☇ ☈ ☍ ☊ ☩
You have been invaded by the freezine of fantasy
and science fiction. You no longer need to sub-
scribe, for we are already subscribed to you.


Wednesday, January 6, 2010

THE FALLEN GUARDIAN'S MANDATE: 2


Chapter Two

Telling The Stories Of The Great Xu




The Jurong Pass looked impossibly dark as the sun went down. Kui-Jun shifted his heavy pack around his shoulder. The Storyteller and the monk walked with their spears. It was left unspoken that Kui would carry their food and water. They were heading north towards Liaodong, the land the Manchus called home. It wouldn't be long before they passed battle fields: a couple days of peace, and then the hike would become dangerous.

“Why are we going north?”

Xu looked back at the young man briefly. His age and the naivete of living his whole life in the temple came shining through his face. “It was the mandate of the Han emperor that we investigate the growing strength of the Manchu.”

Kui took a deep breath and followed after the fallen monk. Shun laughed. "What do you fear, young man?”

“Nothing,” said Kui.

Xu laughed and walked along the path. His eyes were adjusting.

Kui looked past Xu into the darkness. He wanted to will his feet forward but something held him back. He had lived his whole life in the temple, and never really wanted more. He didn't know his real family, and accepted the life the temple had provided. There'd been a few trips to the village, but his whole life had been on the mountain. He had heard the same sounds at night on the mountain. High up near the heavens where the air was thinner, there was an impossible quiet.

The path before him seemed dark in a way no corner of the temple could match, and the insects screamed in an unending choir of screeches and clicks. What lay beyond the darkness?

Xu stopped and stared at the young boy. Xu wanted to get another hour of walking in before they made camp. At the next village they could use his imperial scroll to get horses. In the meantime, they would have to walk until their feet would not carry them any longer.

Xu whistled and shook Kui awake from his daze. The young man followed, repeating a mantra just louder than a whisper. Xu slowed down so he walked beside Kui. “There is nothing to fear, you are traveling with great warriors.”

Kui looked at the Storyteller who was walking without his eyeballs out.

“He is old, blind, and you're half drunk.”

“Ahh,” Shun laughed. “Sight is but one weapon.”

“And I have not had a drop to drink since your master ruined my morning.”

“I guess we have nothing to worry about then do we?”

Xu picked up his pace although he did appreciate the sarcasm. Maybe this young monk wasn't so bad after all.

At the campfire Kui immediately began to meditate. He sensed all the living things that swarmed their camp, curious about who they were. When they moved, the bamboo ached; he could feel the chi-energy of the forest shifting. It was part of the Shaolin Kungfu. He should have focused on his breathing, but Kui wondered about Xu. Many rumors were told of this man. Kui's eyes opened slowly and he watched Xu stoking their small fire. Sparks danced into the air and Kui felt the heat gently on his cheek. Xu's eyes locked with the young monk's.

“You're restless.”

Shun sat down beside Kui and offered him a ball of rice wrapped in nori.

“He still wonders about you.” Shun pulled an eyeball out of his pocket and scanned Kui.

Kui took a bite of the riceball. “We heard many stories about the fallen master.”

“Is that so?”

“Most were warnings.”

“Now that you have seen Master Zhen lie to the emperor's court, do you question these stories you heard?”

Kui shook his head.

Shun held his eye towards Xu. “I have heard tales of the demon slayer Xu as far south as Canton.”

Xu laughed. “Well Storyteller, we are here warming our feet. How about a tale of the great Xu. I'll tell you if it's true.”

Shun switched his eyeball to his left hand and pulled a bamboo scroll from his bag, and laid it on the ground next to his sword. The light of the fire just barely lit the words painted on the scroll. Shun scanned it with his eye.

“This tale begins eighteen winters ago, in great temple of Xuzhou.”

Xu lifted an eyebrow and smiled.

“A group of bandits from faraway lands were stealing spices and silks to take back to their treasure horde. The villagers called upon Cao Gujiu, one of the eight immortals that had traveled across the sea with the emperor's treasure fleet. With sword in hand, this immortal was given wine and sake in barrels for dispatching the white demons.”

Xu sighed. Shun held his eye out to him.

“Is there a problem with the story?”

“Yes, Cao Gujiu was enlightened and did not--”

Shun shushed Xu. “A great storyteller knows when all the details must unfold.”

Xu signaled for him to continue.

“The immortal began drinking and did not sleep or become sober for thirty days. When the monks of the temple and the villages tried to restrain him, he unleashed a deadly, occult Kung Fu. They sent a message to ask Shaolin for the help of the great demon slayer.” Shun pointed at Xu.

Kui's jaw dropped a little. “Is it true?”

Xu ignored the question.

Shun waited a few beats but without an answer, he continued. “Xu arrived in Xuzhou five days later. He walked into the temple and found the immortal doing unspeakable things with the governor's wife.”

“What things?” the young monk asked, his eyes wide.

“Unspeakable.”

“Quite speakable with consent, but that was not the case,” Xu said.

“So you know what those unspeakable things were, you were there.” Kui smiled.

“Now I didn't say that. Go on Shun, finish the story.”

Shun cleared his throat. “Xu unrolled the Scroll of Spirit Disposal. And placed his yellow paper magic on the floor. The immortal stood eight feet tall, with a sword the length of two arms. Its blade was forged in the flames of Hell's darkest corner. At that moment, Xu knew this was not Cao the immortal.”

Kui looked at Xu.

“Who was it?”

Xu shrugged his shoulders and pointed at the scroll on the ground. “This is Shun's story, not mine.”

Shun laughed a deep belly laugh. “If you will allow me, I will finish the story. Xu lifted his sword and challenged the demon. Xu pointed to the exit, and the woman escaped. The demon lifted his sword and ran at Xu. The sword was so tall it caught on the ceiling. Xu ran and slid under the demon's legs. He kicked the back of its massive knees and it fell on to the Scroll of Spirit Disposal. The demon screamed when it landed on the magic incantations. The screams could be heard in the village. The next discernible sound was the howl of a fox.”

“Huh, he was a fox demon all that time.” Kui could not hide his astonishment. He looked at Xu. “Is this story true?”

“What tales of the great Xu do they tell at the temple?” Xu dodged the answer like an assassin's dart. In his mind he heard the faint sobs of Wei--the Governor's wife. Whatever confidence he had been feeling before melted with the tortured sobs, just audible in his mind. He always expected others to hear the voices.

Kui sat up straight. “The one I could never forget was 'Xu and the River Nmyph.'”

“Sounds promising, but I'm so sure that...Well just tell the story.”

“Xu was sent to find a farmers wife who had disappeared in the night. He tracked her down to a cave where she offered Xu a chance to leave the temple as her lover. This was the first temptation of the fallen monk.”

“Every moment is a temptation,” Xu reminded him.

Shun had flipped the scroll over and begun taking notes. Xu tried to grab it but the old storyteller heard him coming, and spun. Xu heard the governor's laughter again.

“Finish the story young man,” the blind man urged.

“In the faint moonlight of the cave she looked beautiful, her skin smooth like silk, the curves of her body like nothing from the temple he could remember. She was a sight the likes Xu had never seen. She stepped closer and he saw that she was not wearing a stitch of clothing.”

Xu looked away from the young man telling the story. He hoped that Kui watched the fire, and was thankful Shun could not see his face. The old man would know right then and there that Xu was reacting to this story. To the memory of that woman standing before him. He had wanted to touch her. Contacting any part of her would have fulfilled him. Her hands, her arms, her legs. He just wanted to reach out to her. In his memory he could almost smell her.

“When Xu stepped closer, he heard a hiss.”

“A hiss?” Xu was confused, he didn't remember a hiss.

“And then another, and another. Soon a chorus of hisses sang to him as her hair came alive. A Gorgon with serpent locks who mocked the monk with two dozen forked tongues.”

“What?” Xu laughed.

“It is true. Master Zhen said every hair on her body,” Kui looked down at his own crotch and shifted uneasily, “every last hair was a bloodthirsty serpent.”

“Lies,” Xu grabbed his sword and felt the urge to swing it randomly at a tree.

Jiang's screams echoed in his brain, accompanied by the sound of the tree demon's tongue ripping into her back. Xu yelled just to hear his own voice over the ones in his head. “The men who never leave that temple fear women, when it is men who drive the evil acts of history. Men who amass armies in the north, a man who sits on the throne and casts us off to find his enemies.”

“Master Zhen said that Xu was still tempted--even when he saw the serpents.”

“Don't you see, they use these stories to control you. Make you afraid of the beauty
in love. To keep you bald, meditating, and a servant.”

“It didn't happen?” Kui stood. Shun closed his scroll and packed it away.

The old blind man shook his head in disgust. “Something happened to you. All these stories could not be false,” the storyteller insisted. “Why would the emperor ask for you if they were not true?”

Xu looked at his reflection in his sword. Parts of both stories were true, but the only time he had truly faced evil he failed. A little girl died. Three voices spoke together inside Xu's mind. They all three asked what he was doing on this mission. They laughed at him in the quiet moments. They taunted him every time he tried to move on.

“I don't care why. I'm here to earn money.” Xu sat back down at the fire. “Sleep, because tomorrow we head to Venara.”

“Where?” Kui asked.

“Venara,” Xu said just over a whisper.

Shun gasped and Kui smiled, then after a second regained his composure. “That is a filthy disgusting place.”

Shun reached into his pocket and pulled out his eyeball.

Xu looked serious enough. “In all your stories Shun, what have you heard about Venara?”

Shun couldn't answer. His home was filled with thousands of scrolls, dozens for almost every village in China. He had even collected tales of cities in far away lands, but Venara was elusive. People went to this village in the north to be free. Known for high-end opiums and prostitutes, political and cultural divisions were meant for the cities beyond. Once you left Venara you were never to speak of it.

“You have no stories for a reason.”

He knew the rumors, but Shun had not believed. Venara is protected by a guardian wizard who cursed any who gave away secrets from the village.

Xu laid down by the warmth of the fire.

“Are we really going there?” Kui's voice trembled.

“If an evil force plots against the emperor, I can't think of a better place to start,” Xu said and closed his eyes.



Click Here For Chapter Three

No comments:

Post a Comment

Archive of Stories
and Authors

Callum Leckie's
THE DIGITAL DECADENT


J.R. Torina's
ANTHROPOPHAGUS


J.R. Torina's
THE HOUSE IN THE PORT


J.R. Torina was DJ for Sonic Slaughter-
house ('90-'97), runs Sutekh Productions
(an industrial-ambient music label) and
Slaughterhouse Records (metal record
label), and was proprietor of The Abyss
(a metal-gothic-industrial c.d. shop in
SLC, now closed). He is the dark force
behind Scapegoat (an ambient-tribal-
noise-experimental unit). THE HOUSE
IN THE PORT is his first publication.

Sean Padlo's
NINE TENTHS OF THE LAW

Sean Padlo's
GRANDPA'S LAST REQUEST

Sean Padlo's exact whereabouts
are never able to be fully
pinned down, but what we
do know about him is laced
with the echoes of legend.
He's already been known
to haunt certain areas of
the landscape, a trick said
to only be possible by being
able to manipulate it from
the future. His presence
among the rest of us here
at the freezine sends shivers
of wonder deep in our solar plexus.


Konstantine Paradias & Edward
Morris's HOW THE GODS KILL


Konstantine Paradias's
SACRI-FEES

Konstantine Paradias is a writer by
choice. At the moment, he's published
over 100 stories in English, Japanese,
Romanian, German, Dutch and
Portuguese and has worked in a free-
lancing capacity for videogames, screen-
plays and anthologies. People tell him
he's got a writing problem but he can,
like, quit whenever he wants, man.
His work has been nominated
for a Pushcart Prize.

Edward Morris's
ONE NIGHT IN MANHATTAN


Edward Morris's
MERCY STREET

Edward Morris is a 2011 nominee for
the Pushcart Prize in literature, has
also been nominated for the 2009
Rhysling Award and the 2005 British
Science Fiction Association Award.
His short stories have been published
over a hundred and twenty times in
four languages, most recently at
PerhihelionSF, the Red Penny Papers'
SUPERPOW! anthology, and The
Magazine of Bizarro Fiction. He lives
and works in Portland as a writer,
editor, spoken word MC and bouncer,
and is also a regular guest author at
the H.P. Lovecraft Film Festival.


Tim Fezz's
BURNT WEENY SANDWICH

Tim Fezz's
MANY SILVERED MOONS AGO

Tim Fezz hails out of the shattered
streets of Philly destroying the air-
waves and people's minds in the
underground with his band OLD
FEZZIWIG. He's been known to
dip his razor quill into his own
blood and pen a twisted tale
every now and again. We are
delighted to have him onboard
the FREEZINE and we hope
you are, too.

Daniel E. Lambert's
DEAD CLOWN AND MAGNET HEAD


Daniel E. Lambert teaches English
at California State University, Los
Angeles and East Los Angeles College.
He also teaches online Literature
courses for Colorado Technical
University. His writing appears
in Silver Apples, Easy Reader,
Other Worlds, Wrapped in Plastic
and The Daily Breeze. His work
also appears in the anthologies
When Words Collide, Flash It,
Daily Flash 2012, Daily Frights
2012, An Island of Egrets and
Timeless Voices. His collection
of poetry and prose, Love and
Other Diversions, is available
through Amazon. He lives in
Southern California with his
wife, poet and author Anhthao Bui.

Phoenix's
AGAIN AND AGAIN

Phoenix has enjoyed writing since he
was a little kid. He finds much import-
ance and truth in creative expression.
Phoenix has written over sixty books,
and has published everything from
novels, to poetry and philosophy.
He hopes to inspire people with his
writing and to ask difficult questions
about our world and the universe.
Phoenix lives in Salt Lake City, Utah,
where he spends much of his time
reading books on science, philosophy,
and literature. He spends a good deal
of his free time writing and working
on new books. The Freezine of Fant-
asy and Science Fiction welcomes him
and his unique, intense vision.
Discover Phoenix's books at his author
page on Amazon. Also check out his blog.

Adam Bolivar's
SERVITORS OF THE
OUTER DARKNESS


Adam Bolivar's
THE DEVIL & SIR
FRANCIS DRAKE



Adam Bolivar's
THE TIME-EATER


Adam Bolivar is an expatriate Bostonian
who has lived in New Orleans and Berkeley,
and currently resides in Portland, Oregon
with his beloved wife and fluffy gray cat
Dahlia. Adam wears round, antique glasses
and has a fondness for hats. His greatest
inspirations include H.P. Lovecraft,
Jack tales and coffee. He has been
a Romantic poet for as long as any-
one can remember, specializing in
the composition of spectral balladry,
utilizing to great effect a traditional
poetic form that taps into the haunted
undercurrents of folklore seldom found
in other forms of writing.
His poetry has appeared on the pages
of such publications as SPECTRAL
REALMS and BLACK WINGS OF
CTHULHU, and a poem of his,
"The Rime of the Eldritch Mariner,"
won the Rhysling Award for long-form
poetry. His collection of weird balladry
and Jack tales, THE LAY OF OLD HEX,
was published by Hippocampus Press in 2017.


Sanford Meschkow's
INEVITABLE

Sanford Meschkow is a retired former
NYer who married a Philly suburban
Main Line girl. Sanford has been pub-
lished in a 1970s issue of AMAZING.
We welcome him here on the FREE-
ZINE of Fantasy and Science Fiction.


Owen R. Powell's
NOETIC VACATIONS

Little is known of the mysterious
Owen R. Powell (oftentimes referred
to as Orp online). That is because he
usually keeps moving. The story
Noetic Vacations marks his first
appearance in the Freezine.

Gene Stewart
(writing as Art Wester)
GROUND PORK


Gene Stewart's
CRYPTID'S LAIR

Gene Stewart is a writer and artist.
He currently lives in the Midwest
American Wilderness where he is
researching tales of mystical realism,
writing ficta mystica, and exploring
the dark by casting a little light into
the shadows. Follow this link to his
website where there are many samples
of his writing and much else; come
explore.

Daniel JosΓ© Older's
GRAVEYARD WALTZ


Daniel JosΓ© Older's
THE COLLECTOR


Daniel JosΓ© Older's spiritually driven,
urban storytelling takes root at the
crossroads of myth and history.
With sardonic, uplifting and often
hilarious prose, Older draws from
his work as an overnight 911 paramedic,
a teaching artist & an antiracist/antisexist
organizer to weave fast-moving, emotionally
engaging plots that speak whispers and
shouts about power and privilege in
modern day New York City. His work
has appeared in the Freezine of Fantasy
and Science Fiction, The ShadowCast
Audio Anthology, The Tide Pool, and
the collection Sunshine/Noir, and is
featured in Sheree Renee Thomas'
Black Pot Mojo Reading Series in Harlem.
When he's not writing, teaching or
riding around in an ambulance,
Daniel can be found performing with
his Brooklyn-based soul quartet
Ghost Star. His blog about the
ridiculous and disturbing world
of EMS can be found here.


Paul Stuart's
SEA?TV!


Paul Stuart is the author of numerous
biographical blurbs written in the third
person. His previously published fiction
appears in The Vault of Punk Horror and
His non-fiction financial pieces can be found
in a shiny, west-coast magazine that features
pictures of expensive homes, as well as images
of women in casual poses and their accessories.
Consider writing him at paul@twilightlane.com,
if you'd like some thing from his garage. In fall
2010, look for Grade 12 Trigonometry and
Pre-Calculus -With Zombies.


Rain Grave's
MAU BAST


Rain Graves is an award winning
author of horror, science fiction and
poetry. She is best known for the 2002
Poetry Collection, The Gossamer Eye
(along with Mark McLaughlin and
David Niall Wilson). Her most
recent book, Barfodder: Poetry
Written in Dark Bars and Questionable
Cafes, has been hailed by Publisher's
Weekly as "Bukowski meets Lovecraft..."
in January of 2009. She lives and
writes in San Francisco, performing
spoken word at events around the
country. 877-DRK-POEM -




Blag Dahlia's
armed to the teeth
with LIPSTICK



BLAG DAHLIA is a Rock Legend.
Singer, Songwriter, producer &
founder of the notorious DWARVES.
He has written two novels, ‘NINA’ and
‘ARMED to the TEETH with LIPSTICK’.


G. Alden Davis's
THE FOLD


G. Alden Davis wrote his first short story
in high school, and received a creative
writing scholarship for the effort. Soon
afterward he discovered that words were
not enough, and left for art school. He was
awarded the Emeritus Fellowship along
with his BFA from Memphis College of Art
in '94, and entered the videogame industry
as a team leader and 3D artist. He has over
25 published games to his credit. Mr. Davis
is a Burningman participant of 14 years,
and he swings a mean sword in the SCA.
He's also the best friend I ever had. He
was taken away from us last year on Jan
25 and I'll never be able to understand why.
Together we were a fantastic duo, the
legendary Grub Bros. Our secret base
exists on a cross-hatched nexus between
the Year of the Dragon and Dark City.
Somewhere along the tectonic fault
lines of our electromagnetic gathering,
shades of us peel off from the coruscating
pillars and are dropped back into the mix.
The phrase "rest in peace" just bugs me.
I'd rather think that Greg Grub's inimitable
spirit somehow continues evolving along
another manifestation of light itself, a
purple shift shall we say into another
phase of our expanding universe. I
ask myself, is it wishful thinking?
Will we really shed our human skin
like a discarded chrysalis and emerge
shimmering on another wavelength
altogether--or even manifest right
here among the rest without their
even beginning to suspect it? Well
people do believe in ghosts, but I
myself have long been suspicious
there can only be one single ghost
and that's all the stars in the universe
shrinking away into a withering heart
glittering and winking at us like
lost diamonds still echoing all their
sad and lonely songs fallen on deaf
eyes and ears blind to their colorful
emanations. My grub brother always
knew better than what the limits
of this old world taught him. We
explored past the outer peripheries
of our comfort zones to awaken
the terror in our minds and keep
us on our toes deep in the forest
in the middle of the night. The owls
led our way and the wilderness
transformed into a sanctuary.
The adventures we shared together
will always remain tattooed on
the pages of my skin. They tell a
story that we began together and
which continues being woven to
this very day. It's the same old
story about how we all were in
this together and how each and
every one of us is also going away
someday and though it will be the far-
thest we can manage to tell our own
tale we may rest assured it will be
continued like one of the old pulp
serials by all our friends which survive
us and manage to continue
the saga whispering in the wind.

Shae Sveniker's
A NEW METAPHYSICAL STUDY
REGARDING THE BEHAVIOR
OF PLANT LIFE


Shae is a poet/artist/student and former
resident of the Salt Pit, UT, currently living
in Simi Valley, CA. His short stories are on
Blogger and his poetry is hosted on Livejournal.


Nigel Strange's
PLASTIC CHILDREN


Nigel Strange lives with his wife and
daughter, cats, and tiny dog-like thing
in their home in California where he
occasionally experiments recreationally
with lucidity. PLASTIC CHILDREN
is his first publication.