left puffs of black dust in his wake.

“What on earth am I looking at?” I asked.

I don’t know that I expected an answer, but I didn’t get one. No one even seemed to have noticed the dishevelled woman with a mane of loose hair and bare feet standing at her front door. I partially closed the door and heaved it open again, convinced the scene would have changed by the time I looked outside again. 

But another carriage rattled along the street, this time in the opposite direction to the first, and a pair of women in slightly shabby but otherwise smart dresses sashayed along the pavement. Both wore hats and gloves, and bustles that you could have hidden a small dog in.

I knew where I was. Just not when I was.

I stepped down into the street, the sudden scent of over-worked horses slapping me in the face. A woman in a wide-brimmed hat gave me a wide berth and tutted as she passed.

“Where am I?” I asked.

The woman simply tutted again and hurried away down the street a little faster. Rude.

A squeal behind me made me turn. My front door slowly swung closed behind me, and I ran up the stairs to try to stop it. It landed in the doorframe with an all-too-satisfying thud before I reached it and I howled. It was the kind of door you could only open from the outside with the keys, since the doorknob was purely decorative. While that helped with general security, it did mean I was now locked out since my keys were inside, hanging on the hook by the door.

I looked in the front window. The TV still showed whatever banal rubbish had been playing on BBC One. My mug still steamed on the coffee table beside my phone.

I don’t know what possessed me to bang on the door, given I’d been the only one home. But I raised my hand and gave a short, sharp rap on the door.

Somehow it dawned on me that I’d heard a knock like that before.

A muffled sound came from inside the house, and I found myself rapping on the door againthree short, sharp knocks. There was a scrape behind the door, and it suddenly opened, swinging inward. I half expected to see myself standing looking out into the street, but there was no one there. The TV burbled in the living room, and the smell of my supper drifted along the hallway. I lurched forward into the hallway before the door could close again and I slammed it shut behind me. 

What on earth was that? Was I hallucinating? No, hallucinations don’t open doors by themselves. I lifted the flap of the letter box and peeked out into the street. A sleek navy Tesla rolled by, its stereo pumping forth a tuneless noise that was more bass than actual song. I had never been so glad to hear bad music in my life. Someone walked past having an animated conversation on the phone.

There was a rap at the door. I yelped and scrabbled away from the door, taking refuge at the bottom of the stairs. There was no one there when I looked outhow could someone be knocking on the door?

“Who is it?” I called. 

Three short, sharp raps responded.

“You’ll have to answer it, you know.”

I squealed at the sound of the unfamiliar voice behind me. I leapt up and turned around to see a woman standing in the kitchen doorway. She wore her dark hair piled on top of her head, scraped back from her face in an unforgiving style. Her pale grey dress had long sleeves with elaborate puffs at the upper arm, and her skirt almost reached the floor. She looked like one of those people you see dressed up in a Victorian town, when they’re pretending to be a schoolmistress or piano teacher.

“Who the hell are you?” I asked.

There were three more raps at the door.

“Answer it.”

She folded her hands in front of her and gave me a long, cool gaze.

I edged across the hallway towards the door, trying to keep her in view. She continued to give me the same look and didn’t move an inch. I opened the door, but there was no one thereand the street beyond was exactly what I’d expect to see in 2023. I closed the door again and turned back to her.

“You created a loop.” The woman in grey turned and walked into the kitchen. I say walked, but it felt more like she glided.

“OK, so who are you, why are you in my house, and what are you talking about?” I asked. 

I followed her through the kitchen. She turned off the gas under my saucepan before sitting at the table. It was weird, she looked completely out of place and thoroughly at home at the same time.

“I am Isabella, and I am not in your house, rather you are in mine. Though now you have created a loop, I suppose we should call it our house. And before you ask me yet again what I mean, allow me to enlighten you. Sit.”

She gestured to the chair opposite. I sat down, pinching my leg to check if I was still awake. It hurt, so I assumed I was.

“This house is a somewhat unusual property and has been since its construction. It was intended as a home for the mother of the principal architect, and he followed the rather antiquated tradition of entombing a dog beneath the foundations to protect the building. Do not look so squeamish, practices such as these may sound barbaric to you and I, but they were once commonplace. Now, in doing so, the protective qualities went awry, and the house is somehow protected from the onslaught of time, as well as anything else,” said Isabella.

“So how did you end up here?” I asked.

“My husband bought the house from the architect’s mother. He at least had the good sense to die at the other end of the country, so he avoided being stuck in this infernal townhouse. I, sadly, died at home after a nasty fall down those stairs.”

“Ah. Yes, the crook on the top floor is a nightmare,” I said. 

I wasn’t sure what else to say. How do you give your condolences to someone who’s been dead for over a century? Thankfully, she gave a small smile.

“Quite. Anyway. I watched other people move in, and move out again, as people do. Only two other people died in the house, and I am sure you must have been aware of them. They are both incredibly sweet ladies, but they are also very shy, so I daresay you shan’t see much of them,” she said.

“So am I dead as well? Is that why I can see you?” I asked. 

“Not at all. You can see me because I choose for you to be able to see me. Once I realised another loop had been created, I felt it best to come and give you my advice, should you choose to heed it. I have seen this happen on two other occasions.”

“Were they able to sort it out those times?” I asked.

In my head, I cursed my mother for persuading me to buy the house. I could have had a nice new-build further inland, one with a view of the marsh and space to park my car. Not this weird time-travelling townhouse with its own resident ghosts.

“They were. The first time I believe was an accident, but the second time was because the gentleman took my advice.”

“Good! OK, great, so you know what’s going on and what I need to do,” I said.

A wave of relief washed away the curses at my mother. Isabella knew what to do, I could fix this, and then get on with life. And check the property listings again.

“The loop is not created when someone from the wrong time steps out into the time in which the house was born. No, the knocking creates the loop. You opened the door because you heard a knock at the door, but you stepped outside. Then because you knocked, the house skittered out of time and past-you heard the knock and opened the door. But when you stepped back inside, past-you stepped outside, and so it is doomed to continue.”

“OK so two questions. First, if this keeps happening, then why haven’t I been hearing more knocks since I came back in? And second, who did I hear that first time?”

“Excellent questions. To the first, the knocks have been continuing to happen, which is why I brought you into the kitchen. You have not heard them because the two occupants I told you about earlier have been pressed against the door to dampen the sound. To the second, it was a genuine knock. A cold-caller, I believe. The house attempted to protect itself, which is why you saw an earlier century in the street instead.”

I sat back in my chair. I knew cold-callers were irritating, but so irritating they’d prompt a sentient house to protect itself? Maybe my mum had been right, and I should have put up one of those ‘no cold-callers’ signs.

“And now for what you must do to end it. If you simply try to ignore the door and never answer the knocking, you will either be driven to the point of distracting by the knocking, because it won’t end, or you will end up opening the door anyway the next time that you go out. The only thing that seems to reset the loop is to go out of the back door, all the way around to the front, and then let yourself back in with your keys.”

“Why does that work?”

“I am unsure of the mechanics, but the keys seem to tell the house that the rightful owner is coming in, and it need not try to protect itself.”

“Why are you helping me?”

“Because I cannot stand that incessant knocking any more than you can.”

Isabella smiled at me. Perhaps it wouldn’t be so bad to have her around the house after all. I mean, I did need a companion to watch all those box sets with. 

I got up and went to the hallway. I unhooked my keys from beside the door, trying to ignore the bizarre triple thump. I supposed that was the result of my invisible roommates’ efforts to dampen the rapping.

I walked back through the house. Isabella stood in the kitchen.

“Two more questions before I pop out. First, why did you say it was now ‘our’ house? And second, will you be here when I get back?” I asked.

“One of the unfortunate side effects of creating a loop is that the house claims you. So, if you have the misfortune to die at home, you will join me, and our shy friends through there. Whether that is a punishment or not is entirely up to your own judgement. And yes, I will. If you wish me to be visible, then you need only say.”

I nodded and unlocked the back door. As I walked down the long, narrow yard, I wondered what might have happened if I’d left the back door open. When I went out that first time, would I have been able to walk in the back? Might that have stopped a loop? I’d never know now. I unlocked the gate and stepped into the alley that ran the length of the street. I followed it until I reached the side street that eventually connected with my street.

Everything looked and sounded completely normal. Teenagers whizzed by on electric scooters. A man walked a dog that was wearing a flashing collar. A couple of guys were on the green at the bottom of the street, messing about with a drone.

I reached my front door and skipped up the steps. The key slid into the lock with a satisfying ‘thunk’, and I swore I heard the house heave a sigh of relief when the lock clicked open. I pushed the door inwards and stepped over the threshold.

“Honey, I’m home!” I called. 

I hung my keys back on the hook. The scent of my supper lingered, and my stomach growled. I set off down the hallway towards the kitchen. I half expected to see Isabella still sitting at the table, but the room was empty. But someone had laid the table and served up my supper in a bowl. I sat down and practically inhaled the food. Even if I strained my ears, all I could hear was the ticking of the clock and the faint chatter of the television in the living room. 

I washed up my supper things and headed through to the living room. I got comfy on the sofa and started scrolling through Netflix for something to watch.

There was a rap at the door.


 


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  TWO TECHNO TALES
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FICTION

Monday, September 4, 2023

Fisher's Nocturne

 written & illustrated by Shaun Lawton  





  "To set the tone down to keep even with the cauterization of the wound 
   means to devote the necessary breaths toward the operation."
 
     (This will be the only thing required of us during our stay, I realize now, 
  as long as we are here in the light of the sun to encase our arms in warmth 
 during the chirruping legion of insects at night that are keeping the moon at bay, while our tales of the old days seem to fail at serving as some dim reassurance, this remains the manner in which they have intended to make us forget, please rest assured of that much, we are certain to be left here for their kind to discover, there's no question left unanswered which has hung in the air and permeated everywhere in men's minds for the past forty generations in the wake of my impending disappearance, an all too common phenomenon which probably happens every night for all we've known, this could be our last moment here hung suspended under the roiling cloudscape shining in a blue sky where there's absolutely nothing else new under the sun except our unwillingness to believe in the raiment of the so-called impossible.)


   In what I'd initially thought of as my dream, the being scintillated down in a slow motion fluttering of mothwings lit with a pulsing magma-like heat, as if its body were suffused with volcanic power.  I caught what looked like a glimpse of an eye glaring at me on a dysmorphic face lost in molten fluctuations, but when I examined the rest of it more closely, the features lost their shape and meaning in a glowing conflagration of eerie formations. There was a feeling of it being a soft bodied insect like a crimson hummingbird moth descending through some sort of dimensional refraction.  

    There was something at once unnerving yet oddly reassuring about this, as if intimating it couldn't quite intersect with our own plane of existence. But the implication of its heated hues also suggested the capacity for crossing over by thermal vents of a potentially pyrokinetic nature, or something just beyond my ability to grasp.  A certain vibration seemed to charge the atmosphere between us, yet there also appeared to exist a thin yet indestructible veil separating our actual split realities. 
  
    It was then I began to realize the creature may be trying to reach across the threshold between us, yet it didn't know exactly how, despite having made such incredible strides toward breaching the veil, as if its every effort to do so gained ground in one aspect of the crossover while losing track in another. There also seemed to be an absence of crackling force or sound, yet accompanied by almost inaudible rippling subsonic effects, insinuating that were I able to hear the resonance of its approach, the reverberations would be unbearable. 

    The visual spectrum shimmered and warped around it, lending it a constant sense of focusing in and out of context. I recognized its form to be synonymous with the backdrop of clouds behind it, yet at the same time taking shape in the air directly before me.  I couldn't tell if its image were being projected through invisible droplets of moisture in the air, or what exactly was happening, and I also couldn't really tell if it were far away or near. 

     Is this some sort of angel I wondered as it hovered before me in a splendor of slowly roiling mutation. The glaring eye that I thought I'd noticed before had disappeared into the undulating musculature, replaced with a row of cilia-lined pits that seemed capable of detecting the most minute vibrations from my skin. It was as if its features were comprised of an oil slick of colors ranging through a harmonic spectrum responding to my presence. Suddenly I was aware it appeared to be mirroring me somehow, and I became startled at the thought it was seeing me in a similar configuration of polymorphous harmonics. 


    So immediately I closed my eyes in an instinctive effort to see it better, and was all of a sudden compelled to begin harmonizing in a low vibrato tone from deep within my larynx, which seemed to immediately affect the rate of its oscillation and shimmer. Through tightly compressed lids or in the darkness of my mind's eye, I discerned it as a humanoid being not unlike myself standing before me upon gray slate rock under a green-tinged sky. The more I harmonized the pitch of my vibrato, the clearer this image became until I could see a young man standing before me shimmering with hues like a golden pearl, clothed in a loose-fitting tunic slowly undulating as if underwater.  His eyes were also shut, while a deep vibrato hummed from his own vocal chords. The susurration formed words I couldn't understand, but which clearly articulated phrases he wanted me to hear. 

     I responded in kind, mirroring his intonations while we engaged in a strange harmony. Together we formed a song woven of our mutual attempts at conversing with one another. Within a few measures, we were syncopating and trading phrases, reflecting one another's interludes, and echoing each other's offerings. The resultant melodic refrain continued to grow and provide us with fortuitous examples of mellifluous phrasings that amplified and continued to weave into an improvised duet.  Harmonics pinged between us, and I realized my beaming smile was being reflected in him, which is when I made the mistake of opening my eyes. 

     Suddenly it was right there before me manifested nearly complete in our world, looking absolutely nothing like I'd visualized him in my mind during our interwoven song. Instead it appeared more like it had before, only this time crystallized into living flesh that resembled more than molten stone and less than flowing metal, rather a compounded organic tissue of another elemental aspect altogether unfamiliar to me, and intolerably grotesque beyond my ability to describe. I can only say that it gave off the appearance of bestowing immediate bewildering consequences upon my own corporeal state, akin to something so highly irradiated that to be exposed to it for any amount of time must invariably prove lethal. 

    While taken aback I realized several things at once, including not only the fact that I had already died from this encounter in a painful series of long drawn out humiliating convulsions, but that my death had unraveled across a bizarre whirlpooling exploded asunder into separate moments, scattered across time like burning hailstones in a flash-frozen blizzard that awaited replaying for purposes which at first lay beyond my capacity to comprehend. Until dawning awareness occurred to me, that it was for the delectation of this creature's feasting upon my essence. It had somehow, according to some principle of its blasphemous anti-nature, spread apart the subatomic spectrum of my existence through the electromagnetism of time in order to prepare for itself a banquet.  

     That's when I noticed its great baleful eye once again, re-manifested along the fluctuating apparition of its hideousness, spread out like the split lobe of a Venus Flytrap before me. Part slug-like cephalopod, part death-moth humanoid, it was some sort of monstrous hexahedral entity that had gotten me to participate in submitting to its hypnotic experiment, I realized in a flash quite too late that it was an extraordinary sort of ghastly angler-fish that had met with unspeakable success during its extra-dimensional excursion. 

    The worst part is I'm still here, somewhat alive and functioning in my apartment, writing this on my keyboard at home, wondering how long it will take before the temporal dissolution of its profane spell reaches its interminable half-life, pondering over how the space I formerly occupied will close scarlessly like water, leaving not a shred of evidence this ever happened to me. I can now only hope I manage to wrap up this account and publish it to the world wide web on time, in a manner somewhat coherent to readers, in a last ditch aspiration that whoever encounters this narrative might somehow believe that what I've written here actually happened while I took my repose for the night.   




Click below to read our next story
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 the Freezine of  
Fantasy and Science  
FICTION

Friday, September 1, 2023

Please Wash Your Hands







   When Artie Gallaud was twelve years old, his parents dragged him to the doctor. “Dr. Fiston, He’s doing disgusting things alone in his room,” his mother said. Artie’s father just looked embarrassed and didn’t say anything.

   “Look what I found stuffed under his mattress,” Mrs. Gallaud waved a magazine under Dr. Fiston’s nose. She held it still long enough for the doctor to see the cover.

   “I see what you mean,” the doctor said, “this is a problem. He’s going to need a shot.”

   “I should say so!” yelled Artie’s mother, her face red with anger. “I thought that he was inoculated against things like this.” Again, she shook the magazine at the doctor. “The treatments were supposed to be good for ten years.”

   Artie sat on the edge of the examination table with a sullen expression on his face. Dr. Fiston listened to little Artie’s heart and looked into his eyes, and then waved what looked like an airport metal detector around the boy’s body. The doctor read the results on a computer screen and made notes in Artie’s file. He shook his head, clicking his tongue.

   The doctor pulled out an ampule and filled a small syringe with dark blue liquid.

   “There’s a new virus going around,” he explained as he tapped the syringe to get rid of the bubbles, “This kind of virus was designed to be therapeutic. They are engineered to treat things like ADD, hyperactivity or depression. The one that Artie has contracted is designed specifically for indoctrination. Luckily,” he said as he swabbed Artie’s arm with alcohol, “I think we found it in time. This is the antidote, but it only works if injected early. It’s a good thing, because this one seems to be very infectious.”

   Dr. Fiston injected Artie in his bicep and squeezed in the blue liquid. He patted Artie’s arm and carefully placed a band-aid over the injection site. When he was finished, he took a lollipop from a drawer and handed it to the boy.

   “Take a seat,” the doctor said to the Gallaud family, stripping the latex gloves from his hands, “I’ll give you a prescription for a basic antiviral agent. You’ll have to come back for a booster in six months.”

   Fiston scribbled on a prescription pad.

   “Will he ever go back to…” Mrs. Gallaud gulped, “back to normal again?”

   “That’s hard to say,” Fiston explained, “He’s probably going to be all right. Today, these designer viruses are all too common. Offshore labs are releasing new ones on a daily basis. Most are too complex to last for long. The technicians are all trying to tweak human behavior. They want to engineer the better human through subcellular manipulation. Unfortunately, in the world of designer viruses, money determines what a better human is.”

   “Everyone has experienced a designer virus at one time or another. After a day or two of an unexplained craving for Dr. Pepper, you go back to coffee. You might find yourself in the local Jehovah’s Witness tabernacle without remembering how you got there, but eventually your body rejects the virus. This virus is a bad one, but it might have passed on its own.”

   “How did he catch it?”

   “Kids don’t wash their hands before they eat. They sneeze and wipe their noses on their sleeves. They are a greenhouse garden for engineered viruses.”

   “But it is so disgusting!” wailed Mrs. Gallaud.

   “Yes, the political Indoctrination Viruses are troubling,” he agreed, “Political Action Groups have much more at stake and much more money to spend. It is strictly illegal, but that does not stop the special interests. Someone releases a new political virus every few days, especial around elections, and some are insidious. I’ve seen extreme cases where the whole psyche is permanently altered.”

   Mrs. Gallaud hid her face in her hands. “Please God,” she prayed, “Anything but this.”

   “Now, now Mrs. Gallaud, it’s not the worst thing in the world. It will pass. As he gets older, he will learn to make up his own mind based on issues and facts. He’ll learn to ignore these urges based on vague feelings, subconscious motives, and frivolous promises.”

   Dr. Fiston stood up and Mr. Gallaud followed suit, reaching out to shake the Doctor’s hand. “Thanks, Doc,” Mr. Gallaud said.

   Mrs. Gallaud stood up. The large handkerchief she used to dry her tears obscured her face. She grabbed little Artie’s arm and left the doctor’s office with her husband and son.

   A few seconds later, Mr. Gallaud poked his head back in the office door.

   “Doctor,” he said, “may I see that magazine for a moment?”

   Doctor Fiston handed the object to Gallaud. Mr. Gallaud unfolded it and read the masthead.

   It read “MAGA, The Voice of the Majority.”

   Both men looked at the headlines on the front of the magazine for a second. Then Gallaud folded it into thirds and stuffed it into his inside jacket pocket.

   “I think I’ll hold on to this,” he smiled sheepishly. He turned and ran from the office to help his wife and child to the car.

   Dr. Fiston immediately went to the sink and began to wash his hands with the strongest antiseptic soap that he had. Yes, he thought as he scrubbed, this virus is dangerous, very dangerous, indeed. He continued washing for several minutes.






Archive of Stories
and Authors

Callum Leckie's
THE DIGITAL DECADENT


J.R. Torina's
ANTHROPOPHAGUS


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.

Sean Padlo's
NINE TENTHS OF THE LAW

Sean Padlo's
GRANDPA'S LAST REQUEST

Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.


Konstantine Paradias & Edward
Morris's HOW THE GODS KILL


Konstantine Paradias's
SACRI-FEES

Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.

Edward Morris's
ONE NIGHT IN MANHATTAN


Edward Morris's
MERCY STREET

Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.


Tim Fezz's
BURNT WEENY SANDWICH

Tim Fezz's
MANY SILVERED MOONS AGO

Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.

Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD


Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.

Phoenix's
AGAIN AND AGAIN

Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.


Sanford Meschkow's
INEVITABLE

Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.


Owen R. Powell's
NOETIC VACATIONS

Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.

Gene Stewart
(writing as Art Wester)
GROUND PORK


Gene Stewart's
CRYPTID'S LAIR

Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.

Daniel JosΓ© Older's
GRAVEYARD WALTZ


Daniel JosΓ© Older's
THE COLLECTOR


Daniel JosΓ© Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -




Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.


Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.