Artwork for
Vincent Daemon's Vietnam short story
OF CADENCE AND WEATHERED STATUES
by Kara Koma and Shaun Lawton


Tuesday, September 30, 2014

SEPT 2014 ISSUE

~ PROUDLY PRESENTS ~


RepFix
by Keith Graham

© 2014 by keith graham (art by jesse stevens)
+ Click the respective images below to read the stories +






CRYPTID'S LAIR
by Gene Stewart
© 2014 by gene stewart (art  by gene stewart)





MERCY STREET
by Edward Morris
© 2014 by edward morris (art by shasta lawton)





OF CADENCE AND WEATHERED STATUES
by Vincent Daemon
© 2014 by vincent daemon (art by kara koma and shaun lawton)



The bloodhost have reported back to me recently that the plasmatic balance phase of their mission is over now—which I suppose means that the quantum harmonic oscillator has reached its equilibrium point at last. The state of quantum flux that the FREEZINE has been undergoing appears to have surpassed a certain critical point during the stabilization of this phase transition.  Since I've been the sole repository for the nanofleet's cryptic communications with us since the inception of our webzine just over five years ago, I've been able to deduce certain things about the nature of the alleged "nanobots" supposedly coursing through my bloodstream and occasionally hijacking my central nervous system in order to get me to make this 'zine available free of charge to those curious or daring enough to either read or submit the stories slowly piling up in our archive.  

I believe that despite having been conceived five years ago (in the summer of 2009, kicking off with veteran author John Shirley's never-before-published novella SKY PIRATES) this webzine as a matter of fact is yet undergoing a gestational period; that is to say, it remains in utero until that glorious and undetermined date in the future upon which it may be literally borne as a fully developed infant having its umbilical cord snipped and then gulping its first lungfuls of oxygen.  That is a metaphorical way of stating that the Freezine is most certainly "not dead yet," and in fact has a long way to go before assuming its plastic childhood.  

Some of you may (or may not) recall that in a past issue, I quoted the nanohorde as having stated that the cosmological constant could be counteredtemporarily eclipsing quantum chaoswhich effectively levels the electromagnetic "playing field" by utilizing dark matter or energy itself to "stabilize the entire operating system."  I've been dwelling on this and other cryptic messages as best that I can, and have begun realizing that the nanohorde may in fact have been sent to us from the future by none other than humanity itself.  In fact, I am becoming more certain of this as the nature of our webzine begins to gel in my mind.  

Just take a look around you today at the state of our world, not to mention our own country in the USA. Things are trending so severely towards "political correctness" in the arts, that it's getting more difficult for writers and artists to express themselves without overt puritanical censorship stripping the material of its essence. Everything must either be packaged into its appropriate "genre," or stamped with a "For Mature Audiences Only," or otherwise compromised to the point that more and more commercial mainstream platforms are becoming less provocative and original. Never mind the supposition that parents themselves should become the responsible moderators of what their children should and shouldn't look at; this trend towards pulling the teeth out of anything we read or see appears to be paving the way toward a future where we all gradually succumb to becoming more robotic ourselves—to the point our cellphones do our memorizing and thinking for us, our iPads raise our children, etc., all so that we may be free to do what, exactly—?—remain plugged into our own mobile devices and allow the complete mechanization of our very souls?  

The simple reason that whatever surviving faction of humanity left in our future may have figured out a way to send these nanobots back in time to infiltrate us is merely to get as many people today to cease and desisteven if only momentarilywith their usual feeding and consumption of that which is being offered for sale in the marketplace and try to just once give freely of their art and writing so that money is removed from the equationto be replaced with an earnest passion for discourse. Of course this is not to suggest that our own host of wonderful published authors lack sincere passion; not at all.  They would never have been successful in the first place had they lacked both drive and real talent. No, the nanobots have apparently been sent back in time to us today in order to merely try and gently slap us awake enough to simply allow a forum in which freedom of expression—devoid entirely of the soulless machination of money and advertising—may be heralded and appreciated for what it is.  Namely a temporary respite from the raging waters of commercialization.  

That is why I started the FREEZINE in the first place. It's a webzine which doubles as a creative writing workshop and a platform for both aspiring and professional authors and illustrators to showcase their writing and drawings in order to give them more exposure and feedback so that they may continue to grow as artists and eventually boost their efforts at being paid and published in their own right. It's a global community effort left almost entirely up to its readers and subscribers as well as the authors and painters contributing their work to participate in so that we may all help each other along on our respective journeys toward hopefully making careers out of our writing and artwork. 

If you have taken the trouble to subscribe to the FREEZINE either by email or Google + or facebook's Networked Blogs or Blogger, etc., thank you very much for supporting local and worldwide creative writing and art.  If you haven't subscribed or otherwise followed this webzine yet, now is the time to do so.  Our growing roster of veterans are on the verge of crossing into the second or third trimester of developing the foetal form still incubating within these hypertext markup pages.  We are about to embark on a new chapter of our overall development, so be sure to stay tuned in and tell all your reader, writer and artist pals about us so that we may ultimately achieve a following big enough to go viral and help all the respective contributors get the exposure and experience they need to hone their chops. 




For the SEPT 2014 issue, we have four original stories to share with a troubled yet hopeful world, and we welcome three new bloods into our fold.  They are writers Gene Stewart and Edward Morris, as well as artist Kara Koma.  Please greet them with enthusiastic applause. 

Our first story, "RepFixfeatures returning Freezine Veteran Keith Graham with an updated take on Robert W. Chambers' infamous tale "The Repairer of Reputations."  Considering that the FREEZINE serialized the entire contents of THE KING IN YELLOW in our last issue six months ago, the editors felt that was the perfect story to kick off the SEPT issue with.  Thanks Keith for taking a chance on this forum and submitting your fourth story to our ragtag literary cyber-vessel.  It perfectly sets the tone for both the science fictional and fantasy aspects of this webzine.  Thanks to Jesse Stevens, one of the original Freezine artists, who submitted his "Plastic Children" painting for Nigel Strange's three part novella, an image of a boy holding a toy ray gun which I consider to be our mascot.  

Up next is newcomer to our zine, Gene Stewart's splendid short story "Cryptid's Lair," featuring a sketch drawn by Gene himself in black and white and colorized with mysterious methods by yours truly.  This story arrives just in time to expand the parameters of our 'zine's oeuvre into the strange and wonderful world of crypto- terrestrials, a field of study which ever remains tantalizingly within our peripherals in search of missing links which might further explain the mysterious phenomena we have come to take for granted as our natural world.  A somewhat blurred and warm fuzzy thanks goes out to Gene for taking a chance on our online magazine. We are certainly glad to have him on-board.  

The third story also comes from a newcomer to our fold, everyone please supply a hearty round of cheers and applause to Edward Morris, whose surreal prose poem "Mercy Street" somehow manages the impossibly disturbing trick of marrying the legacy of Anne Sexton with that of the King in Yellow.  The Freezine is very proud indeed to host this beautiful tale sure to please aficionados of the two aforementioned legends in print.  Thanks to my wife Shasta for having long ago provided the original magic marker illustration on glossy photo print paper used in a previous story from our last issue and now zoomed-in upon and transformed into the mercifully symbolic image which currently represents Edward's eulogy to one of America's most important contemporary poets.  Make no mistake about it, Anne Sexton shall forevermore remain contemporary due to already having become immortalized. A dangerous and exuberant Thank You to Edward for opting to submit his controversial piece to our Freezine.  

Last but not least comes the return of one of the Freezine's most provocative veterans, Vincent Daemon.  Vincent recently underwent an extended leave of absence from the trappings of the internet in order to focus on his own life.  Imagine our splendid surprise when he announced his return to our online community and furthermore submitted his short story about certain horrors of the Vietnam War, Of Cadence and Weathered Statues. Our editors were able to break it down into four daily installments replete with cliffhangers. Artist Kara Koma also contributed her illustration, "Weathered Statue," for Chapter 3. The nanohorde were extremely pleased with this rendering of the strange hybrid vision from our war vet's compelling experience lost amid the horrifying ruins of a Vietnamese swampland.  Kara's dedication for this piece is as follows:  "Dedicated to Grandfather who literally lost his mind in such a war, and came back in body, but never in soul."  Thanks for providing such heartfelt artwork for Vince's story, Kara. As soon as we get a moment, our editors will upload your illustration to the FREE ZINE ZONE, our sister-site which archives all the artist's galleries associated with past stories. 

Vincent has dedicated his story to his own Dad, adding the following post-dedication: "Dedicated to my father, who fought in this ridiculous, horrid war, with so many other poor bastards, and at least came out of it better than most. Parts of this story are based on certain strange war-tales he told, but just WHAT is the fact and what is the fiction shall remain between He and I."  

A billion echoing Thank You's go out to Vincent for having submitted his material to accompany the august roster of tales archived for posterity exclusively on the FREEZINE of Fantasy and Science Fiction.   Of Cadence and Weathered Statues represents his sixth story with us, catapulting him to the topmost rank of contributors. May all your hard work in the realm of creative writing pay off in loads of Karma and piles of currency some day in the not-so-distant future, my friend.  

And that's another wrap.  Thanks for sticking with us.  Thank you for your comments and feedback and for supporting a webzine devoted to having nothing to do with your standard advertising and soul destroying finances.  Stay tuned next month for a special Halloween Trilogy of Terror, towards the end of October.  As they say on Devil's Night, "Fire it up, Fire it up!"   See you all then.   
















Archive of Stories
and Authors

Edward Morris's
MERCY STREET


Gene Stewart's
CRYPTID'S LAIR


Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee.


John Claude Smith's
BLOOD ECHO SYMPHONIES


John Claude Smith's
NOT BREATHING



John Claude Smith writes weird fiction,
something between Horror and Magic
Realism, most of it psychologically driven.
He's had over 40 tales and over 1100 music
reviews, interviews, and profiles published.
He is currently shopping two novels and
a collection to agents and publishers, all
while starting the third novel. Gotta keep
on keepin' on! Looking forward to Rome
in the not too distant future, but for now,
just looking for the next short story to
be written.


David Agranoff's
A PLANET OF YOUR OWN


David Agranoff's
THE FALLEN GUARDIAN'S MANDATE


David Agranoff is the author of the
short story collection Screams From
A Dying World, just published by
Afterbirth Books. David is a hardcore
vegan and tireless environmentalist.
His contributions to the punk horror
scene and the planet in general have
already established him as a bright
new writer and activist to watch out
for. The Freezine of Fantasy and
Science Fiction welcomes him and
his defiant vision open-heartedly.

David is a busy man, usually at work
on several different novels or projects
at once. He is sure to leave his mark on
a world teetering over the edge of
ecological imbalance. David's latest
books include the Wuxia -Pan
(martial arts fantasy) horror
novel called Hunting The Moon Tribe,
already out from Afterbirth Books.;
The Vegan Revolution...with Zombies,
[Deadite Press, 2010]; and
[Deadite Press, 2014]

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.

When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found HERE.


Johnny Strike's
AS YOU WISH


Johnny Strike's
NIGHT FLAMERS


Johnny Strike's
THE HOMELESS MUTANTS


Johnny Strike will beat you with his guitar
and leave you lying in the gutter wishing you
had never dared enter his under ground world
of fake passports, lucky amulets, rain soaked
hotels, and occult mystique. If you don't leave
nice comments under his story, he's sure to sic
his band CRIME on you. He also wrote the novel
Ports Of Hell (Headpress), recommended by
William S. Burroughs. You don't receive kudos
from William Lee himself unless you are the
epitome of cool. Besides, have you listened to
CRIME's album Exalted Masters? It was
released in 2007 on the Crime Music label,
on vinyl only, featuring a slew of their old
rare hits. Its real punk music from seasoned
veterans. Now go track yourself down a copy
before its out of print. The Freezine of Fantasy
and Science Fiction is proud to host the story
that contains the line which titles his first
From Above (Rudos and Rubes).


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -



Icy Sedgwick's
THE PORCELAIN WOMAN


Icy Sedgwick is part writer and part
trainee supervillain. She lives in the UK
but dreams of the Old West. Her current
works include a ghost story about a Cavalier
and a Western tale of retribution. Find her
ebooks, free weekly fiction and other
shenanigans at Icy’s Cabinet of Curiosities.


Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.


Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.



Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.


K.B. Updike, Jr's
THE GOLDEN THIRD EYE


K.B. Updike, Jr. is a young virgin
Virginia writer. KB's life work,
published 100% for free: