☇ ☈ ☍ ☊ ☩
You have been invaded by the freezine of fantasy
and science fiction. You no longer need to sub-
scribe, for we are already subscribed to you.


Sunday, September 28, 2014

OF CADENCE AND WEATHERED STATUES:III

by Vincent Daemon 






Chapter 3: Weathered Statues




               The floor base, stairs, pillars, and even statues all seemed to be carved and sanded down from jade, marble, ruby...strange carved figures that clung to every pillar, peered up from every floor stone. It was all worn down low now and faded, perhaps two or three millennia old. This place was made with a sinister handcrafted beauty, shapes and structures combined and interwoven with a grotesquerie and grace he had never before seen. It barely even seemed human; perhaps only in the most vague sense of the word.

            There was no ceiling or apparent roof to this place, and several three-story pillar-towers that, for the most part, having been completely decimated by time and weather, rose and disappeared into the looming darkness above. Intense looking insectoid statues haunted the inner structure randomly. Smaller insect carvings (still slightly larger than human) seemed to bow down in a leering terror to something much larger and more powerful.    

            Strange stone insects, almost caricatures of real life insects, centipede-type things, stood timeless and quite menacingly, between their size and the expressive faces of the carvings. This place reminded him of something like an evil, far more ancient Angkor Wat.

            While studying this odd temple, Victor heard another sound...a trickling. He began to follow the faint echo to its source: fresh, cool water flowing freely from the mouth of some monstrous bug-headed fountain. He lowered his face to the ornate basin, and though he wanted to blindly gulp it down, he fought the instinct and took merely a small mouthful and waited for a moment. After not passing out or getting sick, he feverishly plunged his head into the basin and began to drink, the cool water refreshing beyond belief. He stripped and splashed and bathed and drank, then continued, naked and air drying (another serious relief), to investigate the rest of this apparently sacred ancient ruin.

           The odd pale flowers he had noticed outside earlier grew in here as well, sprouting all along the walls. They seemed more vibrantly colored in here, however, in blues, pinks, purples, and every shade in between. They were also different in that Victor noticed a large black and cubical pod the size of his fist sprouting from the dead center of each flower. Using his Bowie knife, he carefully slit the side of one of the pods. A thick and sticky white goo oozed out like albino molasses. With his pinkie finger he touched it, tasted it.

            “I’ll be a son of a bitch!” For a moment, Victor was jubilant. Snatching several pods, he began to devour them, seeds and all. He believed he knew exactly what this was.

            Briefly Victor thought he may have found Paradise, if only but for one brief, ludicrous moment.  

            With a slightly renewed vigor, he began to try and collect up any dry and nearby wood and vine he could find scattered about. He could also feel this undiscovered natural narcotic kicking in as his throbbing hand eased, and his tension, even outlook, shifted. This was indeed stronger than any opiate he had ever ingested, and as the dusk came down, so did Victor.

            He sat and dug into his rations, nothing more than a slimily processed ham and cabbage in a little vacuum sealed bag. Victor lit a smoke afterwards and laid back on his damp clothes (he had rinsed them in the bug-headed basin fountain as well), the marble floor cool on his warm skin.

            He noticed there were no mosquitoes inside the ruins, and if there was a moon out looming over the darkness he could not tell. The trees completely blotted out the night sky, and in fact created a natural ceiling to this vast cubical ruin. In his stuporous relaxed state he instead watched the immense bats begin to wake and leave the ruins for their nightly hunt, a site quite unlike anything he had ever seen before. They reminded him of the Orang-Bati legends from Indonesia. Watching the gigantic bats swoop down in their unique spiraling maneuvers of sonic predation to grab the little creatures he did not before notice had a strangely hypnotic and calming effect on his psyche.

            Victor felt no pain now as the most potent and beautiful narcotized slumber overtook him, slowly but oh-so surely.

            Hypnogogic dream-visions danced behind his closed eyes and flash-fluttered sexy silhouetted succubi that had materialized from the darkness. Every one of these devil dream girls possessed soft full hips gyrating slow and intensely. They were touching each other’s tongues, each contact burning like magnesium flares, sparkling out in all colors, some he’d never even seen before.

            These gorgeous and ethnic devil girls looked stranger than that, however. Their limbs were spindly, yet they still possessed clockwork figures crowned by seduction-trained faces. Nothing is free fleeted through his mind as their black vortex eyes latched onto Victor’s like fishhooks through genitalia.

            One in particular stood out, emerged from the color-flash chaos of seizure-strobe nightmares. Not so ethnic, this one...Charlene...her porcelain skin radiating like some kind of white-hot uranium as she drew near.

            Victor wanted to hold out his hand but felt restrained. Charlene stood before him, fully exposed, her large breasts heaving with every deep dream-lust breath, her spindly arms beckoning him.

            Standing now, Victor approached Charlene. She lay back on an invisible table, put her legs up, bent at the knees, exposing fully her smooth womanhood.   “Victor, come to me my love. And make me cum...I know all you want is to touch me, to caress me and make love to me...oh how badly I know you have waited for this visit, my little Yekubian.” Almost touching her sacred femininity, she cooed, and quite teasingly covered herself with her hand, beckoning him once more.

            Drooling, aroused, half-mad with lust for his love, Victor parted her legs, brought his face down into her, and as she opened her smooth pink folds to his wanting lips, dozens of cum-covered centipedes began exploding out of her mandibular cunt. Not just into Victor’s slackened mouth, but up onto her own smooth flat belly and over her voluptuous breasts...into her flaxen hair...and into her dead black vortex eyes.

            In suffocating horror, Victor tried to bellow a muffled scream and watched her face as it changedin an instant quicker than a blinkto the strange skinny opium whore from that night on leave. “Con Rit! Yekub, Juk-Shabb!” Her face recast itself again in a blink, malformed into mandibles, feelers. Victor reached up to grab her face, to make it stop, and she bit him. Pulling his hand back frantically, he looked away from his dream-form insect whore-love. The ache in his hand was like being shot all over again.

            The imminent feeling of suffocation awoke Victor from this dreadful night terror.

            His right hand felt wakingly restrained, and the dream agony remained. He gasped hard for a breath, his skin all crawling and tingly. Victor looked to his agonized right hand and it let go, whatever it was, scuttling off into the shadows somewhere. Still naked (and half erect) Victor jumped up, the adrenaline fueling such a pure terror never before felt coursing hard through his veins (retaining, then, his erection through sheer fault of physiology). This was a phobic, primal terror of ancient primordial instinct. This thing was amongst the mildewed marble shadows, somewhere, watching him right now; waiting. He could smell it, that same honeysuckle stench of the rotten whore/Charlene’s vaginal-vector nest from his hellish dream, like the foul mud outside. Victor knew then that this thing had been following him for quite some time. He could feel it in his mind.

            He looked down to his hand, the bullet wound obviously infected, though he saw now that the same hand had been gnawed virtually to the bone. The pain faded, again, and Victor could not feel it, though he was most definitely seeing it.

            His equilibrium still off balance, his mind and body in a state of total disbelief, panic and shell-shock, he grabbed his clothes up (quite vigorously shaking them out for bugs), and dressed quickly. He heard the echo of the thing in the darkness, many legs scuttling in the shadows, its clickety-clacking a horrid horde-like sound as it slinked its way around Victor, always watching from the shadows. He couldn’t see it. He thought about the tiger while surveying every dark corner and crevice, the entirety of its stomach cavity having been eaten away.

            The sun was beginning to rise, and the darkest portions of the back of the temple were fading into that new dawn gray. Victor could hear clearly all those horrible legs clacking along the ancient smooth marble.

            He thought, if only for a moment, that he could now make out a vague form along one of the female human-insect crossbreed statues, wrapped around the ancient carving like some vile clothing accessory. He could feel as it watched him intently, a long dark shadow making ghastly strange sounds. Awful, almost taunting chitters echoed from the corners around him, bouncing off all that ancient smooth marble and rebounding off the malformed statues that surrounded him, seeming to come from their twisted ruby and jade stone lips.

            Victor slowly began to move backwards, noticing the bones and varied remains of animals and humans alike, scattered everywhere he could see. They rattled beneath his clumsy and tired feet, offering no attempt at an inconspicuous escape. As the quality of light increased, Victor also began to take notice of the immense glyphs lining the entirety of the slime-sheened walls, put there by an ancient culture that made Babylon seem like a recent nation. Strange creatures in the sea, many legs...offerings of ancient women of pleasure to truly awful things. All these statues...mere artistry replicating a sacrificial dinner to some kind of...

            It slammed his skull like an anvil from the sky, that word! The whore, the opium. Black Poppy she had called it...the other powders (something foul called the “black meat”) she put in with it, and that tantric fuck-word.

            CON RIT.

            “All too real, for you, soldier boyCon-Rit...Yekub...Juk-Shabb.”

            Flight response (now a perpetual habit) kicked in instantly, and Victor began to run, stuffing handfuls of the Black Poppy pods that grew in such sheer abundance into his mouth and his pockets as he bounded down the desiccated corridor of grimacing and sexually explicit female statues...sacrificial women intertwined with quite aggressive and immense crawling things, each statue a more horrific atrocity than the one before it, surrounded by those deep carved glyphs of which one could only begin to speculate upon the levels of madness to their meaning.

            He could hear the beast behind him, scuttling clumsily over the piles of bones from past offerings, chitters echoing still but now actually becoming the voices of his past, the things that had haunted him every day since long before that goddamned draft letter arrived. These voices came sick and hissing from the parting lips of these monstrous carved beings, and he could see their heads in his ace peripheral vision, following him in the pinkish hue of almost full daylight.

            Bones rattled and snapped with great force behind Victor, beneath what he could only imagine to be the forceful exoskeletal trampling train of a segmented boxcar beast, though he dare not look behind to find out.
            
              

Click here to Conclude
OF CADENCE AND
WEATHERED STATUES
by Vincent Daemon

3 comments:

  1. "It was all worn down low now" - beautifully staccato...a collection of rabbit-punch words to remind us to slow the fuck down and pay attention as we go inside. It's filled with poetry too, as we hear the haunting assonance of "cubical ruin" and see the sights of the mindfuckingly wonderful "mandibular cunt". This piece itself is the ESSENCE of creation - with sex dripping from every word; even the apparently not-so-filthy words manage to LOOK so (meaning that -ahem - I had to look twice at VAGue forms and stone LIPS.....)....I'm reading this with the rhythm of a clumsy fuck, stopping only briefly for breath.

    Aaaaand...now I'm off for a post-coital cigarette.

    ReplyDelete
    Replies
    1. I got nothin' on that one. Nothin'. A lil blushy perhaps, heh. Thanks!

      Delete

Archive of Stories
and Authors

Callum Leckie's
THE DIGITAL DECADENT


J.R. Torina's
ANTHROPOPHAGUS


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.

Sean Padlo's
NINE TENTHS OF THE LAW

Sean Padlo's
GRANDPA'S LAST REQUEST

Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.


Konstantine Paradias & Edward
Morris's HOW THE GODS KILL


Konstantine Paradias's
SACRI-FEES

Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.

Edward Morris's
ONE NIGHT IN MANHATTAN


Edward Morris's
MERCY STREET

Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.


Tim Fezz's
BURNT WEENY SANDWICH

Tim Fezz's
MANY SILVERED MOONS AGO

Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.

Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD


Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.

Phoenix's
AGAIN AND AGAIN

Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.


Sanford Meschkow's
INEVITABLE

Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.


Owen R. Powell's
NOETIC VACATIONS

Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.

Gene Stewart
(writing as Art Wester)
GROUND PORK


Gene Stewart's
CRYPTID'S LAIR

Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.

Daniel José Older's
GRAVEYARD WALTZ


Daniel José Older's
THE COLLECTOR


Daniel José Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -




Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.


Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.